Death of an Expert Witness

Having very much enjoyed "Original Sin" (one of the later P D James adaptations in this series), I was disappointed by "Death of an Expert Witness". The main actors - Roy Marsden, Geoffrey Palmer, Cyril Cusack, Brenda Blethyn, Fiona Walker - are very good, as one would expect, but most of the minor characters are played really badly - sometimes so badly as to be embarrassing or amusing. This may well be in part down to the direction, which is inexplicably poor from the normally excellent Herbert Wise, who must have been going through a bad patch. Also I hated the device of occasionally making Dalgleish's thoughts audible: it simply doesn't work.

A pity the team didn't remake this adaptation in later years.

These adaptations of the P D James books of Adam Dalgliesh are of the best - and I mean all of them. The stories are long in comparison to today's highly edited story lines. It makes for a natural flow to the story, building atmosphere and generally contributing to the general feeling of the episode. I like seeing cars arrive and depart and the characters making the tea! It is also very natural for a detective to sit and ponder a very complex murder - and the director did good by showing us these scenes.

Roy was an excellent choice to do this role as he did not resort to emotional gimmicks as lessor actors would have done - he interpreted the role as that of an inspector who was fully aware of his detective abilities and the character had no need to impress the viewer with predictable devices. This show was obviously aimed at a more mature audience - hence the absence (most of the time) of bar fight scenes, car chase scenes, bed scenes, impossible superiors, sub plots and other devices to pad the plot and episode.

Highly recommended.

The first of the Dalgliesh detective series will surely put intelligent viewers off. First, at four and half hours long it is about 300 percent as long as it should have been. What seems like endless scenes of cars arriving, departing, and moving down roads, and of Dalgleish sitting and thinking to himself are just two of the ways the script is padded almost beyond belief. If this is being down in the first two parts of this three part series to establish an air of realism all this is thrown to the winds in part three when the major characters act in a downright silly way. Clichés abound. With a murderer on the loose, a young girl, who hitherto would faint at a frown, decides to take the shortcut home through the dark woods, announcing her reason for doing it to the audience as if the justify so silly a behavior in the mind of the viewer. The final coup de gras in this respect is when Superintendent Dalgliesh and the confessed murderer go for a walk alone in the countryside while the murderer explains the reasons for his criminal behavior. As someone who has just finished teaching the mystery as a part of a course in Modern Drama I count myself among the great fans of the dramatized mystery story. However, I fell asleep more than once trying to get through this one. 'Nuff said. Unless you are ready for your nap skip this one and go to 'The Black Tower' or one of the other later programs in the Dalgliesh series.

Well, yes, it's long, but the interweaving of characters takes time. P. D. James brings us into the scenes by offering stories in the first half about the major suspects in a murder that takes place half-way into the series. While you want to get to the 'who did it?' part, relax, enjoy the stories. None are irrelevant or thin, and they all add depth to what otherwise would be just another detective procedural.

Nobody knows mystery and drama better than the British, and this 1983 miniseries is first-rate British drama. As a fan of BBC drama/mystery (but unfamiliar with author PD James), I was completely unaware of the plot when I first watched this, which made it all the more riveting. From the start, the viewer is plunged into an interconnecting plot with lots of clues, suspects, red herrings, forensics, and all the usual stuff that mystery lovers love!

Roy Marsden is superbly natural as detective Adam Dalgliesh, portraying a man who is both charming and hardcore (a little like Sherlock Holmes, and his assistant, played by John Vine, as a kind of Watson). The supporting cast features such familiar BBC players as Geoffrey Palmer, Brenda Blethyn (long before her Academy Award nomination), and wonderful Barry Foster (who still impresses me with his incomparable performance of Kaiser Wilhelm in Fall of Eagles). The rest of the characters are well played (ignore the reviews that say otherwise; this is British mystery, remember, and a little theatrics is expected). Since juvenile actors are never mentioned in reviews, another minor but featured supporting player is Annabelle Lanyon, a terrific child actress who appeared in a bunch of BBC shows around this time (a notable performance being the Marchioness in The Old Curiosity Shop; she is still recognized today in the cult classic arena for playing Oona the fairy in Ridley Scott's Legend).

Remember that this was filmed in the early 80s, so it is shot on video rather than film, which gives it a little less visual style. But this was true of most of the BBC shows of the time, and once the story gets moving, you forget all about camera techniques and find yourself fully engrossed in the twisting, turning plot.

A great experience for mystery and drama fans, and especially for fans of classic BBC productions, which, granted, were thin on action and technique, but big on acting, characters, dialogue, and plot!