I miei vicini Yamada

This is a Studio Ghibli movie: The Totoro is displayed at the opening, and the animation is very well done. There end all similarities. The word to describe it is "different". Different graphics, different animation, different kind of story... Nothing my knowledge of previous Ghibli films could have prepared me to see. Especially coming from the director of such films as "Hotaru no Haka" (aka "Grave of the Fireflies")

When seeing the very first pictures, I wondered what these drawings were, so far from the characters I got used to see, and like... And then, the magic of its humor took me. The auditorium was fully filled (some people had to sit on the stairs), and everyone was laughing out loud, having no problem at all to follow the jokes (the movie was subtitled) even if we may have missed a few of them, due to a possible lack in cultural knowledge. Yet, I don't think I missed so much... This Yamada family is close enough to us, and their behavior seemed rather universal to me.

I spent a great time watching it... But I have perhaps only one regret: I'm afraid I won't find the same pleasure I always find to see a Ghibli film again and again. The graphics aren't the main interest in the film, and when you already know the jokes, well... Therefore, I would rate it differently for the first seeing, and the ones after. A high rating anyway, especially for having been able to make us laugh so much without ever using any "dumb" easy joke as we could now find so (too) often in nowadays films. But I will never watch it again and again as I could do with a "Kiki", a "Nausicaa", or (my favorite) a "Mimi o Sumaseba" (aka "Whispers of the Heart").

So, don't hesitate if you have the opportunity to go and see it. You should appreciate it at least once. Then you could wish to own it, most probably to be able to show it to some friends or family.

This is the best film of Isao Takahata. Director of Grave of the Fireflies, Only Yesterday, and Pom Poko.

Unlike his previous films this one is based off of a Famous Japanese Comic strip(Which is the Family Circus/From Better to Worse of Japan) Not only is it a well known Comic in Japan, it's also has a unique look to it. The animation is all water colored. And it looks like you're really look at a Comic.

What's special about this film is it's the first ever 100% Digitally made film by Studio Ghibli. All the color and finished animation is all done on Computer. Has a lot of CGI in it as well. No Cell Art was made at all! The whole movie is about an average Japanese family facing the Ups and downs of life. Through out the movie they go through quite a bit of struggles and situations.

There's quite a bit of humor and random parts in this film as well.

The English version remained true to the original plot to this film. But it's more like a series of Episodes than a movie. Which is kinda cool.

Jim Belushi is a perfect choice to play Takashi Yamada(the Dad). His voice is so amusing, he's perfect for doing cartoon voices.

Tress MacNeille Voice of Obaba(Nausicaa), Boss's Wife(Laputa), Mrs. Orsono(Kiki), The ship's annoucer/3 old women(Porco), Oroku(Pom poko), & One of the working women(Princess Mononoke) does the voice of Shige Yamada(the Grandma). Tress has been in a lot of the Ghibli films.

David Odgen Stiers get to be the Narrator(another perfect choice) Since he was great as Kamaji(Spirited away) and Piccolo(Porco).

I recommend this film for Ages 6 and up. has a few inappropriate parts. The Dad smokes cigarettes, has a small part with guns but not ones gets killed, and a few adult situations as well.

i like this movie so much, it's worth seeing again and again. It's Takahata's finest and last Ghibli Anime film.

While Miyazaki is the best known (and most successful) of the non-demon-fixated/violent-porn anime directors, his sometime producing partner and fellow Studio Ghibli alumni easily equals him in breadth of vision, commitment to art and passionate filmmaking. And although it's Miyazaki who alone seems to possess the Midas touch of his uniquely innocent, melancholic, optimistic, whimsical sensibility, Takahata has arguably pushed the envelope further back in terms of Japan's commercial animation vocabulary. Witness the neo-realism of Grave Of The Fireflies, fearless indictment of globalisation in Pon Poko, and now this utterly charming adaptation of the popular manga, My Neighbours The Yamadas, rendered in a style new to Anime features, but utterly faithful to the original text.

A series of vignettes rather than one overall plot, it is nevertheless easy to find the running time flying past you as you take in the idiosyncratic characters, semi-bizarre situations (although a moment's thought reveals that your family was probably just like this), and beautiful performances (from animators and voice artists alike), finishing with a sense of the family's strength as a unit through a love for each other that's expressed more through their tolerance of each other's peculiarities than in open declarations of affection. And like Grave Of The Fireflies and Whisper Of The Heart, a popular western song that no one of my generation (20s) would ever dream of listening to seriously is made poignant, rousing and brimming with emotion.

Ten out of ten: films this good are rare.

My Neighbors the Yamadas, directed by Isahao Takahata, is a Studio Ghibli film most known for its unusual animation style, which actually distinguishes it from all the other pictures released by this renowned studio. Based on a famous Japanese cartoon Nono-chan, it presents random and miscellaneous stories from the daily lives of the Yamada family.

This is a great comedy with a twist for people of every age. It's packed with a huge amount of hilarious gags and situational jokes that will certainly make you laugh lots of times.

Apart from that, these are the two main arguments that should be convincing enough to make you see My Neighbors the Yamadas: the computer-generated animations and drawings made in comic strip style are excellent, giving this Ghibli movie an entirely different feel than all their other works; the whole picture is actually presented in an unconventional manner, as the familiar contiguous plot was replaced here by a series of, so-called, vignettes (short impressionistic stories that aren't necessarily connected to one another), each with its own title at the beginning and a smart philosophical proverb at the end.

In the film's first few minutes we meet all the members of this seemingly typical family: Takashi – the father, Matsuko – the mother, Shige – the grandmother, Noboru – the son, and Nonoko – the daughter. Every subsequent episode covers a different theme, some being hilariously funny and heartwarming, other touching and serious. Through all of the mostly humorous, yet truly realistic, sequences the viewer is able to observe the Yamadas as they cope with every day problems, misfortunes, rivalries, or just plainly ridiculous situations (like fighting over a TV remote, or deciding who will get the tea by playing 'rock-paper-scissors'). Through all of their adventures the viewer is able to get in touch with some of the Japanese traditions and customs.

Every person in the family has his or her special role, making the cartoon much more believable. For example, Shige is the word of wisdom, giving advice to others and judging their actions, and Noboru is mostly seen as a selfish and ignorant studying-addict (which in final evaluation doesn't give planned results).

If I will have to pick only one vignette, which made me laugh the hardest, I would have to go with 'Ginger Morning'. I think you will see why.

All in all, My Neighbors the Yamadas is a laughable, yet purposely clever, and lighthearted, yet sometimes deep, anime that will provide great entertainment for the whole family. I guess that by looking at the Yamadas' experiences we can all learn how to live in perfect harmony with our relatives, replacing minor flaws with passionate love.

Note: since the dubbed version is hard to find, I advise you to watch the Japanese version with English subtitles.

My Neighbors the Yamadas is a pleasant series of stories that are loosely connected. It's likeable, but it doesn't feel like one cohesive film. I presume this is much like reading the comic strip the movie came from. While I enjoyed the animation and laughed a few times, this probably would have been better suited for a television series.