Wild About Harry

I saw this movie at the London Film Festival and enjoyed it very much. It is a very witty and funny film,sometimes hilariously so.

It is also a subtle film which works on more than one level. It can be viewed as a romantic comedy.or could be seen as a metaphor for peace and reconciliation in Northern Ireland after 25 years of troubles.

The film has encouraged me to buy some of Colin Batemans books.

Black comedy about a hard-drinking/smoking/womanising Irish TV chef who loses his memory when on the brink of divorce. Harry is a mix of male TV chefs from Graham Kerr to Keith Floyd and looks a hell of a lot like Patrick, the Irish Anglia TV chef.

This is a well-constructed film, funny without being hilarious, moving without being too syrupy.

Brendan Gleeson play this part so well that it's hard to imagine anyone else doing it.

Amanda Donahoe is excellent in a different role for her.

George Wendt as a TV producer is George Wendt - a delight to watch (please can we see more of him).

Nothing groundbreaking, just good entertainment.

What a pleasure this was. A well written, well crafted piece of black comedy which demonstrates the fact that a fine story and emotive acting can make up for a lack of big budget sets and effects. Filmed on location (with good effect) in Northern Ireland, 'Wild About Harry' tells the tale of Harry McKee, an aging lothario who combines his job as a TV chef with a life of drunken parties and seducing his female fans. As you would imagine, this does not bode well for his marriage to long suffering wife Ruth, who has set divorce proceedings in motion. Before the hearing though, Harry gets attacked by thugs and ends up in a coma.

When he awakes, he has 'lost' 25 years of memory and thinks he is an 18 year old, clean living, boy with his whole life ahead of him. What follows is a keenly observed story of how life can sometimes give you a second chance to repair any mistakes you've made. 'Wild About Harry' is based on a book by superb local author Colin Bateman, and anyone who has read any of his work will know that there are plenty of colourful characters, situations and lines to enjoy. We need more films like this to refresh the soul from the usual Hollywood pap !

Northern Irish TV chef Harry has a history of playing around, being drunk and fighting with his wife. On the eve of his divorce hearing, Harry is beaten up at a garage but goes to work the next day. Acting increasingly disorientated and unusual he finally slips into a coma. Coming out of the coma later, Harry thinks he is 18 and can't remember anything past that. His wife doesn't tell him what a total s*** he has been and tries to form him into a better person. But when Harry discovers his recent past he is shaken and tries to carry on as normal.

When I saw this advertised I saw the great cast and wanted to see it immediately. The plot didn't sound too great – how many `kid in adult's body' things have we seen – and this one sounded like a recipe (sorry) for disaster. The opening scenes are funny, with a great joke at the expense of the sheer horror of daytime TV, but it soon turns into sentimentality that doesn't always work. The central relationship between Harry and Ruth doesn't always convince but it is OK and mostly avoids being syrupy despite being a bit sentimental.

The sub-plot about the disgraced politician is just plain silly and is clearly a very silly idea whose sole purpose is to create some sort of climax to the main romance. It simply doesn't work and just adds to the feeling that this is a film that began with an idea but wasn't fully developed and, as a result, has too many bits that simply don't work very well.

The great cast is mostly wasted. Gleeson is on good form and is an enjoyable character in the lead. Donohoe is also good and her accent is pretty good despite slipping occasionally. Dunbar is a good actor but has little to do here in a small role. Nesbit is a great actor from my hometown of Coleraine. Sadly here he plays the absurd disgraced politician who is ruined by Harry on live TV – it's a silly role and the only thing that it does for Nesbit's career is that it shows he'll do any old tat! `Cheer's' Wendt is funny in a small role as Harry's producer and is typical of a well known and talented cast.

It's a shame that they are pretty much wasted in a daffy plot that mixes a good idea with some touches that simply don't work. At heart this is a romance with potential but it has too many bits that are half baked although much of the central romance is enjoyably sweet without being overly sickly sweet.

A thoroughly enjoyable movie. OK so it was never going to win any Oscars. But it was refreshing to see a movie set in Northern Ireland which wasn't one of those American garbage productions about their romanticised view of "The Troubles". It showed normal life (within the context of the story) does happen in NI. Much more entertaining than an hour of midweek soaps. Good cast, good laughs and a happy, feel good ending. Despite the occasionally wavering accents there were fine performances from Brendan Gleeson and Amanda Donohoe. Also another fine turn from James Nesbitt and Adrian Dunbar, particularly the latter's concern for his sexual preference possibly being made public in very conservative NI. Worth a watch of an evening. Maybe with a pizza and some beers.