Ragazze nel pallone

This is a movie where more talent than necessary has been invested in a film basically aimed at entertainment-seeking adolescents, people interested in dance routines, and a few older men who enjoy watching young girls jump about. It follows the fortunes of an award-winning cheerleader team and the hapless football team they support.

A film about cheer leading, something that is, as far as I know, a uniquely American phenomenon, sounds pretty cheesy. The remarkable thing is that the acting and dialogue raise it a bit above the minimum required and the cheer leading dance sequences are a revelation for anyone who thought it was just about waving arms in the air and shouting support for the football team.

Gabrielle Union (10 Things I Hate About You) and Kirsten Dunst (Drop Dead Gorgeous & Virgin Suicides) were both cheerleaders at school - did this help with the authenticity? The amazing routines are quite dazzling to watch - requiring a very high level of stamina, physical fitness, athletic ability and dance technique. The overhead panning brings them almost to the level some of the old song and dance movie scenes with synchronized dancing. Synchronized dance in itself is difficult stuff, but fast paced synchronized dancing (to a great soundtrack, by the way) involving major aerial throws, difficult jive moves and lots of personality thrown in, is quite an achievement.

The film never takes itself too seriously, from the football announcer who says at the end of the match, "our next defeat is scheduled for next Tuesday", to the out-takes while the credits roll, the attitude is firmly tongue in cheek.

The script includes plenty of teenage bitching reminiscent of Clueless (adolescents often seem to show their intellectual prowess at clever, and often vicious repartee, that is all par for the course), but the acting is convincing and even the awkward issues of race and homosexuality are handled well. One cannot but help congratulate them for making a good film out of such a flimsy premise.

I thoroughly enjoyed "Bring It On". The film's brisk pacing was perfectly suited to its theme, thanks to director Peyton Reed, the writing smart, sharp, and consistently and authentically funny,(as well as, at times, genuinely thought-provoking)thanks to writer Jessica Bendinger, and the acting solid all around. I also liked "Bring It On" for what it didn't have-alot of tired, cliched boy-girl relationship stuff, and/or gratuitous sex/nudity. The opening dream/cheer sequence was a moment of sheer, brilliant comic/satiric movie magic, and later, when the professional choreographer shows up to help the Toros out, he almost steals the show. But what impressed me, perhaps, most of all about "Bring It On" was the wonderful chemistry between the two beautiful-and talented-young female leads, Kirsten Dunst and Eliza Dushku.

This delightful comedy uses its ostensible theme of cheerleading rivalry to comment on its own genre, the teen movie. Given a genuinely exciting reinvention by 'Clueless', and reaching a peak with the likes of 'American Pie' and '10 Things I hate about you', the genre is in danger, as all successful genres are, of exchanging its wit, visual exuberance, engaging playing and agreeable sentiment for cash-hungry formulae and all-round laziness.

'Bring it on' falls into neither of these traps, but is aware that its genre is exhausting itself, and raises a number of pertinent issues. do filmmakers, like the Toro cheerleaders, continue their success by ripping off others' tricks? Is it possible to be original any more, or is the best we can hope for a clever spin on older, wider sources (this, of course, applies to cinema and all art in general)? Most pertinent, and 'Road Block' had already touched on this, is it time we jettisoned the toothy, white, middle-class young, and their oh-so-harrowing traumas, and allow a more representative teen demographic into the tacitly racist genre?

'Bring it on' may not entirely escape this last accusation - the black cheerleaders have no real humanity of their own, we are not given the same insight into their backgrounds and personalities as the white girls, beyond catch-all under-privilege. They are a mirror in which the whites can examine their complacency or flaws and correct them - literally so in many scenes, where the whites 'reflect' the blacks' movements, and the latter distort them in return, thereby commenting on them.

However, this touchy racial subject matter has a major benefit on the narrative arc. The plot is the old stand-by: a team of underdogs against the odds, triumph against circumstances and expectations. This would be tiresomely formulaic, except there are two teams in the film with equal claims on our attention and sympathies - it would be unthinkable for a Hollywood film today to have poor black people lose against pampered whites, but every stylistic decision - the humanising of characters; the rites of passage and socialising-of-misfits narrative; screen-time etc. - favours these whites. This creates a genuine tension, added to little asides (such as Torrence's brother's T-shirt, 'Cheerleading = Death') that make a familiar narrative interesting, problematic and unpredictable.

This is not to deny the familiar pleasures of the genre - the beautiful, clothes-shy young stars (the film gets to leer and satirise such leering!); the witty dialogue and bitchiness; the screenplay sharp about traditional issues of power and community; revelatory, stylised dreams and memories; the unforced energy. 'Bring it on' is a rare instance in the last few decades of a musical, and the various cheerleading routines are exhilerating and inventive, revealing to many a hitherto hidden purpose of a much maligned group, while still retaining the right to tongue-hollow that cheek. (AND a Shakespearean finale, where the actors come back after the curtain, and show us it was all play).

This movie was extremely enjoyable and I recommend it. The characters are not annoying for the most part, and I especially enjoyed seeing new faces Elisa Dushku (Missy) and Jesse Bradford (Cliff). They have screen presence and should be in front of the camera for many years to come, especially Elisa, who is really very beautiful. When you look at her, there's so much there, unlike most actresses whose faces do not say anything. You can tell there is alot going on in her mind just by her face.

The screenplay is intelligent and very funny and aside from a slow stretch or two, I really liked the movie. It is not like "Clueless" or anything else, which of course is a good thing.

One of my favorite scenes is when Cliff and Torrance (Kirsten Dunst) are brushing their teeth. Its probably a throw-away scene and there is no dialogue, but it was really great, for me at least.

Such a heartwarming and engaging movie! Colorful characters, and that vibe that just takes you back to the 2000s wow. I love the dynamics between the characters. Especially the two cheerleading captains, they make you cheer for both teams in the end, they make you invested in both their growth and conflicts. The soundtrack is so good too, Blaque is just my jam and honestly it's going straight to my playlist. I recommend this movie if you want to have a fun, it's such a comfort coded movie, I also watch this after seeing Ariana Grande's music videos, it's nice to see all the cool references she added, I totally understand why she loves this movie.