The Three Stooges

I did like the fact that the film didn't dwell so much on the comedy part of the Stooges.. although the re-creation of some of their classic routines was excellent.. The film was entertaining because it was a story about the Howard brothers.. Not to forget Larry.

I was fortunate to meet Larry when I was a child. He was doing a personal appearance at Hess's Department store .. and as a 7 year old who loved seeing the Stooges on TV.. he was a very nice and also a very gracious man.

I do think that it could have been a bit longer .. the film seemed to rush from Curly's stroke in 1947.. right to 1955 with very little about Shemp.. Also there was very little about Joe DeRita..

However all in all .. a very enjoyable film.. even for the non-stooges fan.. whoever you are :)

One of the better biographical TV movies, "The Three Stooges" suffers from the main failing that most such movies do: taking "liberties" with the facts. There are few things more annoying than watching a movie about people you know something about, and seeing an incident or event portrayed as having occurred that you KNOW never happened, or information given as "fact" when you KNOW it is completely wrong, and that happens several times in this film. Overall, though, it was somewhat better than I expected it to be. Paul Ben-Victor was very, very good as Moe. He had Moe's "Stooge" character down pat, and was surprisingly effective with Moe's off-screen character, although he didn't play Moe as quite the savvy businessman he was in real life--most of the Stooges' real money was made in personal appearances, and Moe made certain that some of Larry's and Curly's income was invested for their future, as they were both notoriously loose with their money (Curly on women, Larry on horses). Although the film for some reason shows Moe as living a sort of lower-middle class existence after his career ended, in reality he had made some shrewd investments over the years and by the time the Stooges broke up, he was a very wealthy man.

Michael Chiklis had the most difficult job--Curly has always been everyone's favorite Stooge, and most viewers would be paying a lot more attention to how he played Curly than how the other two actors played their characters. To Chiklis' credit, he acquitted himself extremely well. Curly, like his fellow comics Lou Costello and Oliver Hardy, was quite graceful for a heavyset man--they'd have to be, to do the kind of physical comedy they did--and Chiklis shared that trait, too. He also had Curly's mannerisms and voice patterns down pat, although his voice wasn't quite as high-pitched as Curly's was. Overall, Chiklis did a terrific job.

The one thing that really did surprise me, though, was how badly Columbia Pictures, and especially studio owner Harry Cohn, came across--and deservedly so, given the studio's shabby treatment of the Stooges and how it screwed them out of untold amounts of money. I figured that the filmmakers would pretty much whitewash, or at best just gloss over, Columbia's almost criminal treatment of the comedy team that basically put the studio on the map, but they didn't do that at all, which was refreshing.

If you're a Stooges fan you'll definitely like this movie, and even if you're not, it's a pretty good story of one of the most beloved comedy teams in film history. Check it out.

Seeing this ABC TV Movie changed the way I looked at the Stooges. I still found them to be very funny (who didn't?) but this showed how they were really ripped off. Paul Ben-Victor, Evan Handler, Michael Chiklis and Jon Kassir do an excellent job of portraying the famous Stooges. This was a drama about the classic funny men. It really was a sad tv movie with not as much humor as you might expect. On the bright side, the film's ending was on a high note for the Stooges.

It's a fact of life: Men think the Three Stooges are hilarious, and most women just don't get them. But women might want to give them a second chance after seeing this touching biography.

The thing that struck me most about the Three Stooges movie was its tone. This was a film made by people who genuinely cared about the Three Stooges, people who wanted to express their appreciation by giving the world a glimpse of the men behind the laughs. The Stooges were comic geniuses, but they were human and fragile, just like the rest of us. Sure it was sappy at times, and sometimes seemed to gloss over or omit certain events, but hey--you can't show thirty years in two hours without missing something. Especially poignant was the relationship between Moe and his "little" brother Curly.

Told mostly in flashbacks, The Three Stooges follows the boys from their Vaudeville days with Ted Healy to their triumphant return to the stage after the first TV showing of their two-reel shorts. The reality was that Columbia pictures was making a mint off the Stooges films, but their contract cut them out of any profit-sharing. Anxious to get back to the stage and enjoy some of the fame they've earned, Moe, Larry, and Joe "Curly Joe" DeRita agree to make the first of many personal appearances at a TV station. The final scene has Moe, Larry, and Curly Joe taking the stage for the first time in years.

I'm not ashamed to admit it: When the curtain went up and the surviving Stooges looked out at the packed house, I cried. Maybe because the Stooges are a part of my history--a good and happy part--the way they're a part of the history of every kid who grew up watching their antics.

It's not perfect, but it's the best there is. At the very least, it's a good Stooges primer and a stepping stone to further Stooge research. The Stooges will never go away, because let's face it: As long as men are men, the Three Stooges will be their comic heroes.

My father always loved The Three Stooges. He would often pay full price at a matinée just because they were showing one of the Stooges shorts. So you might say that I grew up in a house where Moe Larry and Curley were a revered prescence. I recently got a chance to see this film on the AMC channel and it is a really fascinating biography of the comedy trio that has become one of our cultural icons. After all, when your talking about three stupid people you know, haven't you often said "they are a regular Moe, Larry and Curley". There was an auction a few years back of historical photos and I wanted to share an interesting tidbit. There was a photo of Richard Nixon, Gerald Ford and Jimmy Carter and one of The Three Stooges. The Stooges photo brought four times the price of the Presidential photo! Paul Ben Victor gives a fine performance as Moe in this film. It begins in the late 1950's after the Stooges were considered "washed up". A young man tries to get him interested in a reunion and Moe rebuffs him at first but eventually warms to the idea. You sense Moe's bitterness at the way the Stooges were treated. Our greatest comedy teams like Abbott and Costello and Laurel and Hardy were allowed to make feature films while the Stooges were just "banished" to short films. I feel that the studio system, most notably Columbia's tyranical President Harry Cohn, were terrible in the way they treated Moe Larry and Curley. They cheated them out of a fortune and it is particularly galling when you think of the outrageous sums of money they pay people like Jim Carrey today. It was only in the 1960's that the Stooges were allowed to make feature films, in one of them, for you trivia lovers, they co-starred with Adam West. Can you imagine that, The Three Stooges Meet Batman! The person who really made this film for me is Michael Chiklis as Curly. The people who know him best as the brutal and corrupt cop on The Shield would get the shock of their life if they could see him as our favorite Stooge. He captures Curley perfectly to the smallest mannerism. The re-enactments in this film of the shorts are taken word per word and it is just amazing. The tragic thing is that Curley and Shemp both died very young, Curley of a stroke and Shemp of a heart attack. Chiklis should have gotten an Emmy for his great job, as they say at one point in the film, Moe may have been the brains of the act BUT Curley was the heart.