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Il dottor T & le donne

Titolo originale: Dr. T & the Women
  • 2000
  • T
  • 2h 2min
VALUTAZIONE IMDb
4,7/10
20.643
LA TUA VALUTAZIONE
Il dottor T & le donne (2000)
Theatrical Trailer from Artisan
Riproduci trailer2: 10
1 video
40 foto
Dark ComedyMedical DramaScrewball ComedyComedyDramaRomance

La vita ideale di un ricco ginecologo viene sconvolta quando le donne della sua vita personale iniziano a influenzare la sua vita in modi inaspettati.La vita ideale di un ricco ginecologo viene sconvolta quando le donne della sua vita personale iniziano a influenzare la sua vita in modi inaspettati.La vita ideale di un ricco ginecologo viene sconvolta quando le donne della sua vita personale iniziano a influenzare la sua vita in modi inaspettati.

  • Regia
    • Robert Altman
  • Sceneggiatura
    • Anne Rapp
  • Star
    • Richard Gere
    • Helen Hunt
    • Farrah Fawcett
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    20.643
    LA TUA VALUTAZIONE
    • Regia
      • Robert Altman
    • Sceneggiatura
      • Anne Rapp
    • Star
      • Richard Gere
      • Helen Hunt
      • Farrah Fawcett
    • 280Recensioni degli utenti
    • 60Recensioni della critica
    • 64Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 candidature totali

    Video1

    Dr. T and the Women
    Trailer 2:10
    Dr. T and the Women

    Foto40

    Visualizza poster
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    Interpreti principali99

    Modifica
    Richard Gere
    Richard Gere
    • Dr. T
    Helen Hunt
    Helen Hunt
    • Bree
    Farrah Fawcett
    Farrah Fawcett
    • Kate
    Laura Dern
    Laura Dern
    • Peggy
    Shelley Long
    Shelley Long
    • Carolyn
    Tara Reid
    Tara Reid
    • Connie
    Kate Hudson
    Kate Hudson
    • Dee Dee
    Liv Tyler
    Liv Tyler
    • Marilyn
    Robert Hays
    Robert Hays
    • Harlan
    Matt Malloy
    Matt Malloy
    • Bill
    Andy Richter
    Andy Richter
    • Eli
    Lee Grant
    Lee Grant
    • Dr. Harper
    Janine Turner
    Janine Turner
    • Dorothy Chambliss
    Holly Pelham
    • Joanne
    • (as Holly Pelham-Davis)
    Jeanne Evans
    • First Exam Patient
    Ramsey Williams
    • Menopausal Patient
    Dorothy Deavers
    • Patient With Cane
    Ellen Locy
    Ellen Locy
    • Tiffany
    • Regia
      • Robert Altman
    • Sceneggiatura
      • Anne Rapp
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti280

    4,720.6K
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    Recensioni in evidenza

    8shanepang

    No really, I like this movie

    I'm sorry, but I like this movie. It might just be my defense of Robert Altman, but I think that this is a good comedy. Dr. T who devotes his life to taking care of women, but never considers how they could take care of themselves. He loves everything about women, and women love him. However, nothing he can do can protect them in the end.

    The problem is that this film was presented as a movie for women: a date movie that you can drag a boyfriend or husband to in order to prove love and devotion. The film is actually examining women, their needs and relationships with or without a strong male figure. This isn't a chick flick; it's an analytic comedy. So, the intended movie date turns out to be a disappointment for both parties who have no idea what to expect.

    The only positive aspect of this whole misunderstanding is that now, years later, Dr. T ends up on the cheap rack at any DVD store. So don't rent it, buy it, give it another look and even if you don't like it, sell it for even cheaper. When this movie is available for less than a dollar, no one will have any excuse not to watch it. Several of the people will end up actually liking it.
    tedg

    Scrambled Ovaries

    Robert Altman is frustratingly inconsistent, and here is at his worst. His very personal style has three characteristics:

    1. Many-threaded storylines and characters, many of which raise questions that are not answered in the play. When done well, you get the impression of moving through the world with a curious voyeurism, dipping into many lives which are intriguing enough to learn more about. Except for the youngest daughter, none of these women are worth digging more into. The misogynism could have been an advantage; here it is cheap.

    2. Spontaneous acting. Altman doesn't tell his actors what to do, trusting them to bring something fresh. In the best case, the differing visions of the actors add to the manyhued effect described above. But you need powerful actors like he had in "Cookie's Fortune." These folks, some of whom are fine when given direction, simply can't synthesize.

    3. Wonderful tracking shots (which move from character to character so enhance the two effects noted above). Check out the first shot in "The Player." That alone is worth the admission. Here, we have a busily choreographed shot at the beginning and a dizzy pullback at the end, but neither to any useful effect.

    Avoid this film. The master was asleep.
    Geofbob

    Hit and miss Altman, but some master touches

    Like much of Robert Altman's work, this is a hit and miss movie, but worth seeing for some good performances, several genuinely funny scenes, and some of the master's typical ensemble sequences with all hell breaking loose while everybody talks at once! It is probably unhelpful to approach it as though it was a full-blooded satire on wealthy Texas women. For a start, the target is too easy - like the floating and walking birds Dr T and his buddies seem to think it's fair to shoot at - and in any case the focus of the film is not the Women of the title, but Dr T.

    Richard Gere gives a typically charming and understated, performance as Dr T (for Travis), who is surrounded by women whom he likes and respects in private life, and cares for in his professional life as a gynecologist, but no more understands than most men. Farrah Fawcett gives a touching portrayal as his wife, who retreats into childhood to escape his smothering affection. Helen Hunt, as an independently-minded, intelligent golf pro, provides a refreshing change - both for Dr T and the audience - from the empty-headed shopaholics who people much of the movie. Laura Dern, Kate Hudson and Shelley Long sparkle as, respectively, Dr T's sister-in-law, daughter and receptionist. (As we might expect from Altman, the city of Dallas also plays a leading role; and the best casting is definitely that of Eric Ryan as the "birth baby"; Eric enters the IMDb actors data base at the tender age of zero!)

    This is a long way from the vintage Altman of Mash, Nashville and The Player; but is still richer than most Hollywood fare.
    Brian Scott Mednick

    Dr. T Gets an A

    I can think of few directors who have turned out so many quality films in late career as Robert Altman has. "Dr. T and the Women" is Altman's latest, and in telling the story of a popular Dallas gynecologist and the females in his life, Altman has made one of his most enjoyable films yet. Richard Gere gives what has to be his best performance to date as Dr. Sullivan "Sully" Travis. Gere does not get enough credit for being a good actor, and with this performance he shows what enormous range he has. His Dr. T is so engaging and charming, that it is easy to see why he has the following he does. Gere's performance is the centerpiece of a quirky, funny, and hugely entertaining film, one of the best of 2000.
    7Howlin Wolf

    Are 'allegory' and 'whimsy' just totally lost on people these days, or something???!

    ... It doesn't so much 'depress' me that people don't like this film, as it does when I find out the REASONS people dislike it. I didn't even feel moved to comment until I realized the staggering lack of depth that's comprised in most people's criticisms here. I figured that I'd just watched a pleasant enough comedic trifle. Apparently not.

    People, dislike this film by all means - it's hardly the best I've ever seen - but don't vilify it for the very qualities that were wholly intentional. I mean, how many of the 'naysayers' here have even the SLIGHTEST passing knowledge of Frank Capra???! There were odd moments here and there in this that struck me as being decidedly Capraesque...

    Gere is PERFECT as the guy who - without arrogance - is convinced that he can be every woman's knight in shining armour... Trouble is, they don't NEED any 'convincing'! So, what exactly happens when you take a guy like this and show him a woman who is, by the best information available, completely self-sufficient? All I can say is: If this scenario even slightly intrigues you, then watch it and find out... !

    I think the ending is very fitting, too... (e-mail or PM me for reasons if you disagree; as I don't wish to spoil too much for the good people that are yet to watch!) Rather 'Buddhist' - so surely appropriate for a man of Mr. Gere's persuasion... ?!

    (7/10, or ***/***** in profile ratings system.)

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    Trama

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    Lo sapevi?

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    • Quiz
      To make Farrah Fawcett more comfortable for her nude scene in the fountain, director 'Robert Altman' had cleared the entire stage of people, except for himself, the director of photography, and the sound recordist. To everyone's surprise, she refused to do the scene without the crowd, stating she was not at all embarrassed by her naked body. So the extras were let in, she performed the scene completely naked, and received a standing ovation from the crowd afterwards.
    • Blooper
      The "newborn" baby is born circumcised.
    • Citazioni

      Bree Davis: You see women all day, every day. How do they keep from just runnin' together?

      Dr. Sullivan "Sully" Travis, "Dr. T": I think every single woman I've ever met has got somethin' special about her, somethin' that sets her apart from the rest.

      Bree Davis: Well, if a gynecologist says there's no two alike, I guess there's no two alike!

    • Curiosità sui crediti
      In the opening credits, actors have their names appear in a plain sans serif font while actress have their names appear in a flowing script font.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Meet the Parents/Requiem for a Dream/Tigerland/Bamboozled/The Dancer in the Dark (2000)
    • Colonne sonore
      You've Been So Good Up to Now
      (1992)

      Composed by Lyle Lovett

      Performed by Lyle Lovett

      Published by Michael H. Goldsen Inc./Lyle Lovett

      Courtesy of MCA Records/Curb Music Co.

      Under license from Universal Music Enterprises

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    Dettagli

    Modifica
    • Data di uscita
      • 29 settembre 2000 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Germania
    • Lingue
      • Inglese
      • Tedesco
      • Spagnolo
    • Celebre anche come
      • Dr. T and the Women
    • Luoghi delle riprese
      • Dealey Plaza - 500 Main Street, Dallas, Texas, Stati Uniti
    • Aziende produttrici
      • Artisan Entertainment
      • Sandcastle 5 Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 23.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 13.113.041 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 5.012.867 USD
      • 15 ott 2000
    • Lordo in tutto il mondo
      • 22.844.291 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 2 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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