Aggiungi una trama nella tua linguaAfter multiple expulsions, Ben moves to his grandfather's small town. He befriends Katherine despite family objections. They encounter a ghost connected to both families and learn the power ... Leggi tuttoAfter multiple expulsions, Ben moves to his grandfather's small town. He befriends Katherine despite family objections. They encounter a ghost connected to both families and learn the power of belief while uncovering the past.After multiple expulsions, Ben moves to his grandfather's small town. He befriends Katherine despite family objections. They encounter a ghost connected to both families and learn the power of belief while uncovering the past.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Courtney Hartney
- (as Charles Powell)
- Neighbor
- (non citato nei titoli originali)
Recensioni in evidenza
Teaming up with his new neighbor, Katherine (Elisha Cuthbert), Ben starts sleuthing around.
BELIEVE is a semi-spooky, humorous family film. One of the best parts involves some major payback for a pair of town bullies.
Fans of Ms. Cuthbert will rejoice, as she's in almost every scene! Co-stars Andrea Martin as a paranormal investigator.
Round up the kids and get the popcorn popping!...
Ben (Ricky Mabe) is the point-of-view character of BELIEVE, a new horror film aimed at younger audiences and lensed by director Robert Tinnell, whose previous work includes horror fan favorite FRANKENSTEIN AND ME. Unlike FRANKENSTEIN AND ME, which was essentially a coming-of-age story with horror trappings, BELIEVE is designed to generate real chills and it delivers. Even veteran horror fans should receive at least a few satisfying shivers from the picture.
As BELIEVE's story progresses, Ben quickly realizes his grandfather (Jan Rubes) isn't telling everything he knows about the mysterious figure in the red coat. Granddad goes ape when he discovers that Ben has enlisted the help of a neighbor girl (Elisha Cuthbert), who has also seen the ghost, in his quest for the truth. The girl's uncle (Ben Gazzara ) is equally upset by this development, and forbids her from seeing Ben. The teenagers realize that somehow their families' histories will unlock the secrets of the Stiles house, and maybe help their phantom finally find peace.
Tinnell refers to BELIEVE as `an entry level horror film.' Pressed for an explanation of this term, he explains: `There's a void for young people -- and older people, too -- who would like quality a quality supernatural experience that isn't misogynist or extremely gory. I was trying to make something like I WALK WITH A ZOMBIE that kids and adults can both look at and be scared without being steamrolled.'
Imagine George Romero shooting a movie for The Wonderful World of Disney and you have some idea of the film's tone. To achieve this effect, Tinnell asked production designer Jules Ricard to decorate his sets in the style of the classic Hammer horrors. Then Tinnell shot his movie much in the mode of Mario Bava. Viewers who know Tinnell only through FRANKENSTEIN AND ME will find BELIEVE a revelation. It's far more visually cohesive than his early work and its use of color is striking. Certainly Tinnell was well served by cinematographer Pierre Jodoin, whose work is imaginative and eloquent. Composer Jerry DeVilliers Jr. sets the mood with a truly haunting score.
Tinnell, a formidable horror film scholar in addition to a gifted young filmmaker, built in several nods toward great ghost pictures of the past. Horror aficionados will appreciate the film's visual references to movies like THE UNINVITED and THE INNOCENTS. BELIEVE also quotes from THE HORROR OF DRACULA and (of all things) THE INVISIBLE GHOST. The director confesses to influences as wide-ranging as Romero's MARTIN and THE GHOST AND MR. CHICKEN, but his capsule description of BELIEVE is `the Hardy Boys meet Wuthering Heights.'
Tinnell had to bring in the picture on a $2 million budget and a 20-day shooting schedule. To his credit, BELIEVE looks like a much more expensive film. For what it's worth: Many horror publications, from stately Midnight Marquee to splatter-happy Fangoria, have given BELIEVE glowing reviews.
Really, the only thing going for this film is the cast. Ben Gazzara is always a joy, even if he serves no real purpose in this movie (his role could have been filled by anyone). The real treat is Elisha Cuthbert. There is no way that anyone would have thought within a very short time she would become a sex symbol thanks to "The Girl Next Door" (2004).
The story and everything else is rather bland, and seems like it was made for TV, possibly for young adults or children. You probably will forget you ever watched it within days.
Children and adults can both enjoy this film. It manages to avoid any gorey scenes and yet includes plenty of rising suspense and timely comic relief.
The two youthful stars, Ricky and Elisha, are truly great actors and will no doubt have very long, very successful careers. I look forward to seeing them play in more movies soon because they certainly can act. The pair put quite a lot of "punch" into the story, making all aspects of it real and involving.
I really recommend you see this film. I think you will enjoy it no matter what age you are.
Lo sapevi?
- Citazioni
Benjamin Stiles: God, I know I don't thank you nearly enough, but thanks for not letting my grandfather kill me... And uh, thanks for Katherine.
- ConnessioniReferences La voce nella tempesta (1939)
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Dettagli
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1