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Il nemico alle porte

Titolo originale: Enemy at the Gates
  • 2001
  • T
  • 2h 11min
VALUTAZIONE IMDb
7,5/10
287.947
LA TUA VALUTAZIONE
POPOLARITÀ
2589
220
Jude Law and Joseph Fiennes in Il nemico alle porte (2001)
Pre, "Coming Soon"
Riproduci trailer2:22
1 video
99+ foto
Drammi storiciEpica di guerraAzioneDrammaGuerra

Un cecchino russo ed uno tedesco cercano di eliminarsi a vicenda durante l'assedio di Stalingrado.Un cecchino russo ed uno tedesco cercano di eliminarsi a vicenda durante l'assedio di Stalingrado.Un cecchino russo ed uno tedesco cercano di eliminarsi a vicenda durante l'assedio di Stalingrado.

  • Regia
    • Jean-Jacques Annaud
  • Sceneggiatura
    • Jean-Jacques Annaud
    • Alain Godard
  • Star
    • Jude Law
    • Ed Harris
    • Joseph Fiennes
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    287.947
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2589
    220
    • Regia
      • Jean-Jacques Annaud
    • Sceneggiatura
      • Jean-Jacques Annaud
      • Alain Godard
    • Star
      • Jude Law
      • Ed Harris
      • Joseph Fiennes
    • 764Recensioni degli utenti
    • 92Recensioni della critica
    • 53Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 candidature totali

    Video1

    Enemy at the Gates
    Trailer 2:22
    Enemy at the Gates

    Foto150

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 143
    Visualizza poster

    Interpreti principali69

    Modifica
    Jude Law
    Jude Law
    • Vasily Zaitsev
    Ed Harris
    Ed Harris
    • Major Erwin König
    Joseph Fiennes
    Joseph Fiennes
    • Commisar Danilov
    Rachel Weisz
    Rachel Weisz
    • Tania Chernova
    Bob Hoskins
    Bob Hoskins
    • Nikita Khrushchev
    Ron Perlman
    Ron Perlman
    • Koulikov
    Eva Mattes
    Eva Mattes
    • Mother Filipov
    Gabriel Thomson
    Gabriel Thomson
    • Sacha Filipov
    • (as Gabriel Marshall-Thomson)
    Matthias Habich
    Matthias Habich
    • General Paulus
    Sophie Rois
    Sophie Rois
    • Ludmilla
    Ivan Shvedoff
    Ivan Shvedoff
    • Volodya
    Mario Bandi
    • Anton
    Hans-Martin Stier
    Hans-Martin Stier
    • Red Army General
    • (as Hans Martin Stier)
    Clemens Schick
    Clemens Schick
    • German NCO
    • (as Clemans Schick)
    Mikhail Matveev
    • Grandfather
    Alexander Schwan
    • Young Vassili Zaitsev
    Lenn Kudrjawizki
    Lenn Kudrjawizki
    • Comrade in Train
    Hendrik Arnst
    • Fat Colonel
    • Regia
      • Jean-Jacques Annaud
    • Sceneggiatura
      • Jean-Jacques Annaud
      • Alain Godard
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti764

    7,5287.9K
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    Recensioni in evidenza

    8A_Different_Drummer

    brilliantly flawed ... is still brilliant

    In the grand tradition of Old Hollywood, this international co-production seeks to frame the key battle of WW2 (the REAL key battle, not the ones from the John Wayne movies) as a morality tale involving a love triangle.

    It is a bold idea, and beautifully executed.

    In fact an argument could be made -- and I will make it -- that any flaws in the execution (it lags a bit here and there) are the result of the film-makers' "reach exceeding their grasp" and they attempted too much, more than one film could ever accomplish.

    But what a film it is! You viewer feel as though you are there, making history. The four stars involved have, each of them, never given a bad performance in their careers and they surely maintain their records here.

    Ed Harris in particular -- although he has less screen time -- will always to this reviewer seem a vastly under-rated actor. (This review written in 2017 where an older Harris still uses his charisma in a defining role for HBOs Westworld .... and nails it.) Recommended? Absolutely! In the Metacritic data that IMDb so helpfully provides I could not help but notice one reviewer commenting that, well, it sure isn't in the same class as SAVING PRIVATE RYAN.

    Which is the irony of doing film reviews. I have never not once thought of wanting to see SAVING PRIVATE RYAN again, but this film is one I like to revisit every few years. Magnificent.
    Hollywood Chief

    Open these gates and let people in

    After watching such films as "Saving Private Ryan" and "Patton;" I have come to appreciate war films. For this reason, I decided to see the latest war film, "Enemy At The Gates."

    "Enemy At The Gates" may be one of the best war films I have seen since "Saving Private Ryan" because it is executed perfectly. With incredible performances, script and the impact I felt; "Enemy At The Gates" sets the tone as the first great war film of the 22nd century. This film can be served as the appetizer to the main course coming out soon, "Pearl Harbor."

    Jude Law, Joseph Feinnes, Rachel Weisz, Ed Harris and Bob Hoskins come together to re-visit the Battle of Stalingrad in 1942. The best thing about seeing each one of the actors perform was they all gave 100 percent effort to make the film as real as possible; they did an excellent job. Fiennes, Weisz and Hoskins were the icing to a cake that was delicious from the start.

    The highlights of "Enemy At The Gates" always came when Law and Harris were on screen because they played excellent psychological mind games with one another to win; furthermore, it was like watching master chess players playing for the grand prize. It was also enjoyable to see the strategies and tactics each would use to out-maneuver the other.

    "Enemy At The Gates" drew me with its many action sequences similar to those in "Saving Priate Ryan." Also, the love triangle between the three main leads was interesting to watch and see how it would unfold. I felt like I was in the movie because the writer did an excellent job at making me feel exactly what they felt and experience what they were going through.

    There is no rule that states dialogue is needed for a successful film. While "Enemy At The Gates" has dialogue, the scenes that have none stand out in my mind the most because we see close-ups of both snipers and the expressions on their faces. This is incredible to me because the intensity shown on their faces speaks volumes about what the movie is really about.

    This may not be the best war film ever made but with two of the brightest young stars on the rise, an actress that is here to stay and a veteran that continues to turn in knock-out performances, "Enemy At The Gates" will be remembered for a long time.
    Spleen

    Uh, guys, there's a war on

    No doubt the title is an indication of what the film would LIKE to be about. The Germans forces were indeed "at the gates" - they are on the verge of capturing Stalingrad, they would lay siege to Leningrad, and at one point even Moscow appeared to be in danger. The situation was desperate. But after we're told all this, the position of the German army turns out to have no more to do with the story than the position of the sun in the zodiac. After a bitter, violent battle over - well, we're never told - nothing of a military nature happens again. Not even offstage. (Until the end, when, after a brief "offensive" of unfathomable significance, an epilogue tells us that the Germans were repelled from after all.) All the action in Stalingrad freezes so that we can watch a protracted duel between a Russian and a German sniper.

    Now I'm prepared to believe that snipers played a valuable role in this kind of warfare - I wouldn't know - but Vassili's primary value, we must assume in the absence of information to the contrary, is as propaganda - a means of keeping up the morale of the local troops. But there's something circular here. The snipers are the only people we see doing any actual fighting, and by the end of the film they seem to be devoting all their efforts to shooting a German sniper who is in turn doing nothing but trying to shoot Vassili. What does ANY of this have to do with, you know, the invasion?

    The fact that the troops of a hostile foreign power are on Russian soil (they haven't yet been defeated, and it looks to be only a matter of time before even Moscow would be overrun) doesn't seem to motivate the characters to do much. Nobody makes a single decision for the good of the war effort as a whole. Danilov builds up the Vassili legend because of personal feelings and is ready to tear it down later for other personal reasons; Tania wants to kill Germans - kill them herself, by hand, rather than help her fellow soldiers as best she can by working in intelligence - because they killed her parents; Danilov tries to transfer her to a safer job not because that's where she should be (it's a mere coincidence that that IS where she should be), but because he's hitting on to her; Vassili's heart isn't in the duel with the German sniper until he has a casual acquaintance's death to avenge. When Sacha's mother is told that her son is a traitor (now serving the forces who have bombed the city she grew up in to rubble), her only reaction is, "Perhaps he'll be safer with them than with us." Wherever we look, we see dreary personal concerns. Did any of these people notice that the enemy IS at the gates?

    If Anaud was trying to make his characters more plausible by making them pettier, he failed. When Sacha tells a third party what we supposedly already know - that Tania is in love with Vassili - it came as news to me. I hadn't seen any insipient love anywhere. I suppose I ought to have worked it out, by assuming that the single female character must be there to fall in love with someone and using a process of elimination to work out who it was (she plainly didn't care for one of the two candidates, therefore she must be head over heels with the other one), but really, even in a movie as dull as this, I have better things to do.
    8Nazi_Fighter_David

    A fascinating film about the strategy of two great snipers

    In "Enemy at the Gates," the future of the greatest battle of World War II, would be decided between a young Russian sniper and an aristocratic sharpshooter from Germany sent to kill him… Jude Law and Ed Harris sit for hours waiting for the right moment… It was a duel set in the siege of Stalingrad… Stalingrad was one of the biggest and bloodiest battles of World War II, and in the midst of this huge battle, these two soldiers were hunting each other down…

    The film opens with the harrowing transport of thousand of Russian soldiers across the Volga River to Stalingrad… The recruits were packed onto steamers, barges, whatever they could find to ferry them across the river… All that under a deluge of shells, bombs and explosions…

    By the time Vassili arrives to Stalingrad, the Nazis have a distinct edge, and Soviet morale is at an all-time low…

    Leading the Russians in their seemingly futile defense is Nikita Kruschev, played by Bob Hoskins… The Germans, at that time, were overrunning the place and the Russians were in an appalling state… It was the most awful battle of the war…

    Joseph Fiennes plays Danilov, an idealistic Russian officer who passionately speaks about his belief in getting the troops to turn the grave situation in Stalingrad around… He finds the perfect inspiration in Vassili…

    Rachel Weisz plays a young woman who volunteers to help in the war effort… She's literally protecting the people she grew up with… When she meets Vassili, he just has a natural intelligence, a natural instinct…

    Jude Law is remarkable as the young sharpshooter Vassili Zaitsev who conveyed both humanity and intensity… There's such a fierce intelligence and liveliness in his eyes… He can also be very quiet and internal… Vassili found the complexity within the silence and stillness… In fact to be a sniper is very much about a man of action through stillness… Vassili represented the ultimate hero, the symbol of someone who could instill hope and belief in victory amongst the troops, because his skills as a sniper were unparalleled…

    Ed Harris played Major Konig, the German sharpshooter sent to hunt down Vassili… He knows that Vassili was picking off German officers with some regularity, and was becoming a folk hero for the Russian soldiers as well as the Russian populace... He decided to eliminate him…

    The casting of Ed Harris opposite Jude Law resulted in a striking visual link between their characters… They both have these unbelievably penetrating blue eyes… And director Jean-Jacques Annaud began to see the duel through their eyes… And one of the first shots of Ed Harris was a close-up of his blue eyes…

    Annaud painted the tensions very clearly and concentrated purely on the eyes of the Jude Law and Harris and, of course, on their rifles and how they were hidden and what they were doing… Basically, the core of his camera is the duel of their eyes, duel of men, duel of snipers, therefore a confrontation of people that scan the surrounding buildings, and try to decipher what they see
    8mholmez

    Historially accurate? No. Entertaining? Absolutely!

    If you go into this film hoping for an historically accurate portrayal of the battle of Stalingrad then go watch a documentary, if you are however looking to be entertained by an action packed and gritty WW2 movie set in the city of Stalingrad, then go ahead and pick this up because it's nothing if not entertaining.

    The movie is about the real life sniper Vasily Zaitsev played by Jude Law and his exploits during the famous battle, the beginning of the movie is complete chaos as our main hero is sent to the front and we see the besieged and infamous city for the first time. It's honestly worth watching this movie just for the opening scene alone which is just incredibly well done in all aspects and portrays some of the horrors that the soviet troops would have witnessed when arriving there.

    Overall this is a highly entertaining war movie, fantastic CGI for the time, everything is well shot, the set pieces are gorgeous and even the acting and characters are well done.

    All that said this is of course a Hollywood production, don't expect much in the way of historical accuracy and definitely expect a silly love story (though not the worst) and everyone speaking English with poor Russian and German accents.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Jude Law and Ed Harris were cast largely on the expressiveness of their eyes. They were frequently called to convey emotion without saying a word.
    • Blooper
      In the scene where Vassili is lighting the cigarette butt he picked up from the German sniper, it's apparent by the flame he uses a butane lighter. Butane lighters were not invented until the 1950's.
    • Citazioni

      Commisar Danilov: I've been such a fool, Vassili. Man will always be a man. There is no new man. We tried so hard to create a society that was equal, where there'd be nothing to envy your neighbour. But there's always something to envy. A smile, a friendship, something you don't have and want to appropriate. In this world, even a Soviet one, there will always be rich and poor. Rich in gifts, poor in gifts. Rich in love, poor in love.

    • Curiosità sui crediti
      The end credits are slanted and curved.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Mexican/Enemy at the Gates/See Spot Run/The Taste of Others/Series 7 (2001)
    • Colonne sonore
      La Chanson des Artilleurs
      Music by Tikhon Khrennikov

      Lyrics by Viktor Gusev

      (C) Musikvertag Hans Sikorski, Hamburg

      Performed by The Red Army Choir (as Les Choers De L'Armee Rouge)

      Courtesy of 7 Productions, Paris

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    Domande frequenti22

    • How long is Enemy at the Gates?Powered by Alexa
    • Is this film historically accurate?
    • We are used to seeing long distance shootings in films about snipers, and Enemy At The Gates is no exception. But Stalingrad was a dense ruin. How did sniper battles really work there?
    • What is the significance of the two crosses/ribbons Ed Harris' character changes nearing the end of the film?

    Dettagli

    Modifica
    • Data di uscita
      • 20 aprile 2001 (Italia)
    • Paesi di origine
      • Francia
      • Germania
      • Regno Unito
      • Irlanda
      • Stati Uniti
    • Siti ufficiali
      • Official Facebook
      • Official site
    • Lingue
      • Inglese
      • Tedesco
      • Russo
    • Celebre anche come
      • Enemigo al acecho
    • Luoghi delle riprese
      • Bavaria, Germania
    • Aziende produttrici
      • Paramount Pictures
      • Mandalay Pictures
      • KC Medien
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 68.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 51.401.758 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 13.810.266 USD
      • 18 mar 2001
    • Lordo in tutto il mondo
      • 96.976.270 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 11min(131 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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