Il vecchio e il mare

a film who could surprise if the name of Alexandr Petrov is unknown. if not, it is only expression of subtle, touching and high art. a slice of pure beauty, homage to a great story and to its author. the images are almost magic. because behind each the passion, the hard work, the patience and the perseverance are signs of a kind of mystery. a film about a fight and a dream.out of words, far by definitions. it is a great animation and that fact is the secret for who not only admiration is the answer of spectator to it. something who seems be the childhood flavor and the grace of great dreams are ingredients of it. a film like a challenge. and like a refuge.

What a Beautiful animation, I really love this style of art, It fits Perfectly the mood of the story as well.

a well known text. and more that. impressive realism. and touching poetry. a masterpiece, without doubt. but on who inspires so emotion than transforms each moment in a surprise. because it is more Hemingway than Santiago in this story about memories - dreams, confessions, terrible fight, disillusion, pain and broke of expectation. it is almost a Hasidic story. or a parable. out of lines of text, out of expectations of viewer. a kind of magic. not surprising for the public of Alexander Petrov. but out of words. because his art has him. a gift. a miracle. open of new perspective of reality. that is all. and it is enough. because The Old Man and the Sea by Alexander Petrov is more than a magnificent adaptation. it is one of the most impressive confessions as part of unique art.

When I saw this film was made by Aleksandr Petrov, I knew it had to be special. Even before this film received the Oscar for Best Short Animated Film, he was already well-known for his short films since he'd been nominated for Oscars in this same category for THE COW and MERMAID. All three of these films are breathtaking to watch--with the most amazing animation I have ever seen. Instead of traditionally cartoon-like animation or CGI, his films are like living and moving paintings--looking like something that should be in an art museum--not in a theater. They are simply gorgeous.

As for THE OLD MAN AND THE SEA, it easily deserved to win the Oscar--being yet another great Petrov film. The only odd thing about it is that it was made in English and French and when I saw it I was surprised because I expected Russian! Still, a gorgeous and faithful adaptation of the book and far better than the Spencer Tracy version of the tale.

"The Old Man and the Sea" (1999) directed by Aleksandr Petrov is a 20 minutes long animation based on Ernest Hemingway's 1952 novella of the same name. Petrov's film was awarded Academy Award for Best Animated Short Film in 2000. More than two years of painting on glass sheets, using brushes but mostly his own fingers, resulted in over 29,000 paintings that enabled Petrov to produce this absolutely awesome, one of the kind feast of colors, images, and emotions that celebrate the famous work of literature and its creator. I have watched it perhaps ten times during the last weekend. I am still overwhelmed by its beauty and depth, and the admiration for what human imagination, creativity, and talent are capable of producing. The extremely rare technique made the film both incredibly realistic and magically dream-like. The director himself gave us the key to understanding his work when he explained that painting with his fingers instead of brushes, "is the closest way from the heart to the cartoon". He put his own heart in every scene of the film, and that's probably why every image is alive, breathing, and shining.