Le vite di tre giovani ibridi alieni/umani con doni straordinari ambientato a Roswell.Le vite di tre giovani ibridi alieni/umani con doni straordinari ambientato a Roswell.Le vite di tre giovani ibridi alieni/umani con doni straordinari ambientato a Roswell.
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10robl_al
I missed the TV episodes of "Roswell" because I worked nights when it was on television, but my daughter found the 3 season DVD's in a store, bought them, and invited me to watch them. I was hooked on the series from the first episode on, and I regret that it is no longer being produced. I enjoyed the romantic involvements, the comedy, the drama, the many heart wrenching scenes, and loved the final episode. When the last episode ended, I felt a great sadness that I would likely never again see these lovable aliens and their human friends. It was a show that left an indelible impression on my mind. It brings out the youth, dreams, and fantasies in all of us. I can think of no other TV show I've watched that I loved and will miss so much. I hope to see a motion picture come out of this series one day, one featuring the same actors and actresses who starred in the TV series. The series showed the ups and downs of everyday life which we all experience, and showed there is always hope for a new and better tomorrow, if we truly believe in ourselves. It was a great philosophical show. And now, it is gone. I will miss it, but I will never forget it. Thank you 20th Century Fox for giving us the show.
This was my favorite show. I dont understand why it got cancelled. It had such a loyal big fan base. Anyway the first season followed the lifes of 3 teenagers living in roswell. They happen to be aliens. In one moment there lives are changed, Liz (played by Shiri Appleby) gets shoot and Max rushes to heal her. The rest of the series is about the relation between the aliens and the human that now share their secret, and the sheriff is onto them and spends all his time trying to prove they are aliens. The first series was very promising. It had 8 brillant actors who had so much talent. The storylines were always satisfing and creative. Each episode we learnt interesting facts about each character, and it was filled with suspence. The most interesting aspect of the show was the central story, the relationship between Liz and Max. It was real and touching and the viewer felt for them, we followed the heartache and the happiness. The chemistry between Jason Behr and Shiri Appleby was amazing. The second season was a little less as brillant as the first, but it did have interesting storys and new characters that were good. The best episodes were the end of the world, it was filled with feelings, and watching it i was absorbed into the world of roswell and it felt almost real. The Third season was stronger, more creative and better than the previous two. I have no idea why they wanted to cancell such a brillant show. The show will always remain in my heart and i will always be a fan no matter what!!! If it was on dvd i would recommend you buy it, it wouldn't be a waste of money, but money will spend. 10/10
This show starts out sweet and tenderly as a coming of age
teen drama with a SF undertone to keep things interesting
and succeeds in this up to mid season 1,than quickly falls
apart into teendrama 101 with melodramatic endless loops.
Still season 1,some season 2 episodes - mostly those with
a story arc spanning two or three episodes -,and very few
season 3 episodes are enjoyable to watch.
Firstly, I watched Roswell (or Roswell High, as it was called in the U. K.) when I was a child and greatly enjoyed it. After having not seen it for over twenty years, I recently became curious to see as to whether my memories of the show's quality were exaggerated by the passing of time and nostalgia or whether they held some merit and a place in reality. I am glad to say that Roswell, for at least its first series, is everything I remember it being, in a good way.
Produced at the very end of the 1990's, a golden decade for the long form syndicated T. V. drama, it is perhaps not too surprising that Roswell is probably best described as a direct and blatant cross-pollination between 'The X-Files' and 'Buffy the Vampire Slayer', arguably the two most iconic and influential T. V. dramas of the decade in question. The first series harbours all of the mystery, paranoia, conspiracy and extra-terrestrial intrigue of the early series of The X-Files while combining it, in surprisingly effective fashion, with the tasteful but tragic romance between a young female protagonist and a man not of her world, a motif that itself sat at the very core of the early series of Buffy.
I should note that teen dramas aren't really my thing and haven't been for a long time, but the main romantic plot in Roswell is undoubtedly compelling. The chemistry between the two leading actors is undeniable and some skilful writing alongside an abundant supply of adolescent charm help the love story to very often elevate into a place of the sublime and profound that not only excels beyond the expected limitations of a 1990's teen drama but that also goes far beyond any romantic portrayal on television in the modern day (this review dated February, 2022). I simply do not see romance or sacred love so well or patiently constructed in modern television or cinema anymore as I see it in the first series of Roswell. I am not really sure why that's the case or as to when that change occurred but it's a breath of fresh air to get back to a show that at least tries to confront the reality of love and its consequences rather than painting it as an old-fashioned inconvenience, worthy only of ridicule and ultimate dismissal in the wake of cheaper forms of drama.
I am really not too sure what was happening in the U. S. television industry at the turn of the millennium. Perhaps there was a general feeling of 'out with the old, in with the new' which led to an emphasis on finding shows fit for the 21st Century at the detriment of shows already in existence. Regardless, I am well aware that most top tier U. S. television shows saw a drastic decline in quality in the year 2000 and that while a number of those shows have continued on for some time in a lesser form of existence, namely 'The Simpsons' and for some time, a decent but uneven final few series of Buffy, many other shows, such as The X-Files would never be able to recover in form and would ultimately decline further into cancellation. Unfortunately, Roswell belongs to that latter group of television shows.
The rot is clear to see even by the end of the first series in which a new character is introduced who is neither likeable nor interesting and whose very presence badly disrupts a very well-constructed core group dynamic. Furthermore, the second series makes a rather bizarre and perverse effort to separate the two romantic leads, an act that damages the narrative and the integrity of its characters badly. Characters have their intentions and allegiances reshuffled, leading them to feel inconsistent and shallow in a way that they did not in the first series. Added to that, the protagonists seem to go missing for numerous episodes at a time. Altogether, it paints the picture of a show that is increasingly unfocused and at odds with itself while running out of ideas and chasing all the wrong ones.
In summary, the first series of Roswell is a criminally underrated and enjoyable drama of its time with charismatic performances from its principal cast, an honest and heartfelt love story that is hard not to root for and a complex but sympathetic antagonist in the form of William Sadler's Sheriff Valenti.
It was good while it lasted.
Produced at the very end of the 1990's, a golden decade for the long form syndicated T. V. drama, it is perhaps not too surprising that Roswell is probably best described as a direct and blatant cross-pollination between 'The X-Files' and 'Buffy the Vampire Slayer', arguably the two most iconic and influential T. V. dramas of the decade in question. The first series harbours all of the mystery, paranoia, conspiracy and extra-terrestrial intrigue of the early series of The X-Files while combining it, in surprisingly effective fashion, with the tasteful but tragic romance between a young female protagonist and a man not of her world, a motif that itself sat at the very core of the early series of Buffy.
I should note that teen dramas aren't really my thing and haven't been for a long time, but the main romantic plot in Roswell is undoubtedly compelling. The chemistry between the two leading actors is undeniable and some skilful writing alongside an abundant supply of adolescent charm help the love story to very often elevate into a place of the sublime and profound that not only excels beyond the expected limitations of a 1990's teen drama but that also goes far beyond any romantic portrayal on television in the modern day (this review dated February, 2022). I simply do not see romance or sacred love so well or patiently constructed in modern television or cinema anymore as I see it in the first series of Roswell. I am not really sure why that's the case or as to when that change occurred but it's a breath of fresh air to get back to a show that at least tries to confront the reality of love and its consequences rather than painting it as an old-fashioned inconvenience, worthy only of ridicule and ultimate dismissal in the wake of cheaper forms of drama.
I am really not too sure what was happening in the U. S. television industry at the turn of the millennium. Perhaps there was a general feeling of 'out with the old, in with the new' which led to an emphasis on finding shows fit for the 21st Century at the detriment of shows already in existence. Regardless, I am well aware that most top tier U. S. television shows saw a drastic decline in quality in the year 2000 and that while a number of those shows have continued on for some time in a lesser form of existence, namely 'The Simpsons' and for some time, a decent but uneven final few series of Buffy, many other shows, such as The X-Files would never be able to recover in form and would ultimately decline further into cancellation. Unfortunately, Roswell belongs to that latter group of television shows.
The rot is clear to see even by the end of the first series in which a new character is introduced who is neither likeable nor interesting and whose very presence badly disrupts a very well-constructed core group dynamic. Furthermore, the second series makes a rather bizarre and perverse effort to separate the two romantic leads, an act that damages the narrative and the integrity of its characters badly. Characters have their intentions and allegiances reshuffled, leading them to feel inconsistent and shallow in a way that they did not in the first series. Added to that, the protagonists seem to go missing for numerous episodes at a time. Altogether, it paints the picture of a show that is increasingly unfocused and at odds with itself while running out of ideas and chasing all the wrong ones.
In summary, the first series of Roswell is a criminally underrated and enjoyable drama of its time with charismatic performances from its principal cast, an honest and heartfelt love story that is hard not to root for and a complex but sympathetic antagonist in the form of William Sadler's Sheriff Valenti.
It was good while it lasted.
The first season of Roswell was a magical experience. It was about love, about alienation, about self-discovery and learning to trust people. Unfortunately, when the show was faced with cancellation at the end of its first season, the writers took what was a mystical show and made it into a hackneyed and badly written science fiction rip off. The magic of Roswell lay in the three aliens (Max, Michael and Isabel) and the fact that they knew nothing about where they came from or why they were on Earth. All Max Evans knew was that for some reason, he was in love with Liz Parker. They were faced with trouble from the government, who wanted to study them, and strangers who claimed to be related to them, but they were never sure who they could trust except each other. Even after Genie Francis appeared in holo-mom form with a ridiculous tale of inter-galactic royalty and war, the show could have been saved - that hologram should have been revealed as a tactic by the mindwarping Tess, but the aliens made the mistake of not doubting it for a second. When Tess was accepted as their friend (and there was no reason for them to trust her), this show took a plunge that it never came back from. Stick with the first 15 episodes - the rest is a downward spiral.
Lo sapevi?
- QuizThe pilot episode was the highest-testing episode "20th Century Fox" had ever done.
- BlooperMax and Isabel's Jeep is an automatic (they often drive away with both hands on the steering wheel), but the audio makes the Jeep sound like a standard stick.
- Curiosità sui creditiStarting with the third season opening credits, while most of the actors' names appear normally, those of the three playing the aliens (Jason Behr, Katherine Heigl and Brendan Fehr) appear first in alien script, then morph into English, representing their rebirth from a previous alien life on Earth.
- ConnessioniFeatured in WatchMojo: Top 10 Fan Campaigns That Worked (2015)
- Colonne sonoreHere with Me
(Theme)
Written by Dido (as D. Armstrong), Paul Statham (as P. Statham) and Pascal Gabriel (as P. Gabriel)
Performed by Dido
Album "No Angel"
Courtesy of Arista Records 1999
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- Data di uscita
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- Lingua
- Celebre anche come
- Roswell High
- Luoghi delle riprese
- 223 North Citrus Avenue, Covina, California, Stati Uniti(Crashdown Cafe)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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