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Outer Space

  • 1999
  • Not Rated
  • 10min
VALUTAZIONE IMDb
7,1/10
3042
LA TUA VALUTAZIONE
Outer Space (1999)
B-HorrorPsychological HorrorHorrorShort

Aggiungi una trama nella tua linguaFootage from The Entity (1982) is edited into an abstract nightmare.Footage from The Entity (1982) is edited into an abstract nightmare.Footage from The Entity (1982) is edited into an abstract nightmare.

  • Regia
    • Peter Tscherkassky
  • Sceneggiatura
    • Peter Tscherkassky
  • Star
    • Barbara Hershey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    3042
    LA TUA VALUTAZIONE
    • Regia
      • Peter Tscherkassky
    • Sceneggiatura
      • Peter Tscherkassky
    • Star
      • Barbara Hershey
    • 9Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 vittorie totali

    Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali1

    Modifica
    Barbara Hershey
    Barbara Hershey
      • Regia
        • Peter Tscherkassky
      • Sceneggiatura
        • Peter Tscherkassky
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti9

      7,13K
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      Recensioni in evidenza

      7cwhaskell

      A worthy experiment into an alternative way of presenting horror

      Honestly, it was okay. Outer Space was just the right length but DO NOT WATCH IF YOU GET SEIZURES.

      I thought it was cool the way Tscherkassky user editing techniques for all of his special effects and he gave us viewers a classic horror ending.

      Not sure how this is rated a top 1,000 film of all time, but I would say that horror fans should definitely give it a chance. Outer Space, to me, is an experiment around presenting the typical 'there's someone in my house' horror film in a unique and very memorable way. And, it's only 10 mins long so even if you don't like it there's plenty of your day you can still get back.
      8framptonhollis

      in outer space no one can hear you scream...

      "Outer Space" is a film that definitely lives up to its title, for it really is out of this world. As a matter of fact, if I were to name any film I have ever seen that most closely resembles what space aliens likely consume for entertainment on a daily basis, I would easily pick this film. It takes found horror movie footage, and uses wild experimental techniques to further warp and distort the visuals on screen, creating one of the most chilling and atmospheric horror movies I have ever seen.

      While not for every taste (or MOST tastes even), this film can easily be appreciated by those who have an interest in the more avant garde and dark sides of cinema.
      chaos-rampant

      Programming the Psychodrills

      Peter Tscherkassky is an Austrian avant-garde filmmaker who works exclusively with found footage. All of his work is done with film and heavily edited in the darkroom, rather than relying on technological modes. This is his second short film in his Cinemascope trilogy, and it is a longer version of the previous entry, Le Arrivee, with all the skullf-ckery and aural destruction amplified tenfold. It starts off with a mystifying shot of a house bathed in stark noirish atmosphere pulsating and trembling as though with energy of its own, like something culled from a Robbe-Grillet film and pushed through a meat-grinder. A woman enters the house. The house soon transforms into a swirling hell, as though pulled and stretched into another dimension with time and space ripping apart in the seams. At some point we're looking at formless chaos, wave after wave of white noise washing over the screen, rolls of film tortured, an epileptic symphony of power electronics conjuring sheer cacodemony. It is a strange thing to behold, this nine minute short, definitely harsh and uninviting but worth a watch for the adventurous viewer.
      8Rodrigo_Amaro

      A kaleidoscope film

      "Outer Space" is a short film directed by Peter Tscherkassky and in it we sort of see a horror film about a woman played by Barbara Hershey (archive footage taken from one of her films) fighting a blurry celluloid. Or at least, that's my view of this film, she's trapped in a defectuous film reel present in the plot and that is basically the whole film.

      The director impresses us with a unusual visual, a kaleidoscope of images and strange sounds where Hershey tries to do everything to get out. There are times when the images are so immersed in itself that creates a whole new cinematic experience, flashlights, the reel forms, noises and more noises, and for odd reasons it is a interesting thing. It doesn't make you bored but it also doesn't make you appalled; it's just a new thing and it's nice to watch it. It's unpretentious, but not that easy to follow or to feel really interested in it if you haven't seen different things in all types of films. In terms of horror it's not something to make you feel scared but it's made to get you confused, wondering what those hypnotic images are trying to say and trying to show.

      Do you enjoy new cinematic forms, new experiences? Go for it, it's amazing and there's a great technical quality (and I'm not sounding ironic despite the affected film reel). 8/10
      1souandrerodrigues

      Some people should never get a camera

      This is similar to let a glass on the ground of a museum and someone think that is art.

      Some people should never get a camera. Never do anything related to filmmaking.

      This is not art. Not movie. Not short. Not nothing.

      The worst is see people trying to create meanings or explaining it. Or even worse, people who thinks they are "intelligent" because they "understand" the "movie".

      Worst trying of make a short movie ever. Not even that crapy short movies that you can watch in any filmmaking school festival can be worse than this...

      Please, just stop trying to fake art and intelligence, is shameful.

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      Trama

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      • Quiz
        In a 2017 interview with Desistfilm, Peter Tscherkassky spoke about how footage from Entity (1982) ended up as the basis for this film: "It's a funny story. At that time, in my personal 'pre-internet' era of the early nineties, my best friend, Martin Arnold, was teaching in the United States. And he owed me something because I had lent him twenty or thirty movie trailers to study. He was supposed to give them back to me. But when he moved into a new apartment, he forgot my trailers in the cellar of his old flat, they were all gone and lost forever. So, he owed me something. In the United States he had this film magazine called 'Big Reel', in which a dealer had placed an ad for film prints. I had already been thinking about this concept of doing something with CinemaScope. It was based on the idea that if you could project the full CinemaScope film strip, not just the image, but the full strip itself, you would see perforation holes and the soundtrack. And this would be seen on the edges of the screen, which means on that part of the screen which normally is only illuminated by CinemaScope films. So the outer space of the film strip would all of a sudden be seen. This conceptual idea inspired me to make a film using the filmic material as the main actor, represented mainly by the sound strip of the optical soundtrack, the perforation holes, and the celluloid itself. So, Martin read all the films available in 'Big Reel' to my telephone's answering machine. I looked all the titles up to see which of them were shot in CinemaScope, and I read short descriptions of their content. The Entity was not just in CinemaScope, it was also very cheap - only 50 dollars - plus the description read: 'An invisible ghost haunts and rapes a woman'. Well for 50 dollars I thought to myself, 'Let's give it a try!' I thought I could try to replace the ghost of the original with the film material itself. And when I saw the film I knew, 'This is it, bingo!' It was exactly what I needed. I started working on Outer Space and immediately found many images which would not fit into Outer Space, but could make up another film, which then became Dream Work (2001). So, that's the story. It was pure chance, really. And great luck!"
      • Connessioni
        Edited from Entity (1982)

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      Dettagli

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      • Data di uscita
        • 1999 (Austria)
      • Paese di origine
        • Austria
      • Lingua
        • Nessuna
      • Celebre anche come
        • Внешнее пространство
      • Vedi altri crediti dell’azienda su IMDbPro

      Specifiche tecniche

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      • Tempo di esecuzione
        10 minuti
      • Colore
        • Black and White
      • Proporzioni
        • 2.35 : 1

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