Le diable noir

Director Georges Méliès was the greatest film maker of his day. Unlike the films of Lumiere and Edison, his films told complex stories and had a lot of very, very funny and amazing stunts--probably due to his earlier career as a magician.

In this short film, a devil is shown bounding about an apartment--appearing and disappearing at will. Soon, a man enters and is soon tortured by the imp. First, furniture appears and disappears--chasing the man around his apartment. Then, when the devil appears, the man chases him and tries to hit him, but he keeps appearing and disappearing and it soon becomes obvious there is nothing he can do to stop him! This film is one stop-motion camera trick after another and is super high-paced and funny. Despite its age, it's well worth seeing.

If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software.

This is another fun and inventive film from director Georges Méliès. Like many of his others, it's film that is basically a means for Méliès to display his skills with film trickery. Also, like many of his films he demonstrates his skills within an imaginative setting, so the movie retains a great deal of charm. The film depicts the actions of a devilish imp, who has invaded an apartment. He disappears and reappears all over the room at will. When a poor unfortunate man enters the scene, the imp torments him with his magical mischief. This involves furniture moving at will all over the room, with a clever sequence involving multiplying chairs. The main trick that Méliès uses in Le Diable Noir is stop-motion photography and it's only fair to say that he uses it very well. It's been put together with such care that it's not all that easy to notice when the jump-cut has been made. Like many of the directors other works the overall feel of the film is playful as opposed to menacing. Definitely a nice little flick to watch if you are interested in the very earliest films ever made.

Méliès fans, I salute thee, this movie is, what I consider, the granddaddy of horror movies. The filming method is very conform to Méliès style, but the narrative (which everybody knows is a pretext for the magic tricks) is slightly different. The usual fantastic aspect leaves place for a paranoia induced story about a man tormented by a black imp, pulling some evil tricks on him, screwing up with his perception. Multiplication of chairs, furniture mysteriously changing place around the room...the poor man dosen't know what's going on until he finds out about the imp. Ensues a great fight between the man (armed with his broom) and the imp, which is continuing to use his mystical powers to mess around with the sleeper.

Very good movie for those interested in the genesis of horror films.

Black Imp, The (1905)

*** (out of 4)

aka Le Diable noir

Also known as THE BLACK DEVIL, this here is another high point for director Melies. In the film a man checks into a hotel for some rest not knowing that he's about to be haunted by a demon living in the room. It starts off simple as the man can't seem to be able to hang his coat up but quickly turns to a chair disappearing below him and eventually the demon pops out for a quick scare. This is yet another film that Melies is best remembered for and it's funny to see how many times he actually did this story. There's no question he was a fan of checking in somewhere only to be haunted as it's a subject he'd use many times throughout his long career. The special effects with all the chairs and furniture are easy to spot but that really doesn't take away anything from the film because it's just so charming. You can't help but have a smile on your face as one item disappears after another and the man grows crazier and crazier.

The jump cut was the key element in early movie conjurer Georges Melies bag of tricks, and as he grew more experienced in the production of films so his use of this trick grew more sophisticated. This ingenious little movie shows off Melies' adeptness to good effect, and it's clear that a lot of imagination has been used in a simple tale.

A mischievous devil appears in a hotel room and is just preparing for a snooze when a traveller enters the room. Angered by this intrusion the devil plays a series of tricks on the traveller (who is played by Melies) until he drives him to near madness so that he has to be escorted from the room by hotel staff.

The use of the jump cut is used to good effect here, and they are particularly effective thanks to their unusual seamlessness. Usually in these early films it's easy to see where the cut has taken place. In this film, even though our knowledge of the technique means we know the exact moment when it has been used, very often here we can't actually see the cut. Definitely one of Melies' better films.