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You would almost have to have seen the dog show world first hand to understand all the delicious inside jokes, but even if the extent of your dog show experience is an occasional glimpse of the Westminster Dog Show telecast, you'll howl with laughter.

Conformation dog showing is a world of illusion in which everyone tries to make perfect dogs out of something less. Best in Show strips the illusion away in a brutal satire that undoubtedly had every dog person on the planet cringing in horror and delight. "Isn't that just like so-and-so?" and "I'm nothing like that!"

Christopher Guest may have topped his supreme masterpiece "Spinal Tap" with this signature mockumentary in which he skewers all of dogdom. You will recognize Fred Willard's vapid and obnoxious television host as none other than Joe what's his name from Westminster, and the tension between him and Trevor Beckwith (Jim Piddock) is a thinly veiled roman a clef of David and Joe at the Big Show.

There are a few gaffs, like the fact at all the dogs at the Show are supposed to be champions before entry, but that doesn't detract from the fun. John Michael Higgins, who steals the show as the uninhibited handler, and Michael McKean are hilarious as the gay couple going out of their way to be outre. Co-writer Eugene Levy (American Pie) is perfect as the husband finding out that his wife Catherine O'Hara might be Miss Congeniality of all time. I also loved Parker Posey and Michael Hitchcock as the overwrought yuppie couple who project all their angst on their poor dog. Larry Miller turns in a great cameo as one of the countless men in O'Hara's past.

A lot of people didn't get this gem. To them I can only say Bad Dog, Bad Dog! For the rest of us, it's Sit, Stay, and Enjoy!

I just love this movie / mock-u-mentary! Best in Show is a "mockumentary" made by the same team who brought you the also brilliant "This Is Spinal Tap". It follows several contestants of the Mayflower Dog Show and their dogs. You have a sexually frustrated yuppie couple who met at "Starbucks from across the street", a couple of Gay queens with their Shihtzus, a working class couple with a wife who has had "hundreds of boyfriends", a redneck ventriloquist with his blood hound, and a "Anna Nicole Smith" trophy wife wannabe and her lesbian dog handler. This is just such a wacky bunch - it is a great ride. Some may find it a bit too slow - but I just loved all the subtle humour in it - you can definitely get repeat viewings out of this one! It is a total scream!!

Christopher Guest is a comedic treasure. Not only does he know just how to "mockument" the truly mundane (in this case, the show-dogs and their weirdo owners) but his characters are always so run-of-the-mill yet bizarre; they're either out of touch or wacky Midwesterner; people you can't help but laugh at. With Best In Show, it feels like he's playing that to the hilt and I think it's my favorite movie of his as a result

This is an ensemble cast in the best sense, a group of people perfectly at home with the material -- clumsy, ordinary and awkward -- yet they utter some of the most ridiculous things. I don't think I could stand to be around any of these people, but they kept me in stitches the entire time. The only person I can really single out is Fred Willard, and it's because (I have no doubt) he was let loose as the competition's sportscaster and improv'd the whole thing. The guy doesn't let up!

I'll admit that I've never seen "Waiting for Guffman", 1997's critically acclaimed comedy mockumentary about a small town thats that stages a pageant. When the advertising for Best in Show had the tagline "From the Team That Brought You Waiting for Guffman", a fair number of critics out there implied in their reviews that only people that are familiar with the film or its filmmakers and cast would have a good time seeing this film. For shame, critics, for shame times two! Any critic that implies something like that with any film probably doesn't want to share the film's wealth with the rest of the world, but this is one film that I hope people will experience, now that its video/dvd. "Best in Show" is, without a doubt, the best comedy of 2000.

The film begins with a mockumentary style, introducing the main competitors (not to mention screwballs) of the annual Mayflower "Best In Show" competition, where dogs of all breeds come to compete to see who is the top dog. We have the loveable and gullable Harry Pepper (Guest) with his bloodhound, the simple Gerry & Cookie Fleck (Levy & O'Hara) with their terriors, nut-case yuppies Hamilton & Meg Swan (Hitchcock & Posey), the gay dog groomers Scott Dolan & Stefan Vanderhoof (Higgins & McKean), and the airheaded millionare Sheri Ann Ward Cabot (Coolidge) along with her trainer Christy Cummings (Lynch). They all have their minds on one simple object: The Blue Ribbon, which will be awarded to the best dog. And...do I have to tell you the rest?

Director/writer/star Guest's idea of humor is one that assures me that there are comedies out there that are worth laughing at, and that the idiocy of films like "American Pie" or other pointless "teenage" flicks won't take over the world after all. His idea is simple: make your comedy not just funny, but SMART funny. But instead of following in the brilliant footsteps of films like "Zero Effect" and "High Fidelity", he used a rather unusual approach (and as I understand, he also used this approach for "Guffman"). Whether you notice or not, a very large part of the film is improvisation. In other words, what the actors say and do were probably not written in the script, maybe even not even dreamed of by Guest and co-writer/star Levy. But with a gentle hand from Guest, he and the actors pulled off a hilarious theatrical feat that probably would have flopped if handled by other, less adept actors. Now that's smart!

The cast is, of course, what makes improv work the most. All of them are a (comedic) marvel to behold, especially Guest as Pepper. But the real standout has to be Fred Williard as Buck Laughlin, the clueless announcer at the competition who can spin out the most outrageously funny stories and comments that no announcer would even dream of...that is, if the announcer was trying to be funny. Williard can go from talking about the dog to suddenly going on and on about how much he can bench press. There's even a part were he gives out an idea for a new marketing strategy: have sexy women pose in tight shirts and shorts with the dogs and imply something like "have a doggie-style of a time". Its priceless, as is his performance.

I hope that people engage in this 90-minute "dogumentary". The film deserves so much recognition. It did get nominated for Best Picture-Comedy at the Golden Globes, but didn't win. I can't see why. I mean, in the comedy department, it is best in show.

GRADE: A

This is the only Christopher Guest movie that rivals Spinal Tap and Princess Bride for sheer entertainment value, but somehow never gets near the recognition. The plot surrounds the contestants--dogs--and their owners as they venture into the world of competitive dog...OK, it's about a dog show. The owners truly are characters, as one would have to be to be so attached to their dogs. That's really all there is to it, but that makes it funny enough.

You'd never be able to convince me that a mock-u-mentary about dog shows would be funny prior to catching the hilarious scene where Levy and O'hara visit Larry Miller's house on TV...but that's really all it takes to convert any doubters. Spinal Tap was non-stop hilarity, joke after joke whereas Best in Show was had a few more lulls (and by that I mean say 3 minute at MOST where something riotously funny doesn't happen), but the big laughs are even bigger.

The casting in this one is great and even the typically out of place in, uh movies in general Parker Posey does a fine job. In fact, her tirade directed at Ed Begley Jr. and a pet store owner over a lost dog toy is probably the funniest running gag of the film.

What's amazing about this movie to me is how the writers somehow managed to weave a plot, simple as it was, around these great jokes so that it actually felt like it had direction. I guess there's a freedom in having such a minimal plot. Everyone's role is pretty well crafted here and the characters are rarely over-the-top. The realism of how pathetic they seem to the outsider is what makes it funnier than Mighty Wind or the uneven Guffman. I actually encounter wierdos like this now and then. If you like Guest's stuff at all, you should definitely own this one.