The Body

Once again Antonio Banderas shows us he can act well. I mark the film 9 out of 10, especially given the risks run by all those involved in making this film on site, in Jerusalem. I am staggered that the film could be made in Jerusalem at all, with all the differing Christian, Jewish and Palestinian groups and splinter groups so well depicted, if fictionalised in their representation. The violent scenes may not drip the blood of a Tarantino movie but it is enough to convey the "to the death" intolerance of each other that so shamefully characterise so many of these groups and splinter groups today. The actors and the script show the intensity of so many who refuse to acknowledge/accept the rights of the others - to their differing faith, or even to exist. The film brilliantly reminds us of how these groups and splinter groups lose sight of the essential truth of their own faith/belief system in their violent intolerance of the other. This is the key to facing the stark reality of the intractability of the various players in the Middle East which the film so well depicts. Especially it underlines these groups and splinter groups' willingness to misuse/abuse: the innocent trying simply to live peacefully with their families; the combatants' own faith/followers; as well as that of those they oppose. The tragedy of the Middle East is that, I believe, the same fate would befall the ancient prophets of these faiths, were they alive today, as befell them centuries/millennia ago. The religiously-intolerant attacks by some on this film simply demonstrate how correct this belief is. The actors, film director and all those others involved in making this film deserve congratulations for their courage in making it on site - despite the risks to themselves from the intolerant.

Greyollie, Canberra, Australia.

For a Christian, the main interest is about the question. The doubt. The Resurrection as root of his faith. And, in this sense, the film does a well job. Because, it propose a clash, proofs from a tomb, expectations and, without be the most ispired constructed, the end is the only reasonable. A film proposing a challenge. Not in the best form but acceptable.

This movie has a plus side and a minus side:

-On the plus side,the fear a priest encounters when he discovers that bones found in a Jerusalem' s grave by an archaeologist might be Jesus 's ones.So if Jesus is a man,it's a whole religion which falls down;one should note that ,for that matter ,the Muslims' and the Jews ' religions stand in little danger of bringing this about.Antonio Banderas is very convincing,I do not know if the actor is a believer,but we do believe the character he portrays is.

-On the minus side,when the movie becomes a thriller (complete with kidnapping,shootings and priest becoming a superhero),it peters out.One can admit the Jews want to keep the Vatican from getting the bones,but that part is not better than a Van Damme flick.

Watch this movie anyway cause it asks disturbing questions.

God has no place in politics—this is the theme of The Body, an interesting film, if not a particularly 'entertaining' one.

Antonio Banderas plays Father Matt Gutierrez, a priest sent by the Vatican to investigate the discovery of a tomb in Jerusalem, which may or may not contain the crucified remains of Christ. Gutierrez has been given instructions by the Vatican to declare that the remains are not those of Christ; but with all of the evidence suggesting otherwise, the priest must struggle with facing the fact that his religion may be founded on a lie, and that, perhaps, Jesus was never resurrected.

Questioning his faith is only the beginning of Gutierrez's problems: Orthodox Jews, angry at the tomb being disturbed, attack the archaeologists; the Israelis blackmail the Vatican, only offering to hand over the body if the Vatican recognises Jerusalem as the undivided capital of Israel; and the Palestinians, who get wind of Israel's plan and are naturally displeased, kidnap the children of sexy archaeologist Sharon Golban (Olivia Williams), forcing her into stealing the bones.

The movie, shot on location in Jerusalem, has beautiful cinematography and great acting from Banderas and Williams, but the complicated plot may cause many viewers to lose interest. Those with a particular interest in the subject matter will probably glean the most from this rather long and intricate tale, but I can imagine the casual viewer quickly becoming bored.

If you choose to watch this, I recommend that you stick it out to the end; you may not be riveted to the screen but, like me, you might learn a little about a fascinating subject.

A crucified body dated back to the 1st century A.D is uncovered at an ancient cave in Jerusalem . Then , a priest named Matt Gutiérrez (Antonio Banderas) is assigned by a Vatican's cardinal (John Wood) to discover if a skeleton of a crucified man found beneath a a shop in location of Jerusalen can be the remains of the body of Christ . The priest along with an archaeologist named Sharon Golban (Olivia Williams , though Kristin Scott Thomas was formerly offered this role) will have to resolve the strange enigma . Another priest (Derek Jacobi) is about the tracks of the events that result to be each time more difficult and complicated . Trouble ensues as word spreads . As they'll take on a lot of dangers and in middle of two confronted parts , ¨Jews and Palestines¨ because both of them want the enigmatic body for their own purposes .

It's a spiritual thriller but with little action , it results to be slow-moving and sometimes a bit boring and tiring . The ending confrontation with noisy shootouts between the starring and the enemies is ridiculous and embarrassing . The storyline by Jonas McCord (film director) is clunky and confuse , in spite of being based on a successful novel . Antonio Banderas (Zorro) and Olivia Williams (The 6º sense) interpretation is average and other actors have a wooden acting with exception to Derek Jacobi (I Claudio) who plays astoundingly a priest of lost faith . Vilmos Zsigmond cinematography is excellent , he has a long career as cameraman with splendid films (Deer hunter, Heaven's gate , Sugarland express). Being shot on location in Jerusalem , Salesian Convent, Bet Jamal , Israel and Ospedale Santo Spirito, Borgo Santo Spirito , Rome Lazio, Italy . Serge Cobert's musical score is nice including some esoteric and spiritual notes and he creates a mysterious atmosphere . The picture was regularly directed by Jonas McCord . The yarn will appeal to spiritual thriller enthusiasts and Antonio Banderas fans . Rating : Average though entertaining.