What Women Want - Quello che le donne vogliono

Mel Gibson is known as sort of a macho action hero, and stereotyped into his Mad Max/Martin Riggs persona. But I've noticed (except for "Braveheart" and "The Patriot") he injects comic relief into almost anything he does. So doing a straight comedy doesn't seem like much of a stretch, and as you watch in a movie like this Gibson's timing and delivery is impeccable. On and off the camera, he has an incredible sense of humor, and he probably improvised some featured gags.

The premise is very original and interesting. A guy who can hear a woman's every thought? That's pretty much every man's fantasy. And the premise is used wisely. I laughed the whole way through! It's hilarious to watch Gibson emasculating himself by the minute, and the joke never runs dry.

I was laughing so much that I was able to tolerate the film's corny ending. I mean, when is a romantic comedy going to come along that doesn't feature a formulaic ending that is supposed to make people leave the theater and go "Awwww"?

The supporting cast is full of big stars. Bette Midler has an amusing cameo as a chain-smoking shrink. I only wish she could've had some additional scenes.

"What Women Want" is an original, feel-good comedy that will have you on the floor! This not a "chick flick." If you want to laugh--this is the movie to see! No questions asked!

My score: 8 (out of 10)

You know, I've watched this movie probably 5-6 times. As a kid. I didn't get the the whole idea. I knew this simple fact, but I loved it. Now, many years later I thoroughly enjoyed this movie. Man, it's been a long time since I have felt like this, while watching a film. So, let me say what I have to say. The storyline is something old, but expressed in a new way. There is romance, but a mature, not a cheesy one. The main idea (that there is no need for men to read our minds, but to listen what we say, like in 80%, not in 3%) is smoothly expressed throughout the movie. My favourite thing was that, at one point, the main character started helping (you guessed right - women). And that's what makes this film up-lifting.

"What Women Want" has a unusual plot which also makes us (men) think: what do women really want? The final conclusion is that they want happiness, just like men.

Despite being a predictable movie and nothing extraordinary, at least it teaches to us (men) some valuable lessons about women. It's a good way to understand and know them better.

The first hour of this movie is great fun, very entertaining and pure comedy. During the first hour we have some moments to give us good laughs. Mel Gibson has never been this funny before. He plays a hilarious character: Nick Marshall, a typical "macho men" or a "men's man". The kind of man that other men admire and want to be like him. The kind of man who doesn't understand a thing about women (although seen as a "God's gift" to women). Nick is proud, rich, chauvinistic, single and loves to hear Frank Sinatra.

After an accident with the hairdryer, he suddenly has the power of hearing what women think and what they think of him isn't what he expected. He sees this as a curse, but after being convinced by a psychologist that he could take advantage of this gift, he uses it to manipulate Darcy McGuire.

However, in the second half, the movie fails, becoming predictable and somehow lame, losing all its comical side. Some ridiculous and silly things happen in the second half. Also, I rather the "old" Nick than the "good" Nick, because the "old" Nick was much funnier. He becomes the "good guy" in the second half, losing his sense of humor.

This movie has some nice songs, such as "I Won't Dance" (performed by Frank Sinatra), "I've Got You Under My Skin" (performed by Frank Sinatra in a duet with Bono) and "Bitch" (performed by Meredith Brooks).

Mel Gibson is great and charming as Nick Marshall, while Helen Hunt is okay and pretty in the role of Darcy McGuire.

A new creative director (Helen Hunt) is hired by an ad agency (run by Alan Alda) to bring it up to date by appealing to the women's market. Mel Gibson, an account executive and a real man's man, was slated for that position, and he wants to get rid of Hunt. At her first staff meeting, Hunt gives each person a package of various women's products, and each must come up with a campaign for at least one of the items.

At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.

I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situation–a woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.

I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!

I think most of the other comments I've seen are over-analyzing this light movie. It's a cute fantasy about a male chauvinist transformed into a nice guy by developing (inadvertently) some sensitivity. Women want nice looking guys to be nice GUYS, too. I'm not sure why anyone would need much more in the movie.

The humor is good and Gibson does some amusingly self-effacing stuff and some slick dancing. I thought Helen Hunt was quite believable as the climbing ad exec. I agree with some of the other comments about Tomei deserving a better part but she does what she can with her role.

I thought the relationship development between Gibson and his daughter was interesting, too (albeit accelerated).

Other comments mention the length of the movie, but I was fine with it. It seemed fine to me.

If you're like me and you appreciate the "personal transition" type of movie (my favorite: Groundhog Day), then this is a good fit. This is a movie to help you unwind.

If you are looking for psychological insight into the unfulfilled desires of women and the blatantly unsatisfactory male response, this will disappoint. But watch it anyway -- you probably need to unwind.