La doccia

Shower keeps within itself in so many ways. Almost all of the movie takes place in an old- time bathhouse, with the denizens supplying the humor, pathos, and emotional touches. The love and friendship between the proprietor and his retarded son is deep and moving. The way the older brother is drawn into this tiny world seems unforced and persuasive. The plot is meandering, full of surprises and ironies, and touched overall by a sense of what I'd have to call neighborliness in the relations and conflicts of the performers. This is a film I pull out when I want to believe in the world again.

What a refreshing film. Da Ming, the eldest brother returns to his fathers bath-house business because he thinks his father is ill. When he finds out the contrary, he wants to go back to the big city, but soon realizes that his family is more important than making money.

Millions of people are flocking to see "Hannibal" disembowel and eat people. How nice to see a film about people who love each other and are NICE to each other.

A funny, touching, heartbreaking, wonderful movie that will make you feel better about the human race, rather than want to retch.

This film is moving without being sentimental - meaningful without being pretentious. It tells a simple story of a family in danger of falling apart as the encroachments of technology and an advancing society make the family-run business increasingly untenable.

The acting is wonderful - though none of us in the west are likely to have heard of these actors, we should have long ago - they play their characters with honesty and reverence - these are flawed characters, each with major weaknesses, but with such utter humanity and kindness that it's impossible not to become engaged in the story.

We need more films like this - we need more western filmmakers creating films such as this.

On the basis of the preview I'd seen, I went to "Shower" expecting a sweet little comedy; what I found was a profoundly touching drama of family life told in some of the most lush photographic images I've ever been privileged to see. In addition, later reflection made me appreciate the abrupt cuts to scenes from the past (in the arid countryside of Northern China, and in the high plain of Tibet): isn't this how memory often works? One moment I'm here, the next I'm in a landscape from the past, just like that....

I would not only strongly recommend this film, I would place it among the two or three finest films I've seen in my 60 years.

By the way, a couple of years ago another Asian "comedy" was released in the United States as "Shall We Dance?" (Japanese). Just as with "Shower," the preview gave not the slightest indication of the depth of that film, which turned out to be a subtle psychological study (albeit chock full of funny moments). Is there a fear, on the part of distributors, of making films appear too "important" or "deep" to appeal to U. S. viewers?

This beautiful story of an elder son coming home, and learning to love and be a part of all those things that he left home to get away from, is poignant and moving. It shows a society that is perhaps strange to us in the Western world, with a sense of family that we have lost. The story is beautiful, sad, and at times funny and comic. It has a feeling of realism that we don't seem to see any longer in our western movies.

The acting is unusual, in that as the movie progresses, it almost gives the impression that it is not acting, but a documentary of ordinary people. This is brilliant directing and movie making.

Would love to see more movies by this director.