Aggiungi una trama nella tua linguaThe history of Metro-Goldwyn-Mayer Studios.The history of Metro-Goldwyn-Mayer Studios.The history of Metro-Goldwyn-Mayer Studios.
- Vincitore di 1 Primetime Emmy
- 2 vittorie e 4 candidature totali
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Recensioni in evidenza
This is a must for Hollywood film buffs (especially those who love films from the 1920s to the 1950s). It tells the story by narrator/host Patrick Stewart of the history of the famous MGM studios from its beginning in 1924 to its fall in the early 1980s. Includes interviews with many MGM stars such as Helen Hayes, Jackie Cooper, Joan Crawford, as well as directors Clarence Brown and King Vidor. Clips from nearly every MGM film are shown, some you will see are: THE WIZARD OF OZ, GRAND HOTEL, GREED, BEN-HUR, THE WOMEN, GIGI, GONE WITH THE WIND, A WOMAN'S FACE, NINOTCHKA, GRAND PRIX, SINGIN' IN THE RAIN, etc. The documentary is very long, but worth seeing. Usually shown on PBS, but is available for purchasing. 4 stars here!
When I first saw this on TNT back in 1992, I was disappointed. I thought there would be more background on Marcus Loew, Metro, Goldwyn and Louis Mayer's pre-1924 history. I was also (unjustly) critical of Patrick Stewart's hosting, the exclusion of certain favorite films, and the very limited coverage of Cedric Gibbons (not to mention many other MGM luminaries) and the short subject departments.
However, time has been kind to this series. Watching it on DVD has been quite refreshing (even with the Astaire edits harped on by fans). Since '92, I've seen parts of the RKO series (and dying to see more!), enjoyed the 20th Century Fox's "First 50 Years" and its "Blockbuster" sequel (although these utilize too many film clips and not enough back-lot story) and was, once again, a bit disappointed with YOU MUST REMEMBER THIS (Warner Bros.). WHEN THE LION ROARS is as good of a film studio overview as you can get in three two-hour installments.
For one thing, we get a lot more coverage of the Culver City lot than we ever get of the Burbank lot in YOU MUST REMEMBER THIS, despite (and perhaps because of) the fact that so much has been bulldozed to the ground. I visited Warner's twice on their tours and was surprised at how much of it is still intact. I can only imagine how great MGM (the surviving parts owned by Sony) would be today, had anyone listened to Debbie Reynold's suggestion of it being a "ready-made Disneyland".
Although the glory lies in the classic film clips, much of its heart come from the interviews. Margaret Booth's comment that "we never made bad pictures" emphasizes how the art of film editing kept MGM the top dog of the business. Samuel Marx's observation of Louis Mayer crying during LASSIE COME HOME (produced by future adversary Dore Shary) speaks volumes... even if Mayer was the best "actor" of the studio. Earlier footage of Lillian Gish, King Vidor and Eleanor Boardman are cleverly utilized from the BBC's 12-year old Hollywood series in Part 1's coverage of the silent years.
I once thought Patrick Stewart's narration and dramatic introductions a little too... shall we say?... "hammy". Today, they serve as a pleasing initiation into the "make believe" factory. His walk in front of a screen showing 1925's BEN HUR chariot race is as equally effective as any of the interviews; it demonstrates how thin the line between industry "product" and fantasy was during Hollywood's Golden Age.
However, time has been kind to this series. Watching it on DVD has been quite refreshing (even with the Astaire edits harped on by fans). Since '92, I've seen parts of the RKO series (and dying to see more!), enjoyed the 20th Century Fox's "First 50 Years" and its "Blockbuster" sequel (although these utilize too many film clips and not enough back-lot story) and was, once again, a bit disappointed with YOU MUST REMEMBER THIS (Warner Bros.). WHEN THE LION ROARS is as good of a film studio overview as you can get in three two-hour installments.
For one thing, we get a lot more coverage of the Culver City lot than we ever get of the Burbank lot in YOU MUST REMEMBER THIS, despite (and perhaps because of) the fact that so much has been bulldozed to the ground. I visited Warner's twice on their tours and was surprised at how much of it is still intact. I can only imagine how great MGM (the surviving parts owned by Sony) would be today, had anyone listened to Debbie Reynold's suggestion of it being a "ready-made Disneyland".
Although the glory lies in the classic film clips, much of its heart come from the interviews. Margaret Booth's comment that "we never made bad pictures" emphasizes how the art of film editing kept MGM the top dog of the business. Samuel Marx's observation of Louis Mayer crying during LASSIE COME HOME (produced by future adversary Dore Shary) speaks volumes... even if Mayer was the best "actor" of the studio. Earlier footage of Lillian Gish, King Vidor and Eleanor Boardman are cleverly utilized from the BBC's 12-year old Hollywood series in Part 1's coverage of the silent years.
I once thought Patrick Stewart's narration and dramatic introductions a little too... shall we say?... "hammy". Today, they serve as a pleasing initiation into the "make believe" factory. His walk in front of a screen showing 1925's BEN HUR chariot race is as equally effective as any of the interviews; it demonstrates how thin the line between industry "product" and fantasy was during Hollywood's Golden Age.
A great documentary, beautifully detailed and put together with great style. Many of the people interviewed are gone, so this is indeed a treasure of the ages. I purchased the three cassette tape of the series and recommend to any avid movie fan to do the same. It's something that can be viewed again and again.
This series is fascinating, but also very sad. Metro-Goldwyn-Mayer, the greatest studio of them all, is no more. It's heartbreaking that Columbia Pictures, once considered the poverty row' of studios, now occupies the site of MGM.
This series is fascinating, but also very sad. Metro-Goldwyn-Mayer, the greatest studio of them all, is no more. It's heartbreaking that Columbia Pictures, once considered the poverty row' of studios, now occupies the site of MGM.
The meteoric rise (and lamentable fall) of, perhaps, the most legendary Hollywood movie studio is documented here, in a dazzling three-part mini-series as lavishly designed as the best of the MGM films themselves. Pure gold for movie buffs (and as easily accessible to the average viewer); "When the Lion Roars" combines a grippingly-told account of MGM's history, rich with tons of vintage film clips, interviews with studio stars, and a fascinating look at such legendary figures as L.B. Mayer and Irving Thalberg - all ably hosted by Patrick Stewart, who is clearly enjoying himself throughout.
And well he should be. There are scores of documentaries out there about Hollywood's Golden Age, but none even REMOTELY approaching the quality and craftsmanship of "When the Lion Roars". This is quite possibly one of the finest documentaries ever made. It has been released on video and, though not the easiest thing to find after seven years, is well worth the search.
And well he should be. There are scores of documentaries out there about Hollywood's Golden Age, but none even REMOTELY approaching the quality and craftsmanship of "When the Lion Roars". This is quite possibly one of the finest documentaries ever made. It has been released on video and, though not the easiest thing to find after seven years, is well worth the search.
This documentary was made back in 1992, and does a very good job of detailing the history of MGM. Part one starts in 1924 with the opening of the studio in 1924 and and ends with the death of wonder boy Irving G. Thalberg in 1936. Part two concentrates on what are considered "the golden years" from 1936 to 1946. Part three is about the decline of the studio after 1946. Patrick Stewart narrates, and there are some particularly interesting although not surprising revelations, such as Helen Hayes describing studio head Louis B. As a gentle yet evil person.
I guess I enjoyed part one the most because I really disagree about 1936-1946 being MGM's peak years. I think they were at their best from 1924 up to shortly after the death of Irving Thalberg. His foresight and creativity are what fueled the silent film and early sound projects that really put the studio on the map. At any rate, if you enjoyed the much shorter "Universal Horror" documentary on the Carl Laemmle years of Universal Studios, you'll enjoy this one too. Highly recommended.
I guess I enjoyed part one the most because I really disagree about 1936-1946 being MGM's peak years. I think they were at their best from 1924 up to shortly after the death of Irving Thalberg. His foresight and creativity are what fueled the silent film and early sound projects that really put the studio on the map. At any rate, if you enjoyed the much shorter "Universal Horror" documentary on the Carl Laemmle years of Universal Studios, you'll enjoy this one too. Highly recommended.
Lo sapevi?
- QuizThe working title for this series was originally "MGM: When the Lion Roared". The company operating as MGM as of 1992--which continues to exist--is not the legal successor to the "classic" MGM, which ceased to exist after Ted Turner bought and subsequently dismantled the studio in 1986, despite sharing similar assets such as the Leo the Lion logo. However, the new MGM thought the title was detrimental to its company and demanded the slight title change.
- Versioni alternativeOriginally aired on TNT over 3 consecutive evenings in 3 parts, with the DVD set, the second part of the mini-series, "The Lion Reigns Supreme", is split into 2-parts, 1 on disc-1 (59 min), 2nd part on disc-2 (62 min).
- ConnessioniFeatured in Hollywood Burn (2006)
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- MGM: Cuando el león ruge
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- Tempo di esecuzione6 ore
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- 1.33 : 1
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