Le vie della violenza

What I fail to understand is why if "The Usual Suspects" was so incredibly popular (because it was so freakin' good), "The Way of the Gun" gets stepped on, both at the box office upon its initial release, and in various, snarky IMDb user comments.

This movie isn't just good. It's INTENSE. It's DARK. There's not a single character in the movie who's likable, and some viewers attack that like it's a bad thing. The story line is complex, the relationships between the numerous characters are subtle and nuanced; and still, some viewers attack that like that's a bad thing.

Just because a viewer doesn't understand something, doesn't make the film bad. It's a difference of opinion, absolutely, but that doesn't make "The Way of the Gun" a bad film. Au contraire, this is a very smart film... and when a filmmaker is making a smart film about amoral, gun-toting outlaws, the people who come to see that sort of movie are going to feel confused and angry. Because they wanted it to be simple. They wanted easy answers, a clear-cut good guy and bad guy, and a happy ending. The way movies have gone since film noir faded away, decades ago.

But this film is not so simple, and neither are the characters within it, nor is the plot. Chris McQuarrie refuses to write something so cut-and-dry, so black-and-white. It's taut, it's tight, it rides a bad vibe from the opening sequence all the way down to the last line. This film is so gritty it makes me feel dirty after watching it... McQuarrie may be a victim of his own success, because it was released in the aftermath of "The Usual Suspects," but if it built up an underground following like "The Killer," it would be on the shelf of must-haves next to John Woo, Guy Ritchie and any other art film your parents wouldn't approve of.

Every character has his own motive, has his own backstory, and not all are necessarily spelled out for you. The dialogue is wound so tight, it snaps: "Fifteen million dollars is not money. It's a motive, with a universal adapter on it."

I own this movie, and on a dark, rainy afternoon, I'll whip it out on the unsuspecting guest... "It's from the writer of 'The Usual Suspects'" I tell them. And from the opening scene, they're INTO IT.

It's not for everyone. But don't you dare call it a bad film. This is where YOUR favorite filmmaker steals all of his ideas.

I can only comment negatively about one scene in the movie. I thought the movie was extremely effective in building up the intensity of certain scenes, however they used probably their most dramatic and climatic orchestra number for a scene where they simply dumped bags of money into a truck and drove off. My girlfriend and I stood confused as the music built up and built up, then finally climaxed. Didn't make a bit of sense to either of us.

With that said- I thought this movie was outstanding. Benicio Del Toro has this presence about him that radiates "coolness", and Ryan Phillippe did a remarkable job as well with his role. There were scenes in which hardly any dialogue was spoken, yet whole paragraphs were spoken through facial expressions. Thats a testament to the abilities of the actors right there. The double meaning of the game of hearts explanation was fascinating and fun to decipher.

Plots twists galore, not a single one of them predictable. The terminology was all new to me (i.e. bagman/dejudication I think it was...) and it made me feel like I was actually participating in the movie.

This is a thinkers movie, and some people may not be in the mood for that. The entirely creative car chase scenes and shoot out sequences are enough to satisfy the most mindless action fan, however.

This movie is just cool.

Look I love 'The Usual Suspects' as much as the next guy, and think it's one of the few movies of the 1990s that can truly be considered a classic. But I think comparing that movie to 'The Way Of The Gun' (Christopher McQuarrie wrote both and directs this in an impressive debut) is unproductive and misguided. Both movies feature criminal anti-heroes and tricky plot twists, but in different ways, and are very different in approach and theme. McQuarrie isn't repeating himself here, this is something new. Something that has more in common with Sam Peckinpah than the plethora of shallow post-Tarantino rip-offs Hollywood has foisted on us in recent years.

The basic premise is fairly straightforward - two losers "Parker" (A surprisingly effective Ryan Phillipe in easily his best role to date) and "Longbaugh" (the always excellent Benicio Del Toro), cook up a half baked scheme to kidnap a surrogate mother (Juliette Lewis - 'Cape Fear', 'Kalifornia') and hold her for ransom. Little do they realize that she is carrying a child for Chidduck, a Mob money launderer (veteran character actor Scott Wilson - 'In Cold Blood', 'The Ninth Configuration') who has some nasty associates, and is reluctant to pay up.

The guys soon find themselves embroiled in a chinese puzzle of relationships including ruthless bodyguards Jeffers (Taye Digs - 'Go') and Obecks (Nicky Katt - 'SubUrbia', 'The Limey'), and Chidduck's bagman and troubleshooter, the complex Sarno (the legendary James Caan - 'The Godfather', 'Thief'), and Sarno's colleague Abner (frequent Clint Eastwood sidekick, and Juliet's real life father, Geoffrey Lewis).

To reveal what happens would be to ruin this wonderful movie. 'The Way Of The Gun' isn't a stupid popcorn action flick. It requires thought and attention to fully appreciate, and that fact, along with the lack of heroes, and the matter of fact violence, seems to have turned many people off. But in my opinion it is just those factors that will make this, like 'The Usual Suspects', a movie that will stand the test of time.

Along with 'Chopper', the movie that has impressed the most so far this decade. Don't miss either one!

THE WAY OF THE GUN (2000) ***1/2 Ryan Phillippe, Benicio del Toro, Juliette Lewis, James Caan, Taye Diggs, Nicky Katt, Scott Wilson, Kristin Lehmann, Geoffrey Lewis, Sarah Silverman.

Christopher McQuarrie makes his directing debut in a big way with an obvious nod to Sam Peckinpaugh with his screenplay about two ne'er do well criminals (Phillippe and del Toro, both exemplary) who decide to make a mark for themselves by kidnapping a very pregnant surrogate mother (Lewis) to a wealthy businessman (Wilson) that eventually pans out to be a big mistake in a tangled web involving the woman's bodyguards (Diggs and Katt) and the bagman friend of the rich man (Caan in one fine, low-key performance of nuanced dread). More than enough rich dialogue and pinpoint camera angle set ups to go around with some live wire moments of unexpected turnarounds, double crosses and shoot outs may be the film's only fault in being an excess of too much of a good thing. A roundelette of pulp fiction best served by its exciting cast (as a side note, del Toro reminded me for some reason as a young Robert Mitchum in some scenes; go figure) and a filmmaker to watch.

It's like watching The Usual Suspects all over again. Of course, writer/director Christopher McQuarrie wrote that one also. Now, he is doing the whole thing. Yes, you can expect multiple twists and turns, and you will need a scorecard to follow the action.

Ryan Phillippe and Benicio Del Toro are just a couple of small timers that snatch the wrong baby. Why wrong? Because they now have to deal with Taye Diggs and Nicky Katt one one side, and James Caan and Geoffrey Lewis on the other. Either way, they are not likely to survive.

Scott Wilson (Sam Braun on "CSI: Crime Scene Investigation") is the expectant father and boss of all these thugs. His wife, Francesca (Kristin Lehman) can't be bothered having a baby, so they hire Robin (Juliette Lewis) to have it. There is a lot more things going on, but that would be spoiling it. Suffice it to say that this will not end up as anyone expects.

Bullets fly throughout this film that features a great car chase and some outstanding dialog.

An under-appreciated jewel.