Costi quel che costi

I thought that the highschool theme died when the 80's became the 90's. I didn't think today's film makers knew who John Hughes was let alone could emulate even his subpar work. In the 80's, as I was growing up, you had sweet, funny, but honest comedies like Sixteen Candles, Breakfast Club, Pretty In Pink and then other hilarious films like Fasttimes at Ridgemont High. These films entertained you and kept you wanting more. They were honest with their humour. But then they just disappeared. Maybe it was that Hughes and Heckerling wanted to make adult comedies like Planes Trains... and Look Who's Talking. I'm not sure but somewhere along the way they became extinct. But then something magical happened last year. After the previous successes of okay films like Can't Harldy Wait and Ten Things I Hate About You, along comes American Pie.

Now American Pie took all that was great about the 80's teen comedies and made it into one hell of a funny film that all generations could enjoy. It revitalized a somewhat stale market. And as great as that is, it is also not so great in the way that you have any idiot with a computer trying to cash in on that craze. Whatever It Takes, is one of those films. I'm not saying it is absolutely terrible, it's just simply not that great. But this film will probably go on to gross somewhere around 15 million and that will probably be a profit for the studio and then it will be considered a success. And then more sub-par films will get made and more teens will go see them and they will not realize that just one generation before them is a library full of the quintessential teen films that are funny, exciting, filled with bathroom humour, nudity, drugs, partying, puking, teens wearing bras on their heads, masturbation, voyeurism, sex sex and more sex. Films from the 80's were the pioneers of the teen genre and when I read comments in here that a film like this one is " the best teen comedy around " I feel sorry for the kids today if they feel that way because that obviously means that you have not seen some the great films from the 80's. What a shame!

The story is quite simple here. Maggie and Brian live next door to each other and both are just friends. Both are attractive people but they don't see the intrigue in one another. They both either want other gorgeous people in school or are coveted by someone else. And so when the school jock tells Brian that he can hook him up with Ashley, the schools ditziest, most self centered, conceited but most gorgeous girl, he jumps at the chance. There is only one catch. Brian has to help jocko get Maggie.

Now Maggie is the best written character in the film. For the most part she seems genuine and honest. And she is beautiful. To put the two of them side by side ( Maggie and Ashley ) one wonders why Brian wouldn't have gone for his friend long ago. But that is besides the point. The point is, that this is where the film fails miserably. Maggie is too real of a character for this film. She actually looks like she was a substitute character for the film American Pie that was cut at the last minute and then drafted by the creator's of this film. Why she would fall for the school jock that has as much charm and wit as a doorknob is not fair to her character. She is better than that. And this is where the film falls. Too many situations are just flat and there are too many characters that are just caricatures of a comic book person. They do things that no other teen does, they act like no other teen does and they talk like no other teen does. It would have been nice if only once or maybe even twice the character did one thing that seemed real, not like it was written by four or five guys in a screenplay. That would have given the film a much more authentic quality to it.

Whatever it Takes isn't all bad. It does have it's humourous moments but not enough of them to save a poor screenplay. There is a reason American Pie made $100 million at the box-office and why a film like this one won't. It's called honesty in your humour. Pie has it....Takes doesn't. Enough said.

5 out of 10

I thought this film had some really funny moments and good lines. Marla Sokoloff was perfect for his role, and so was James Franco, who looks as cocky as his character in the film is. The other actress Jodie was played over the top, because she has all these hissy fits which can be funny to watch or annoying. Overall good job but the ending is dumb

The only part of WIT it takes I liked was the set, Maggie and Ryan's balconies. That was cool, plus it had the opportunity to say the one funny part of the film was when Ryan jumps onto her porch and Maggie says the line [not gonna say it if people are reading this who haven't seen the movie]. Much better versions of this storyline were "Never Been Kissed", "She's All That" and the aforementioned "10 Things". I must admit, I was a little confused why they put great actors like Kip Pardue and Christine Lakin in bit parts while Jodi Lyn O'keefe and James Franco were starring.

Whatever it takes is bad, silly, predictable, stupid, and romantic, in exactly the ways it's supposed to be. It follows formula to a tee. Good production quality. The beautiful people are very, and the nerds are unmistakable. Teen gross outs. Hot fashions. Adolescent fantasy at its finest. Both a one and a ten at the same time, I have to give it a five.

A nerdy teen, Ryan Woodman (Shane West) is smitten with the popular and gorgeous Ashley Grant (Jodi Lyn O'Keefe), who apparently has no interest in him. Meanwhile, dim star athlete Chris Campbell (James Franco) has his eye on Ryan's brainy and beautiful friend, Maggie Carter (Marla Sokoloff). The two agree to help each other in their romantic quests, but, as they come closer to their goals, both Ryan and Chris suspect that they might be pursuing the wrong girls.

As you can tell, "Whatever It Takes" is certainly nothing new or ground-breaking, but for what it is, it's entertaining and slightly above-average. James Franco is the best thing about this movie, although his character and their motive is very questionable. He's what kept me sticking around until the credits roll. The film has every teen cliché in the book, geeky sidekicks in Whatever It Takes are no better or worse than those in a dozen other teen movies of recent vintage, but they get the job done. Despite its flaws there's something sweet and delightfully anarchic about it, it's light, fluffy, fast-paced, and through the use of overdone ideas are a couple original moments. So despite its formulaic plot and all-too-tired themes, this John Hughes-movie wannabe has just enough quirky charm to compensate for its generic story.