Terry Leather, un piccolo criminale londinese, accetta la proposta della bellissima Martine, in possesso di una dritta per un colpo con i fiocchi: si tratta di svaligiare una banca con l'all... Leggi tuttoTerry Leather, un piccolo criminale londinese, accetta la proposta della bellissima Martine, in possesso di una dritta per un colpo con i fiocchi: si tratta di svaligiare una banca con l'allarme fuori uso.Terry Leather, un piccolo criminale londinese, accetta la proposta della bellissima Martine, in possesso di una dritta per un colpo con i fiocchi: si tratta di svaligiare una banca con l'allarme fuori uso.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Rupert Frazer
- Lord Drysdale
- (as Rupert Fraser)
Recensioni in evidenza
If "The Bank Job" were fiction, it would be a fairly decent robbery caper. As it is, "The Bank Job," a veritable documentary and realistic whodunit, is awesome.
Unlike most films, this one requires a couple of advance tips: First, watch it with the improbable idea in mind that most of it is actual, hard-to-believe truth; second, don't be impatient. As the story of a 1971 bank robbery begins, the setting in London, the parade of seemingly unconnected stories and characters is rather confusing, complex, disjointed. But stay with it - there is a crescendo of excitement and excellence.
The true elements of "The Bank Job," some hidden until recently by Britain's "D Notice" censorship law (modified in 1993, becoming DA, or Defense Advisory) are these:
1. A big bank robbery did take place on Baker Street in 1971, culprits never found, money never recovered. After initial big headlines, the story disappeared from the newspapers.
2. There was serious police corruption in London in the 1970s, cops on payrolls of drug dealers and pornographers.
3. Princess Margaret was involved in a series of affairs, some caught on compromising photos which were not published by the otherwise relentlessly sensational British press, under the D-Notice rule.
4. There was a militant British black-power advocate, called Michael X, involved in a one-man, multi-country crime wave. (In 1971, John Lennon paid for Michael X's bail, something not mentioned in the film.)
"The Bank Job" director Roger Donaldson (of "No Way Out") brings together all these true threads in a way that may be true even in its totality, director and cast prevailing over some shoddy work from too many writers.
The content is all true, the context is excitingly possible. Did the government, in trying to prevent exposure of Princess Margaret by evidence in Michael X's possession, mastermind the bank robbery? Was MI-5 or MI-6 (says a policeman in the film: "I never remember which is which") involved, and actually assisting the robbers? Again, possibly.
The cast is remarkable: Jason Statham is the ringleader, the bad guy of "Transporter" and "The Italian Job" turning into a scourge of the really bad guys. Saffron Burrows, James Spader's vamp nemesis on "Boston Legal," brings her remarkable name and looks to the criminally and emotionally ambiguous major female role.
Peter De Jersey is a totally scary Michael X; David ("Poirot") Suchet is a frightening crime lord; and a whole host of top British stage actors fill in big roles and small ones. Don't be misled by reviews speaking of a so-so thriller - "The Bank Job" is a great deal more than that, even to the point that you may want to see it more than once.
Unlike most films, this one requires a couple of advance tips: First, watch it with the improbable idea in mind that most of it is actual, hard-to-believe truth; second, don't be impatient. As the story of a 1971 bank robbery begins, the setting in London, the parade of seemingly unconnected stories and characters is rather confusing, complex, disjointed. But stay with it - there is a crescendo of excitement and excellence.
The true elements of "The Bank Job," some hidden until recently by Britain's "D Notice" censorship law (modified in 1993, becoming DA, or Defense Advisory) are these:
1. A big bank robbery did take place on Baker Street in 1971, culprits never found, money never recovered. After initial big headlines, the story disappeared from the newspapers.
2. There was serious police corruption in London in the 1970s, cops on payrolls of drug dealers and pornographers.
3. Princess Margaret was involved in a series of affairs, some caught on compromising photos which were not published by the otherwise relentlessly sensational British press, under the D-Notice rule.
4. There was a militant British black-power advocate, called Michael X, involved in a one-man, multi-country crime wave. (In 1971, John Lennon paid for Michael X's bail, something not mentioned in the film.)
"The Bank Job" director Roger Donaldson (of "No Way Out") brings together all these true threads in a way that may be true even in its totality, director and cast prevailing over some shoddy work from too many writers.
The content is all true, the context is excitingly possible. Did the government, in trying to prevent exposure of Princess Margaret by evidence in Michael X's possession, mastermind the bank robbery? Was MI-5 or MI-6 (says a policeman in the film: "I never remember which is which") involved, and actually assisting the robbers? Again, possibly.
The cast is remarkable: Jason Statham is the ringleader, the bad guy of "Transporter" and "The Italian Job" turning into a scourge of the really bad guys. Saffron Burrows, James Spader's vamp nemesis on "Boston Legal," brings her remarkable name and looks to the criminally and emotionally ambiguous major female role.
Peter De Jersey is a totally scary Michael X; David ("Poirot") Suchet is a frightening crime lord; and a whole host of top British stage actors fill in big roles and small ones. Don't be misled by reviews speaking of a so-so thriller - "The Bank Job" is a great deal more than that, even to the point that you may want to see it more than once.
I also saw this film at an advance screening. I don't normally watch any of the trailers before going, so tend to go in with an open mind. I was very pleasantly surprised, and while it perhaps won't win any Oscars, I thought it was well acted in the main with some faces you'll recognise. It might not have massive appeal outside the UK, however it is a good (based on fact) story. I'm not a massive fan of 70's music, but it wouldn't have done any harm to have a bit more in the background just to give it more of a seventies feel about it. The general mood of the film was good and for me seemed to set the scene well, without going overboard with sex or violence. On the whole, it's well worth a visit, even if you have never lived in that era.
As caper flicks go, all I really hope for is something that succeeds in being both novel and entertaining. My hopes were satisfied by The Bank Job. The plot itself is based very loosely on events that occurred in the 1970s in London. The royal family has some dark secrets. An outspoken activist/petty criminal/drug importer has evidence of these secrets, which he uses as leverage against the government who desperately wants to prosecute him. This evidence is stored in a safety deposit box within a London bank. British Intelligence conjures up a rather reckless plan of employing a bunch of two-bit/amateur criminals to break into the vault, and take the evidence along with whatever else they can carry out. Apart from one intermediary, none of the robbers know the government's secret agenda. Of course, things get complicated whenever the possibility that a bunch of dirty secrets are in the wrong hands, and eventually the movie juggles several interconnecting plot lines, all related to the contents of the vault and their implication on various interests from the royal family, to corrupt police, to the sexual indiscretions of parliament members.
The movie keeps a good pace and never takes itself too seriously. It builds up the plot lines and tries somewhat successfully to tie everything together. There is some good tension, a bit of violence (not much), and eventually, vindication for most of the parties.
The problems with the movie are numerous, but nothing that ultimately destroys the fun. Yes the movie is rife with inexplicably, unnecessary side characters (see female undercover agent in the Caribbean). Yes the movie's dialogue veers into indecipherable 1970s British slang, which gives a comedic undertone to conversations that are intended to be serious. Yes there exist rampant plot issues that make you wonder how stupid cops really are. And yes the acting is OK, at best, lets face it Jason Stracham is meant for British caper movies the way Keanu Reeves is meant to play a clueless surfer cop in Point Break - so while he's not winning any Academies, he fits these rolls just fine.
You could wait for the DVD, or if you are looking for a fun way to kill 2 hours, you should go to the theater for this one.
The movie keeps a good pace and never takes itself too seriously. It builds up the plot lines and tries somewhat successfully to tie everything together. There is some good tension, a bit of violence (not much), and eventually, vindication for most of the parties.
The problems with the movie are numerous, but nothing that ultimately destroys the fun. Yes the movie is rife with inexplicably, unnecessary side characters (see female undercover agent in the Caribbean). Yes the movie's dialogue veers into indecipherable 1970s British slang, which gives a comedic undertone to conversations that are intended to be serious. Yes there exist rampant plot issues that make you wonder how stupid cops really are. And yes the acting is OK, at best, lets face it Jason Stracham is meant for British caper movies the way Keanu Reeves is meant to play a clueless surfer cop in Point Break - so while he's not winning any Academies, he fits these rolls just fine.
You could wait for the DVD, or if you are looking for a fun way to kill 2 hours, you should go to the theater for this one.
I'll be honest, I only saw The Bank Job because I had some free tickets for an advance screening, had I have not got these tickets I would not have bothered seeing it. The only trailer I had saw for it just didn't really appeal to me, I do enjoy Jason Statham movies, but this one seemed a bit serious in my eyes. Still I went today to the 6.30 screening and was surprised to enjoy it quite as much as I did. Admittedly for the first half hour I did get quite bored, the characters weren't really memorable and the set up seemed really dull. Thankfully when the heist gets under way, and especially the aftermath, the movie hits top gear and left me thrilled. The fact the movie is based on a true story still leaves me quite amazed, as the events that happen seem purely like the stuff that you see in the movies. How much of it is real and how much of it is purely to make it a better movie, a fight involving Statham I am certain didn't happen. The performances are surprisingly well rounded, Statham doing a brilliant job and the majority of the supporting cast getting some great scenes. Alas the movie does start to fall apart under close inspection, the plot is never concluded quite as well as I would have liked, and the movie does have some long stretches where not a lot is happening. If you can overlook this fact then you will a lot to enjoy in this very well made movie.
So onto the performances. As I have said Statham does a surprisingly admirable job in the film. When you look at his CV of films you realise he isn't exactly the most talented actor. In fact all he generally has to do is grumble and hit things a lot. But there is just no denying that the man has a hell of a lot of charisma, in this film he truly gets to display his acting skills. Of course on occasion he delivers a dodgy line, but then if you watch some of the smaller scenes with his characters wife you realise how much potential he has. If given the right material I am sure Statham can truly develop as an actor. Saffron Burrows is brilliant as the slightly suspicious Martine for the first half, unfortunately after the heist she has little to do and the character never felt fully concluded. Still she does have some great moments in the earlier part of the film. Daniel Mays runs off with the majority of the movie as Dave, in fact this looks set to launch Mays career a bit further, he has the best lines and is a funny character. Richard Lintern (who I have to confess I thought was Dougray Scott for half the film) is brilliant as the man behind the heist, in some way that is, and his character is one of the most rounded. Peter De Jersey as Michael X is menacing in his all too brief screen time, but like Martine his character never felt fully dealt with. Still he and the other chief villain, David Suchet, are quite menacing.
The Bank Job when advertised does come across as a typical gangster flick with a lot of humour in it. However when watching it I have to be honest and say it isn't that funny. There are a couple of lines here and there but the movie doesn't really make you laugh that much. Neither is it that big of a gangster flick, of course there are the local gangster running around, and the movie becomes more along that line towards the end. But for the majority of the film it comes across as a slightly grittier and far less flashy Ocean's Eleven. The scenes where they try to rob the bank are definitely some of the highlights, however its the final 45 minutes that stick firmly in mind. What happens after the robbery is just thrilling to watch, will they get away with it, won't they? Things also get a lot darker near the end, also quite violent one scene, or the idea of what was going to happen, made me wince a bit. The film is superbly directed as well, its not too flashy but there are some great shots in there. Unfortunately the music does start to irritate after a while, everything seems overdone, a scene which is meant to be funny is ruined because the music sounds like its from an action movie, it just doesn't truly suit the film all the time. Also as previously mentioned the beginning as well is quite boring.
Overall The Bank Job is a great movie that with a bit of fine tuning at the beginning could make it even better. If you want a smart thriller that will surprise you because of it being based on real events that I highly recommend this. Don't expect an all time classic though.
So onto the performances. As I have said Statham does a surprisingly admirable job in the film. When you look at his CV of films you realise he isn't exactly the most talented actor. In fact all he generally has to do is grumble and hit things a lot. But there is just no denying that the man has a hell of a lot of charisma, in this film he truly gets to display his acting skills. Of course on occasion he delivers a dodgy line, but then if you watch some of the smaller scenes with his characters wife you realise how much potential he has. If given the right material I am sure Statham can truly develop as an actor. Saffron Burrows is brilliant as the slightly suspicious Martine for the first half, unfortunately after the heist she has little to do and the character never felt fully concluded. Still she does have some great moments in the earlier part of the film. Daniel Mays runs off with the majority of the movie as Dave, in fact this looks set to launch Mays career a bit further, he has the best lines and is a funny character. Richard Lintern (who I have to confess I thought was Dougray Scott for half the film) is brilliant as the man behind the heist, in some way that is, and his character is one of the most rounded. Peter De Jersey as Michael X is menacing in his all too brief screen time, but like Martine his character never felt fully dealt with. Still he and the other chief villain, David Suchet, are quite menacing.
The Bank Job when advertised does come across as a typical gangster flick with a lot of humour in it. However when watching it I have to be honest and say it isn't that funny. There are a couple of lines here and there but the movie doesn't really make you laugh that much. Neither is it that big of a gangster flick, of course there are the local gangster running around, and the movie becomes more along that line towards the end. But for the majority of the film it comes across as a slightly grittier and far less flashy Ocean's Eleven. The scenes where they try to rob the bank are definitely some of the highlights, however its the final 45 minutes that stick firmly in mind. What happens after the robbery is just thrilling to watch, will they get away with it, won't they? Things also get a lot darker near the end, also quite violent one scene, or the idea of what was going to happen, made me wince a bit. The film is superbly directed as well, its not too flashy but there are some great shots in there. Unfortunately the music does start to irritate after a while, everything seems overdone, a scene which is meant to be funny is ruined because the music sounds like its from an action movie, it just doesn't truly suit the film all the time. Also as previously mentioned the beginning as well is quite boring.
Overall The Bank Job is a great movie that with a bit of fine tuning at the beginning could make it even better. If you want a smart thriller that will surprise you because of it being based on real events that I highly recommend this. Don't expect an all time classic though.
Saw an advance screening of this 'True' British crime story last night. True is in inverted commas as apparently the basic facts are true but of course most of the story comes from the minds of the two writers that penned it.
Its an enjoyable film, good story, production wise nothing special; could be a made for TV movie, there wasn't much action surprisingly and the jokes were thin on the ground; a snatch copy it 'aint.
Good performance from Jason Stratham in his best screwed up, looking menacing while surprised face. Good supporting cast with many faces you will recognise (spot the Eastender) apart from a terrible performance from Stephen Campbell Moore who looked like he was on a comedy show. Thought it could have maybe done with a bit more music from the 70's, Just to cement home the era a bit more.
I wouldn't bother spending money going to see this at the cinema, unless maybe its Orange Wednesday 2-4-1, more suited to a DVD viewing or wait till it hits Film Four in a year or two.
Enjoyable, better than average British film, but no Oscars coming its way.
Its an enjoyable film, good story, production wise nothing special; could be a made for TV movie, there wasn't much action surprisingly and the jokes were thin on the ground; a snatch copy it 'aint.
Good performance from Jason Stratham in his best screwed up, looking menacing while surprised face. Good supporting cast with many faces you will recognise (spot the Eastender) apart from a terrible performance from Stephen Campbell Moore who looked like he was on a comedy show. Thought it could have maybe done with a bit more music from the 70's, Just to cement home the era a bit more.
I wouldn't bother spending money going to see this at the cinema, unless maybe its Orange Wednesday 2-4-1, more suited to a DVD viewing or wait till it hits Film Four in a year or two.
Enjoyable, better than average British film, but no Oscars coming its way.
Lo sapevi?
- QuizWhen Eddie says, "Money may be your god, but it ain't mine," this is almost exactly what the real life lookout for the bank robbers said over his walkie-talkie during the robbery. This is known because, as in the movie, a ham radio operator tape recorded some of the conversations broadcast by the robbers.
- BlooperAlthough the film is set in 1971, signs on various shop doors seen in the film advertise that credit cards "Visa" and "Mastercard" are accepted. The name "Visa" was not used for the charge card before 1977 (replacing Barclaycard in the UK); "Mastercard" was "Master Charge" until 1979.
- Citazioni
Sonia Bern: [to police officer] The whole point of having a safe deposit box is so that people like you don't know what's in it!
- Curiosità sui creditiDisclaimer: "The names of many people identified in this film have been changed to protect the guilty."
- Colonne sonoreGet It On
Written by Marc Bolan
Performed by T. Rex
Westminster Music Ltd
Administered by Essex Music of Australia Pty Ltd
Licensed courtesy of Straight Ahead Productions
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El robo del siglo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.060.660 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.935.256 USD
- 9 mar 2008
- Lordo in tutto il mondo
- 64.828.421 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti