Scarlet Diva

Scarlet Diva is Asia Argento's first serious attempt at directing a feature-length movie after a brief but successful acting career. It tells the story of Anna Battista and her first serious attempt at directing a feature-length movie after a brief but successful acting career. Sounds like another example of every debut film turning out autobiographical and, in most cases, pretentious and self-indulgent? Yes indeed, Scarlet Diva is all of these.

25-year-old Asia Argento learnt her trade on set with her father, Dario Argento, Italy's very own horror-film specialist. Having starred in many of her dad's gore-fests – but also in more mainstream films like La Reine Margot or last year's B. Monkey – she is now out to make a name for herself in the writing/directing business. While she comes a cropper in the writing department (the story is very simple, and some of the dialogue is excruciatingly self-important), it has to be said that the film has style, of a kind. Its use of video footage, the fast editing and the pumping soundtrack go some way towards deflecting attention from both the miserable script and the inept cast. Apart, that is, from Ms Argento herself who, in the title role as Anna Battista aka Scarlet Diva, somehow manages to keep her head above water as the rest of one of the worst acting ensembles for some time (the scenes in Los Angeles are especially bad) go under and stay under.

In both form and content, there are parallels between Scarlet Diva and Baise-moi, the French scandal-film par excellence. We are given (relatively) graphic rape scenes, a whole sex-drugs-and-rock ‘n roll attitude, and the main character(s) portrayed as victim(s) of the system (in this case the movie production system). Although any comparison with a thoroughly distasteful product like Baise-moi may well have put you off giving the film a chance, not everything about Scarlet Diva is wholly bad. The improvised home-movie style gives the film a pacey and refreshingly amateurish feel that is pretty rare in cinema nowadays. But even that faint praise cannot make up for the sheer pretentiousness and exhibitionism that Asia Argento treats herself to. And there's some dodgy religious imagery to boot. A little more subtlety would certainly have done a lot to improve this film, a film incidentally that would never have seen the light of day had the leading lady not received some timely financial help from daddy and his associates.

A typical debut film, then, from a first-time director, but still interesting enough, if only for us diehard film fans and for any wannabe anarchists out there.

Cult actress Asia Argento, daughter of Italian horror legend Dario Argento and his former leading lady Daria Nicolodi, almost uses 'Scarlet Diva' as therapy. She is the first to admit that she has a lot of demons to battle, and this semi-autobiographical digital video movie about a successful Italian actress (and "the loneliest girl in the world") trying to find happiness, or at least some relief, through sex, drugs and some disastrous relationships, was obviously cathartic for her to make. Unfortunately it is a very uneven and at times unbelievable film and is almost impossible to get involved with. Anna/Asia's pain and despair isn't hidden but the script is so shallow and the acting so unconvincing that it becomes little more than a freak show. Personally I found Argento's commentary on the DVD much more interesting than the movie itself. In it she spells out just how much of the movie is based on real situations in her life, and explains what has been changed or slightly fictionalized. Hearing her talk honestly about how much this movie means to her, and how for example, getting her own mother (Nicolodi) to play her fictional mother altered their relationship for the better, was more effective than watching the actual movie. It also makes you feel bad for slamming this, but what can you do? It just isn't very good. Argento also talks about how she felt betrayed by her friend Vincent Gallo ('Buffalo 66'), who agreed to play the rock star Kirk Vaines character, but then blew it by asking for too much money. If you look closely you will see Asia stand on a picture of his face in one scene. She also discusses how working with Abel Ferrara on the troubled 'New Rose Hotel' inspired her to direct, and how Ferrara and her father Dario Argento (who gets a production credit) were the only two people to encourage her with this project. I just hope that if she directs again the results are a lot more interesting than this amateurish effort. I say avoid this movie unless you are a complete Asia Argento nut. Otherwise if you must watch it, make sure you listen to the commentary and watch the interview segment, as you will get a lot more out of them than 'Scarlet Diva' itself.

Scarlet Diva (2000)

** (out of 4)

Anna Battista (Asia Argento) is an Italian actress whose dream it is to direct but she runs into one wall after another on her self destructive path filled with sex and drugs.

SCARLET DIVA not only stars Argento but she also wrote and directed the picture, which most will see as a movie about herself. Through various interviews and even the commentary track it's hard to follow what in the movie is based on her of if any of it really is. As far as the film goes, in all honesty there's really nothing great or bad about it and it's pretty much an average film.

I think the best thing about the picture was Argento the actress as she certainly gives it her all. There are all sorts of drama here from rape scenes to bizarre drug trips and even some heavy drama. Argento does a good job in the acting department and she certainly helps keep the movie going along. The supporting players are all nice as well including Daria Nicolodi who plays the mother.

The biggest issue I have with the film is that it seems Argento is wanting to say a lot but nothing really comes out of the film. I'm sure there was some sort of deep or personal meaning that Argento wanted to get out but whatever it is remains pretty still. I'm sure people could watch this and draw their own conclusions but I found the film to be somewhat of a mess in the story department.

The film features quite a bit of sex, nudity and drugs but it's really not shocking or too daring. If you're a fan of Argento you'll certainly want to watch it for her but there's nothing overly special here.

Asia Argento, daughter of the legendary horror movie creator Dario Argento, is barely known in the USA aside for a couple of art house movies and the bad movie but commercial success of XXX where she is the only character that really acts.

Even when I saw a few of her movies, mostly horror fare where I could not appreciate her look mixes of a timid person trying to seem strong. Something that make her lovely even when she is not an aggressive beautiful as other Italian actresses like Monica Belucci, Agostina Belly, Laura Antonelli or Ornella Mutti.

Thanks to the generosity of movie distribution, this movie was shown in Miami probably one week in some hidden theatre and of course I was not able to catch it until mysteriously was released on DVD just a few weeks later. Well this is the first time I really grateful I enjoyed the movie in the intimacy and calm of my home instead of a probably empty theatre. Why ?. Just because after seeing the whole 90 minutes, I heard Asia's enlightening interview and after that I saw the movie again but this time only with the director's commentary. Something I never did before in any of the more than 300 movies I own.

Is SCARLET DIVA such a great movie ?. Well no; it really is an amazing experience. The story is not really so. Just a famous actress trying to direct her first movie call SCARLET DIVA and moving in different levels of the industry looking for support. Is also the desperation to find love in an environment were it not exist. The relation among the different bits or scenes is barely existent. Is like witnessing a huge depressing moment in a person you care, and things did not get any makeover.

Two important facts here; first you care about the character because you realize the protagonist is living in a real hell; which paradoxically is the life she choused.

Second it requires a great courage to shot most of the things this movie shows. I am not talking only about the interracial sex or the substance abuse or the humiliations of being in the show business; but also the fantasies, the traumas and your own family and personal dysfunctions.

However, self pity is avoided and risks taken all over. I never saw an actress nude in front of a mirror shaving her arm pits and creating a tender moment out of it. It also requires a lot of guts for a women/actress to accept that she never made love before; because she was always a whore.

Even when most of the things are real, Asia avoids real names and did not point fingers. However, in the commentary, something worth hearing because of the frankness she describes all real and no so real things, she mention several real names (mostly art house and independents like Vincent Gallo) stating how little help or how they betrayed her friendship and the little collaboration on her movie.

The comment itself , is worth almost as much as the movie. It looks so natural and sincere that; if it is not true, she really deserves and Oscar for that.

Asia Argento triple-hyphenates (director-writer-actress) her first full length drama. The film is considered to be semiautobiographical in nature but deals with the fictional Anna Batiste is the `loneliest girl in the world' who is the top actress in Italy and posed to be unleashed upon the stage of world cinema but takes herself down a path that leads get involved in many bad life altering situations. She is ultimately used up and spit out by sleazy Hollywood producers, rock stars, druggies, photographers and a sordid list of leeches that leave her alone, pregnant and running mad through the streets of Paris.

I'm very impressed with the energy that Argento injects into the film. She clearly borrows from some of the well-known directors she has worked with in the past (including her father Dario) but it all works in her favor. A rich color scheme is used throughout the film that sometimes gives an ethereal feel that is sometimes jarring . The script matches the direction, a little disjointed but it works for the characters spiral into agony. Her acting and the cast around her is very good, her believable portrait of the character throughout the peaks and valleys of her life.

Unfairly blasted by critics this film should be seen with an open mind. True I was already a fan of Asia Argento before I saw the film but you don't have to be in order to like or respect the film.