Lakeboat

LAKEBOAT for some will move as slowly as one of those ore-carrying vessels you see on the horizon from the shores of the Great Lakes. But for those wanting a relief from the frenzy of the many mindless action movies clogging our cineplexes, this Joe Montegna-directed adaptation 0of a 30-year old David Mamet play offers plenty of rewards. Rather than a coming of age film, as I've seen it described, it's really a tale in which a young grad student named Dale (played by David Mamet's brother), working on an ore boat for the summer, serves as a witness to a number of middle-aged and older crew members intent on educating their young companion. Much of their advice about handling women and sex is pretty awful, but amusing in the cocksure way in which it is dispensed to Dale--and to their good intentions in "helping" the naive boy. Most poignant of the crew is the book-reading Joe, who reveals to Dale a fact about his early life that he's told no one else--that as a boy he had dreamt of being a ballet dancer. Thinking about the direction which he chose for his own life, he tells Dale not only that he has his whole life ahead of him, but, a wonderful comment coming from a rough-hewn crew member, that he is a good man and a hard worker. Charles Durning and George Wendt are delightful as the ponderous First Mate (Captain) and second in command, as is Peter Falk as a pier worker.It seems such a crime that this film came to the Cincinnati area for just a week with no fanfare and left as quietly as it came. It desrves to find an audience, so I hope it soon will be released as an affordable video.

One would think that having worked with David Mamet for so many years, Joe Mantegna would have a superb understanding of Mamet-speak. Mamet's dialog requires a certain rhythm, or cadence to make it work, and despite the high caliber actors involved in this project, I didn't feel that many of them pulled it off very well. Denis Leary and Robert Forster seemed to get it, but everyone else around them seemed very stilted, and the dialog seemed truly forced. Mamet is fascinated by the dance of dialog, and if the cast won't dance, it doesn't work.

This is a movie that should be mandatory viewing at all nautical colleges and academies. It's a (mostly) accurate look into the lives of the men who drive ships for a living. Most people who have ever sailed aboard a ship will probably find this movie hilarious. Such people, however, constitute a small percentage of the general population. This movie is probably hit-or-miss for everybody else, in terms of whether or not they 'get it' and appreciate it for what it is. Lakeboat doesn't easily fit into any particular genre, seeing as there is hardly any plot. The movie instead focuses on characterization, and is aided to this by some relatively unknown but nonetheless well-cast actors. Some of the technical details are wrong, as mentioned in a few of the other comments, but when has any movie ever gotten all the technicalities right? Lakeboat is not an action film; It cruises along at the same slow, uneventful pace as the ship and crew it portrays. If you want a gunfight or an explosion every five minutes, don't even bother. If, however, you like a movie that is insightful, give this one a try. If you've ever been part of a ship's crew, you'll probably laugh to no end; this movie is funny because it's honest. Everybody else, be ready to have your romantic (or literary, according to the summary on this site) visions of the Sailor's life swept away like those of the movie's young protagonist. The stereotypes in the form of the foul-mouthed sailors are exaggerated, but in general the movie his film reflects a truism we jokingly use in this industry: the difference between a fairy tale and a sea story is that a fairy tale begins with "once upon a time," and a sea story begins with "this ain't no (insert four-letter 's' word here)." Lakeboat (generally) tells it like it is.

Lakeboat doesn't have a plot, so I guess it's more of a character sketch. Like a series of disconnected skits, various characters walk in, fire off some non-sequiturs, and leave. Unfortunately, it's not funny -- at all -- and the pace is slow and boring. Frankly, I couldn't get through it. The lines are somewhat funny but the pacing and the portrayal and the music is all serious.

Speaking of music, it's awful -- I assume it's more nepotism by writer David Mamet since the composer is "Bob Mamet". The film isn't awful, it's more of a "bad"... the only reason I'm upset is that I expect so much more from David Mamet. Maybe I should stop that.

Who should see this film:

-- Nobody, even if you think you might want to. See Bottle Rocket instead, or better yet, The Royal Tenenbaums.

I'll give Lakeboat a disappointing 4 out of 10.

Several things about this movie turned me off. I am Great Lakes Merchant Marine and was excited to hear a movie about a Great Lakes crew was being produced. They picked a Great Vessel (the Canadian flagged Seaway Queen). But although you can't blame the actors (they were working with poor material) Lakeboat gives an unrealistic stereotypical view of merchant seaman. Not only that but there are several inaccuracies in the props. For example one character makes a ship to shore call on the inter ship phone system. While the ship was being unloaded they show crew members using hand trucks to unload boxed cargo, the majority of the ships on the lakes carry bulk cargo. This ignorance to realistic detail bothered me but so did the fact that they painted every sailor as foul mouthed know nothings. I honestly have heard worse language from Jr. High School students then my shipmates. It is just so painfully inaccurate.