The Body

This year we have been inundated with childish air-headed teen flicks! This movie doesn't "gross you out", or special effect you to death!! It tells a simple story with simple characters searching for answers to some very complex questions. Well acted, but poorly directed and edited. It has many flaws, but it is nice to see an adult film that doesn't insult your intelligence. It does not answer many questions, but does make you ask several of yourself.

Palestinian shopkeeper Nasir Hamid was just trying to dig a basement.

Jewish archaeologist Dr. Sharon Golban enters the cave and makes an amazing discovery. Diplomat Moshe Cohen calls Father Lavelle to investigate, and Lavelle comes out of the cave looking positively stunned.

Only poor men were crucified. And in all of recorded history, only one crucified man has been buried in a rich man's tomb. The Vatican must get involved. Father Matt Gutierrez, formerly in military intelligence, is selected to do his own investigation.

What if it really is Jesus? This could mean the end of Christianity. Meanwhile, Palestinians want to claim all of Jerusalem as their capital. The discovery only adds to the tension in the city. If this is a hoax, perhaps it is because someone wanted to start a war over the city.

Antonio Banderas did a fine job of showing a man whose faith is tested. Some important questions about faith were raised, including Jewish attitudes toward disturbing the dead. Other than that, this film was nothing really special. I thought Olivia Williams (as Sharon), Derek Jacobi (as Lavelle) and John Shrapnel (as Cohen) all did a good job.

There was some humor here. Sharon's crazy driving, for example. Violence was minor for the most part.

It surely isn't "The Da Vinci Code" (which I have only heard about), but this is a film that can make people think.

The premise of this movie seemed interesting enough, although to some, it might be blasphemy. What if one day, the body (or rather, skeletal remains) of Christ was discovered in a similarly described tomb, with tell tale signs of the crucification, the spear wound, injuries inflicted by the crown of thorns, and the tomb dating back to 1 AD? This film looks at the possible destruction of the faith which hinges on the one man's resurrection as God. Olivia Williams plays an Israeli Sharon Golban, who discovers this body in a tomb she excavates. Suspecting she could be on to something big, she calls for a priest to confirm her suspicion. Soon, word gets around, rumours get spread. The Vatican dispatches one of their priests, Father Gutierrez (played by Antonio Banderas), and ex-military intelligence officer, to investigate and proof or disproof the claim.

While science points to the fact that the body may be that of Christ, it gives a chilling insight into what could make, or break, a religion. Is it blind faith that keeps it going, even if there should come a day when science can ultimately disproof certain theories and events? Here, discovering that body has serious implications because of the repercussions that the major event in Christ's life have on Christians. But what diluted this film from its primary premise is the introduction of Hollywood subplots to jazz up production, like having the Vatican embroiled in political intrigue, and having terrorist organizations taking an interest in the findings as well.

It's a relatively low budgeted production, but one which raised thought provoking questions even if the delivery somehow got distracted in attempts to become a bigger movie in terms of action sequences. I think this film probably would be a good prologue to the controversies that surround next year's Da Vinci Code.

Code 1 DVD contains "special features", but nothing out of the ordinary besides the usual trailers, audio, and scene selections.

Usually I am quite critical of films, especially Hollywood action films in the line of "The Body". I DID like this one and think it is under-rated but look at the reviews here and you will see extremes of hating and liking this film. This is odd, and I wonder if it has to do with the religious background of those making comments? I have put off renting this film for over a year, due to the low IMDB rating, and was very surprised to find a good solid performance of Antonio Banderas as a priest, decent dialogue, nice eye candy and acting of Olivia Williams, and an intelligent (well, for such an action flick anyhow) thought-provoking story.

Once again Antonio Banderas shows us he can act well. I mark the film 9 out of 10, especially given the risks run by all those involved in making this film on site, in Jerusalem. I am staggered that the film could be made in Jerusalem at all, with all the differing Christian, Jewish and Palestinian groups and splinter groups so well depicted, if fictionalised in their representation. The violent scenes may not drip the blood of a Tarantino movie but it is enough to convey the "to the death" intolerance of each other that so shamefully characterise so many of these groups and splinter groups today. The actors and the script show the intensity of so many who refuse to acknowledge/accept the rights of the others - to their differing faith, or even to exist. The film brilliantly reminds us of how these groups and splinter groups lose sight of the essential truth of their own faith/belief system in their violent intolerance of the other. This is the key to facing the stark reality of the intractability of the various players in the Middle East which the film so well depicts. Especially it underlines these groups and splinter groups' willingness to misuse/abuse: the innocent trying simply to live peacefully with their families; the combatants' own faith/followers; as well as that of those they oppose. The tragedy of the Middle East is that, I believe, the same fate would befall the ancient prophets of these faiths, were they alive today, as befell them centuries/millennia ago. The religiously-intolerant attacks by some on this film simply demonstrate how correct this belief is. The actors, film director and all those others involved in making this film deserve congratulations for their courage in making it on site - despite the risks to themselves from the intolerant.

Greyollie, Canberra, Australia.