La storia di Carl Brashear, il primo tuffatore della Marina americana e afroamericana, e l'uomo che lo ha addestrato.La storia di Carl Brashear, il primo tuffatore della Marina americana e afroamericana, e l'uomo che lo ha addestrato.La storia di Carl Brashear, il primo tuffatore della Marina americana e afroamericana, e l'uomo che lo ha addestrato.
- Regia
- Sceneggiatura
- Star
- Premi
- 11 candidature totali
Aunjanue Ellis-Taylor
- Jo
- (as Aunjanue Ellis)
Theo Nicholas Pagones
- Mellegrano
- (as Theo Pagones)
Recensioni in evidenza
A very powerful and emotive film with both Cuba Gooding Jnr and Robert De Niro excelling in their respective roles.
One of my "Whisky films"........perfect to watch with a dram. Don't miss this one.
The inspiring story of Carl Brashear (Cuba Gooding, Jr.), a black man who grew up in poverty in Kentucky and then joined the US Navy, aspiring to be the first black Master Diver in Navy history. We are shown the series of struggles from boyhood on that Brashear has to overcome to make his dream come true (and then to keep it alive.) Not the least of the challenges was Master Diver Bill Sunday (Robert DeNiro), the head trainer at the diving school the Navy sends Brashear to, who is not especially sympathetic to Brashear's goals, but who ultimately becomes an unlikely friend and supporter.
This is a good movie; fast paced and with a lot of action, although not an "action" pic in the normal sense of the word. There's a very human story here as well, and an interesting study of racism and the struggle to overcome it; there's also a sense of the struggle that took place in the 1960's between older and younger naval officers (the "old navy" vs the "new navy.") The performances are quite good - particularly Goodings'. I thought DeNiro was perhaps a bit over the top in his portrayal of Sunday (although, who knows, Sunday might well have been this extreme kind of loose cannon) and the portrayal of Sunday's wife Gwen (by Charlize Theron) also made me question whether these parts were "jazzed up" to provide entertainment value.
A good movie, though. I never once wondered if it was worth tuning into.
7/10
This is a good movie; fast paced and with a lot of action, although not an "action" pic in the normal sense of the word. There's a very human story here as well, and an interesting study of racism and the struggle to overcome it; there's also a sense of the struggle that took place in the 1960's between older and younger naval officers (the "old navy" vs the "new navy.") The performances are quite good - particularly Goodings'. I thought DeNiro was perhaps a bit over the top in his portrayal of Sunday (although, who knows, Sunday might well have been this extreme kind of loose cannon) and the portrayal of Sunday's wife Gwen (by Charlize Theron) also made me question whether these parts were "jazzed up" to provide entertainment value.
A good movie, though. I never once wondered if it was worth tuning into.
7/10
TIllman Jr.'s drama about the first African American Navy Master Diver (Gooding Jr.), who defies all odds and achieves his goals despite a strict embittered trainer. The screenplay is not bad, a bit extreme at times, but the direction and acting is first-rate, and this film is inspiring and achieves what its supposed to do. I liked DeNiro in the lead, although its not on par with his masterful works (taxi driver, godfather and all the others) it is as good as his other good performances such as in King of Comedy or Angel Heart. DeNiro is always convincing and believable here, very good performance, Gooding Jr. is not bad, definitely one of his better performances. --- IMDb Rating: 6.6, my rating: 9/10
Military training films are becoming so common that they are becoming a genre unto themselves. Among the more prominent we have, `Officer and a Gentleman', `Top Gun', `GI Jane', and now `Men of Honor'. The fact that this one happened to be true doesn't change the fact that the formula is the same. This film is probably most like `GI Jane' since it focuses on the desegregation angle.
The story is actually quite inspirational and is probably the best human-interest story among those mentioned above. Carl Brashear (Cuba Gooding, Jr.) is unquestionably a man of great courage and principle, and his strength of character shines through brightly in this film. Unfortunately, director George Tillman has tunnel vision in presenting the characters and eschews character development of various characters other than Brashear in favor of showing Brashear in a constant state of adversity. Billy Sunday (Robert De Niro) is a central figure, and except for the initial scene, the fistfight and a couple of scenes with his wife, we don't know much about him. For instance, Brashear sees the scars on Sunday's palms and we are to assume that he worked a plow, but there is no follow-up on that point. Mr. Pappy (Hal Holbrook) gets only one short scene by which we can judge him. The rest of his screen time shows him pacing around and ranting. If a director is going to make a human-interest story, he needs to humanize the characters.
Cuba Gooding Jr. gives an outstanding performance as Brashear. This is probably the best I've seen him. This is a role and a character that is far more complete than any part he has played before, and he rises to the occasion. In `Jerry Maguire', Rod Tidwell was a fascinating, but one-dimensional character with the depth of a rain puddle. Brashear is much more complex and grounded, and the issues he faces are life crises, making the part far more challenging. This is an excellent recovery from Gooding's last role in `Chill Factor', a film so dreadful that it was almost an act of professional suicide to take the part.
After a stint trying his hand as a comedian (`Analyze This', `The Adventures of Rocky & Bullwinkle', `Meet The Parents'), Robert DeNiro is back to his dramatic roots with an outstanding performance. DeNiro isn't a bad comedian, he is just such a great dramatic actor that it seems like he shouldn't waste his time doing comedy. DeNiro endows Billy Sunday with a rock hard personality belying a tortured soul. It is a pleasure watching him work.
It seems every film I watch lately has Charlize Theron in it. I saw `The Legend of Bagger Vance', `Men of Honor' and `The Yards' right in a row and I was beginning to wonder if she had a part in every film in 2000 (actually, she only did five). This was a minor role for Theron, but she carried it off well and managed to stay with DeNiro step for step. David Keith, who co-starred with Richard Gere in `Officer and a Gentleman', has a cameo here
The DVD has some interesting special features, including reflections by the real Carl Brashear and some deleted scenes.
I enjoyed this film despite the hackneyed plot and the one-dimensional presentation. I rated it a 7/10. I'm a sucker for underdog stories and I have a fondness for stories where strength of character is the central theme. This film is particularly strong in both areas and brings us two memorable acting performances that compensate for some of the director's shortcomings.
The story is actually quite inspirational and is probably the best human-interest story among those mentioned above. Carl Brashear (Cuba Gooding, Jr.) is unquestionably a man of great courage and principle, and his strength of character shines through brightly in this film. Unfortunately, director George Tillman has tunnel vision in presenting the characters and eschews character development of various characters other than Brashear in favor of showing Brashear in a constant state of adversity. Billy Sunday (Robert De Niro) is a central figure, and except for the initial scene, the fistfight and a couple of scenes with his wife, we don't know much about him. For instance, Brashear sees the scars on Sunday's palms and we are to assume that he worked a plow, but there is no follow-up on that point. Mr. Pappy (Hal Holbrook) gets only one short scene by which we can judge him. The rest of his screen time shows him pacing around and ranting. If a director is going to make a human-interest story, he needs to humanize the characters.
Cuba Gooding Jr. gives an outstanding performance as Brashear. This is probably the best I've seen him. This is a role and a character that is far more complete than any part he has played before, and he rises to the occasion. In `Jerry Maguire', Rod Tidwell was a fascinating, but one-dimensional character with the depth of a rain puddle. Brashear is much more complex and grounded, and the issues he faces are life crises, making the part far more challenging. This is an excellent recovery from Gooding's last role in `Chill Factor', a film so dreadful that it was almost an act of professional suicide to take the part.
After a stint trying his hand as a comedian (`Analyze This', `The Adventures of Rocky & Bullwinkle', `Meet The Parents'), Robert DeNiro is back to his dramatic roots with an outstanding performance. DeNiro isn't a bad comedian, he is just such a great dramatic actor that it seems like he shouldn't waste his time doing comedy. DeNiro endows Billy Sunday with a rock hard personality belying a tortured soul. It is a pleasure watching him work.
It seems every film I watch lately has Charlize Theron in it. I saw `The Legend of Bagger Vance', `Men of Honor' and `The Yards' right in a row and I was beginning to wonder if she had a part in every film in 2000 (actually, she only did five). This was a minor role for Theron, but she carried it off well and managed to stay with DeNiro step for step. David Keith, who co-starred with Richard Gere in `Officer and a Gentleman', has a cameo here
The DVD has some interesting special features, including reflections by the real Carl Brashear and some deleted scenes.
I enjoyed this film despite the hackneyed plot and the one-dimensional presentation. I rated it a 7/10. I'm a sucker for underdog stories and I have a fondness for stories where strength of character is the central theme. This film is particularly strong in both areas and brings us two memorable acting performances that compensate for some of the director's shortcomings.
This well-acted story of the end of segregation in the military is told through the true experiences of Carl Brashear. Ultimately it is a story of human honor and dignity triumphing over smallmindedness, bureaucracy, and prejudice. Some of the scenes are deliberate attempts at crowd-pleasing, but they are nevertheless effective.
Lo sapevi?
- QuizBrazilian diver Alberto José do Nascimento was the only one that supported Brashear since the beginning in the team, but was ignored in the movie and replaced by different characters along the film
- BlooperWhen Brashear is preparing for the final meeting to review his readiness to be reinstated, the US flag visible in the background has 48 stars. In 1968, it should have 50.
- Citazioni
Billy Sunday: The Navy Diver is not a fighting man, he is a salvage expert. If it is lost underwater, he finds it. If it's sunk, he brings it up. If it's in the way, he moves it. If he's lucky, he will die young, 200 feet beneath the waves, for that is the closest he'll ever get to being a hero.
- Curiosità sui creditiThe woman in the detox center is listed as "Pinch-Faced Woman at Detox Center"
- Versioni alternativeDVD includes several deleted scenes cut from the final film:
- Billy lies drunk on a beach and is caught by Military Police; the film then cuts to the opening scene showing just why he is in handcuffs.
- Carl finds Pappy's dog and he makes a white officer wash the poor animal in lye because carl touched it.
- an alternate ending showing just what exactly happened to Billy
- Colonne sonoreAnchors Aweigh
Written by Charles A. Zimmerman
Arranged by Will Schaefer
Courtesy of Associated Production Music
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Dettagli
Botteghino
- Budget
- 32.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 48.818.921 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.339.465 USD
- 12 nov 2000
- Lordo in tutto il mondo
- 82.343.495 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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What is the Japanese language plot outline for Men of Honor - L'onore degli uomini (2000)?
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