Non uno di meno

I am generally not a big fan of movies made only to send a message, tending to agree with the Hollywood director who famously said, If you want to send a message, go to Western Union. And make no doubt about it: this is a message movie. And in case you might miss the message, the director flashes it across the screen at the end. That said, this is a beautiful and heart warming story about an aspect of Chinese culture one generally does not hear much about in the West: the situation at rural schools. As Zhang Yimou lets us know at the end, more than one million students drop out of schools in rural China because of poverty. From what I understand, this is a pretty accurate picture of the situation in many places in the Chinese countryside. Forget about having a computer in the classroom; this place has to worry about having enough chalk. To add to the authenticity, Zhang Yimou used real people from the Chinese countryside to play the roles (although to clear up one misperception, this is not a true story). It is certainly a different China than the economic superpower we hear about in the news. But for anyone wishing to get a more complete picture of China, this film provides a vivid depiction of the plight of rural schools in a very moving if somewhat contrived story and is highly recommended.

At the moment this art house gem of a film rates an IMDB 7.9, so obviously many of us film buffs love it. This film is innovative, delicate, and harshly authentic. If you enjoy international film festival flicks, you MUST see this film. Actually I believe this film should be required viewing for film students who aspire to be directors, cinematographers, etc.

However, if you prefer action, Hollywood formula flicks, car chases or even complex plots, then avoid this film. You will probably fall asleep or just be irritated.

If you watch this film with your heart, with a good dose of patience, you you will then understand the message. If tears do not come to you during the main character's emotional appeal, then you are probably not aligned with the spirit of this film.

Personally I was stunned by the deep impact this film had on me. Yes, it was indeed 'slow', but this allowed for the genuine portrayal of common hope and suffering. I have been a film buff for over 4 decades and this film stands out as refreshingly different. By the way, it is supposed to be a true story, and this added significantly to the film's realism. Also, it does seem that none of the people in the film were professional actors, which is amazing in spite of a sort of documentary feel at times. If you have an open heart and mind, see it!

The substitute teacher in a remote poor Chinese village is a 13 years old. Wei Minzhi plays Wei Minzhi, the mayor of a poor village plays the major of this fictional village, the teacher is the teacher, and the TV Host is the TV host...

Mr. Zhimou has created a fictional story, however, with the movie's style (as it was based in real life events) and with the use of "reliable" elements (non professional actors playing themselves), he makes it so believable, so, at about the first half of the movie, the bystander already feels identified with the film, it's touched by it, by its beauty, tenderness and sorrow.

This is not a real story, however, it shows a reality in every day China (and perhaps other countries). Since it was impossible to do a documentary criticizing the Chinese government, he made this outstanding, touching, brilliant film. 10 out of 10.

This is the depiction of a true story with the two lead characters performed by the actual person: Wei Minzhi, 13 year old young girl who is a substitute for the village teacher, and Zhang Huike, 11 year old young boy who left school to go to the city to find work to pay for family debt.

It is DERTERMINATION personified. She is one young lady who's not worried about her looks or other people's criticism. She is truly one track minded to find the lost student and to bring him home back to the village, and does not care if others are curt with her, or impolite; she's just very focused on achieving what she came to the city for - to get Zhang Huike back to the village school - no matter what it takes!

Simple setting. Poor village, city hustles. Children interactions/reactions are always a joy to watch. Lead character is devoid of guile and her stubborn determination is direct and innocent. The hesitation in her speech, her pause and silence held her own. Her performance is guileless - plainly so - that's how precious the performance is. An occasional smile is not easy to detect, as she is so engrossed in her mission; the continuous smile towards the end is well earned. There is magic after all.

This is a rare gem from director Zhang Yimou, quite a different flavor from his film collaborations with heaven-sent leading lady Gong Li.

There isn't much to this story, I but I still liked it. The lead character, played by Wei Minzhi, is supposed to be playing a 13-year-old girl and was really interesting to watch, as were the young students and some of the other people in this film.

Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.

This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.