West Wing - Tutti gli uomini del Presidente

This gem of a series really took me by surprise. Observing the world of American politics and the lives of those working in the White House could be an extremely dull concept. But thanks to an outstanding script and the wonderful skills of the experienced cast, The West Wing effortlessly draws the viewer in and provides top quality drama in every action-packed episode.

Following the trials and triumphs of those working behind-the-scenes in and around the Oval Office, this series perfectly portrays the shrewdness that the president and his staff require to do their jobs and the way they inter-relate in a manic environment to get those jobs done, while still managing to maintain a personal life. Combining a subtle mix of poignancy, humour and dramatic tension with varying degrees of pace, it is a joy to watch.

Each episode is relatively self-contained with running storylines developing throughout the series. The characters are perfectly rounded, the script continually sharp, and credit goes to the directors and editors who ensure such slick movement and spot-on timing on screen.

Singling out any particular member of the cast is difficult as each one of them is truly first-rate. However, Martin Sheen is excellent as President Bartlet, a fiercely intelligent and discerning man with a genuine passion for his job. Rob Lowe is a revelation as Sam Seaborn, the wise and witty deputy communications director, and Allison Janney, as the astute press secretary, CJ, is far removed from her almost unrecognisable role as Barbara Fitts in American Beauty.

Whether White House life is in reality as appealing as this remains to be seen. It would, however, be very reassuring to believe that those who actually do hold such influential positions are as unashamedly charming as The West Wing brilliantly depicts them.

This is what all television used to be like, in the 'good old days'- well written, well acted (even by Rob Lowe!) and beautifully directed.

The plots are thick and interesting and the people are smart and pretty and I just can't get enough of it. I wish Aaron Sorkin would write another movie (he wrote A Few Good Men) and also be as prolific as David E. Kelly- Sorkins work is by far the superiour, and I could watch it day in and day out. Tune in, you won't be disappointed.......

This is the finest show ever produced for TV. Each episode is a triumph. The casting, the writing, the timing are all second to none. This cast performs miracles.

The secret to this show is that it is, at heart, a comedy, even when tragic things are happening. That gives Martin Sheen, Allison Janney, Bradley Whitford, Richard Schiff et al. the room to work. And do they ever.

It works because it is deep, the characters are well-drawn. Early in the first season, CJ gets a root canal and walks around for the rest of the episode with cotton stuffed in her mouth, yelling things like" The Pwesident must be bweefed!" This has to be seen to be believed. It had me literally on the floor, laughing until I feared I would hurt myself. I don't know how many shows have tried cheap stunts like that and they are just that, cheap. On "The West Wing" it works because we know CJ, we know how unlike her, and yet like her, that moment is. And Toby's slow-burn reaction is pitch perfect.

Bravo.

Network: NBC; Genre: Drama; Content Rating: TV-PG; Available: DVD and syndication; Perspective: Modern Classic (star range: 1- 5);

Seasons Reviewed: Complete Series (7 seasons)

Created out of the ashes of the tragic failure that ABC befell his neo-classic "Sports Night" (which I also highly recommend), Aaron Sorkin's next effort aims at nothing short of the most powerful office in the world. "The West Wing" takes us behind the scenes of the Bartlet (Martin Sheen) administration and his staff, which includes special counselor Leo (John Spencer), the dryly spunky Press Secretary C.J. (Allison Janney), Chief of Staff Josh (Bradley Whitford) and his model-like assistant Donna (Janel Moloney), morose Communications Director Toby (Richard Schiff), aid Charlie (Dule Hill) and Deputy Comm Director Will (Josh Malin, "Sports Night").

To best enjoy "Wing", with its occasionally maddening bouts of self indulgence and nose-in-the-air intellectual showboating, is to understand how purposefully different it is from just about anything else on TV. It lacks the kind of compelling situational drama you'd expect. Most of the real action occurs off screen, with us simply hearing that a crisis was solved. This show is about conversations, history and civics lessons and an ambitious deconstruction of wedge issues that you never heard spoken of so thoughtfully in entertainment television. "Wing's" vision of politics is an old-fashioned fantasy of a noble grass roots attempt, guided by history and the framers, where the political process is a necessary tool, o do what's right for the common man.

The political right has taken the show out to the woodshed for spouting liberal propaganda (every character is a vocal Democrat), but in my experience with it, it has been nothing but honest and fair with it's topics, unlike the blunt object beating we get from David E. Kelley and Dick Wolf shows. You have to be quick to catch inferences to tax cuts creating service cuts and women's lives being ruined by having a child and not an abortion. Free from a need to create simplistic sound-bytes or follow poll numbers of real-world politicians, Sorkin's world depicts the kind of well reasoned discourse lost in the modern, media-driven political climate.

Back to the dialog and the most important thing. This is a show that can be written with such lyrical beauty and directed with such cinematic majesty that it elevates it from a conceptually tedious concept and static stories. Sorkin brings back the snappy, lightening-fast "His Girl Friday" conversations of "Night". A man in love with his dialog (I can't fault him for that), he crams very syllable of every crisp monologue in the running time.

Satisfying the audience's desire to see behind these particular closed doors, "Wing" consciously maintains a fly-on-the-wall quality as we follow the White House staff through hallways and offices discussing everything from the most frivolous everyday annoyances and grammatical idiosyncrasies to weighty issues of domestic and foreign policy. It gives us the wonderful illusion we are seeing the real nit and grit behind the political process - from getting enough votes to pass a bill to keeping piece in the Middle East. This is C-SPAN stuff, packaged with beautiful, epic pageantry.

At series' end my initial reaction to the show still holds water. By comparison it doesn't have the heart or the laughs of "Sports Night". It has a rich look and feel but, for all its philosophizing and linguistic gymnastics, I still remain detached from the characters and any emotional core at all. Spencer is terrific and Janney and Whitford make TV stars of themselves with what are for the most part mechanical characters with just enough quirks to get them banging against each other nicely. That said, Whitford and Moloney have an engaging chemistry that draws us in and lets us root for them. A chemistry that the show takes a smart 7 years to pay off.

Sorkin and Sheen's president is a Frank Capra fantasy the melds together the most idealistic elements of politics and Americana into someone who can represent the best of his ideology and is still human enough to display the worst. Granted, this is Sorkin's fantasy so the latter is rare and Bartlet gets the last wise word most of the time.

After the 4th season, Sorkin leaves the show amid rumors of drug use and studio hack John Wells is brought on board. Wells is a network hack who took over "ER" when Michael Crichton stepped away and turned it into a soap opera, and then did the same with his own "Third Watch". The show slowly changes under Wells and while he resists his usual urge to sadistically kill of major characters, Sorkin's trademark dialog is slowed down and the show gets more traditionally exciting, but the intellectual substance remains and Wells gels with the show well.

I don't love "The West Wing" as much as others. Each episode starts strong and ends strong, but almost always looses steam in the long 2nd act. So goes entire seasons, which can bring us in and go out with an assassination, a kidnapping, terrorist attack or some other exciting peril for a main character and stall for entire hours in the winter.

Under Wells' control, the series ends with a spectacular bang. The final season brings an end to the Bartlet administration and follows the feverish presidential campaign of both parties race to win the election and instill their candidate - either Republican Senator Vinick (liberal He-man Alan Alda) or Democrat congressman Santos (Jimmy Smitts) - in as his successor. After 7 seasons the show goes out as rewarding and classy as it came in. A behind-the-scenes celebration of the American political process. It is an exceptional final season for a classy and classic show.

* * * * / 5

As mentioned in a couple of episodes, Andrew Jackson kept a two-ton block of cheese in the foyer of the White House for the public. It was to remind everybody that The White House belongs to the people, and that their voice should always be heard and represented. Well, "West Wing" is a love poem to the ideals of a portion of America that has not had a voice in a long, long time. Be forewarned, this show is not a docudrama watered down or dumbed down in order not to offend the sensibilities of the mainstream. It is unabashedly - dare I say in these reactionary times - ultra-liberal and proud of it. President Bartlet and his staff represent the spirit, courage, depth and imagination that many (but obviously not all) faithful Americans feel this country was founded on: a spirit that they would like to see in their political candidates, but rarely find anymore. It is the stuff of dreams. Check that twice; this isn't reality TV so don't go ballistic if certain "facts" about the official processes of White House machinery are incorrect. The show isn't meant to provide documentation of life in the west wing. It's meant to give us an idea of the complexities of the political process, as well as a look at the dedication and personal sacrifice most politicians and staffers have to endure. Most importantly though, the show is meant to be a springboard for ideas and values. Is President Bartlett in any way realistic? Hell, no! He's a wild composite of every liberal politician and scholar that ever positively influenced this country, as well an authority on antiquated history, philosophy, mythology, national parks, chess, and virtually every nation in the world. What makes him especially endearing is that all of these qualities are rolled up in a homespun charm that could make Garrison Keillor positively green with envy. Some people don't seem to get the joke: he has every single element that has been absent in politicians - Democrat and Republican alike - for a longgggg time. The fact that he is so unreal is THE element of social satire that this program propagates. Frankly, I find it thrilling because as much as I love other political satires like "Bob Roberts" and "Wag the Dog", it seems wonderfully refreshing to see satire being directed from politicians rather than at them. There will never be a real president like Jed Bartlet in the White House, but every American can get a healthy dose of inspiration from fictional Jed Bartlet, 'man of the people'. [I'd include other nationalities in that statement, but there's something about Bartlet that is quintessentially American. I can't quite put my finger on it, but I visualize it along the lines of reading the Constitution while eating a bowl of chili. Other nationalities will have to come up with their own particular mixture of homespun idealism.]. I should include his staff in that statement too, since any of those in the West Wing (with the exception of Ainsley Hayes, sweet as she is) would make a fantastic president.

As for the other elements of this show... On first watching it, I was very aware of the fact that the White House staff seemed to spend more time holding conversations while walking in corridors, than actually sitting in their offices. I was also aware of how the cameras twirled around them unceasingly. And I often found the dialogue in both quality and delivery to be something along the lines of Spalding Gray meets Gore Vidal; i.e. extremely quick, witty and brilliant, but how many people really talk that way? Well, by the third episode I became so attached to the fascinating qualities and idiosyncrasies of each character that in my ears, their dialogue seemed to flow quite naturally. By the forth episode I was tickled pink to follow them anywhere. And by the fifth episode, my inner gyroscope finally synched up with the show's steadicam. I'm hooked- what else can I say! All the characters/performers of "West Wing" are excellent, and the "what if" scenarios in each show cleverly cover situations that we're all familiar with, with just the right touch of emotional depth (or in some cases, levity. The show's humor is always delicious!).

`West Wing' is simply brilliant through and through. The only bad thing about it is when it's over, we all have to face reality once again. Damn!