VALUTAZIONE IMDb
6,0/10
6756
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe animals of a farm successfully revolt against its human owner, only to slide into a more brutal tyranny amongst themselves.The animals of a farm successfully revolt against its human owner, only to slide into a more brutal tyranny amongst themselves.The animals of a farm successfully revolt against its human owner, only to slide into a more brutal tyranny amongst themselves.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Primetime Emmy
- 2 vittorie e 5 candidature totali
Kelsey Grammer
- Snowball
- (voce)
Julia Ormond
- Jessie
- (voce)
Paul Scofield
- Boxer
- (voce)
Patrick Stewart
- Napoleon
- (voce)
Peter Ustinov
- Old Major
- (voce)
Charles Dale
- Moses
- (voce)
- (as Charlie Dale)
- …
Recensioni in evidenza
6texd
This version had a great deal of potential, but managed to squander that potential in its quest to break new ground in gimickry.
If you've read the book, it is worth seeing this movie to satisfy your intellectual curiosity. I think I would have been even less warm toward this movie (yes... it's possible... I gave it a 6) had I not read the book.
If you've read the book, it is worth seeing this movie to satisfy your intellectual curiosity. I think I would have been even less warm toward this movie (yes... it's possible... I gave it a 6) had I not read the book.
The ending in Animal Farm was not only a travesty to Orwell's original work, but made no logical sense. Certain animals supposedly had the sense and wherewithal to go into hiding on the farm until Napoleon's reign came crashing. Where did they hide? How did they survive? Most of all, why weren't they hunted down as traitors by Napoleon's dogs?
But the real incongruity comes after Napoleon's fall. "The walls have now fallen," (a post-Reaganistic interpretation of the Berlin Wall) and now there is hope in the future. "There are new owners. We will not allow them to make the same mistakes."
What new power and insights do the animals now have to prevent the same mistakes? And just who are these new owners, anyway? Why do the animals (who have proven themselves capable of running a farm, if they are not mismanaged) have to revert to human owners to be their masters again? And why are we to believe these new human owners are better than Jones or Pilkington? Is it because they look more "American," drive a sleeker, newer car, and play rock-n-roll?
Orwell wrote this classic tale as an allegory of modern totalitarianism in general, and Stalinism in particular. TNT's production reeks of a post-modern, imperialistic, corporate-American view of Russia and Eastern Europe today, whose troubles would be over if they would just fully embrace their new owners, American multi-national corporations, with their hip technology and rock-n-roll culture.
But the real incongruity comes after Napoleon's fall. "The walls have now fallen," (a post-Reaganistic interpretation of the Berlin Wall) and now there is hope in the future. "There are new owners. We will not allow them to make the same mistakes."
What new power and insights do the animals now have to prevent the same mistakes? And just who are these new owners, anyway? Why do the animals (who have proven themselves capable of running a farm, if they are not mismanaged) have to revert to human owners to be their masters again? And why are we to believe these new human owners are better than Jones or Pilkington? Is it because they look more "American," drive a sleeker, newer car, and play rock-n-roll?
Orwell wrote this classic tale as an allegory of modern totalitarianism in general, and Stalinism in particular. TNT's production reeks of a post-modern, imperialistic, corporate-American view of Russia and Eastern Europe today, whose troubles would be over if they would just fully embrace their new owners, American multi-national corporations, with their hip technology and rock-n-roll culture.
I really do wish people would get that into their heads. Just because it's about barnyard animals with no sex or adult language, doesn't mean that's necessarily for kids. It's, as many people well know, a metaphor for the atrocities of the Soviet Union under Stalin. It's bleak, nasty and upsetting, but it speaks the truth on the hypocrisy of leaderships, corruption and fascism.
And yet they decide to portray the story as though it's a children's film, with live action talking animals, with a special lighting to make it look child-like and family friendly. No! This is not what George Orwell's tale is about. The book is extremely depressing, but in this film, and especially the ending, they made it look like the things that happened were no big deal.
It's true that in real life, Stalin's regime collapsed on itself, "a victim of its own malice" in the end, but it would have been better if it wasn't depicted in the movie. Jesse, the sheepdog, serves as a narrator, and seems to predict and see through the evils of Napoleon, and yet does nothing about it. All the animals in the book apart from the pigs could not see what was going on due their myopia and little intelligence. And the violence was also very subdued.
If another adaptation should be done, it should be more gritty and truer to the novel, and to get the point the Orwell was intending point out.
And yet they decide to portray the story as though it's a children's film, with live action talking animals, with a special lighting to make it look child-like and family friendly. No! This is not what George Orwell's tale is about. The book is extremely depressing, but in this film, and especially the ending, they made it look like the things that happened were no big deal.
It's true that in real life, Stalin's regime collapsed on itself, "a victim of its own malice" in the end, but it would have been better if it wasn't depicted in the movie. Jesse, the sheepdog, serves as a narrator, and seems to predict and see through the evils of Napoleon, and yet does nothing about it. All the animals in the book apart from the pigs could not see what was going on due their myopia and little intelligence. And the violence was also very subdued.
If another adaptation should be done, it should be more gritty and truer to the novel, and to get the point the Orwell was intending point out.
If I had looked at the back of the video box, and seen that it was from Hallmark, I would have put it back on the fence. Thankfully, I checked it out from the library, so I didn't pay to watch this.
The grievances of the animals were valid. Orwell never repudiates Old Major's message, as does this movie. In the book, no animal wants the humans back. The movie shows that all the animals need is the right master, and everything will be happy.
This ain't Animal Farm. Read the book instead.
The grievances of the animals were valid. Orwell never repudiates Old Major's message, as does this movie. In the book, no animal wants the humans back. The movie shows that all the animals need is the right master, and everything will be happy.
This ain't Animal Farm. Read the book instead.
Frankly, when I read the back of the tape container, and it stated something like, "...Your kids will squeal with joy..." or to that effect. My reaction was not good. This certainly wasn't the same Orwell story I remembered. The story, to me, wasn't just an allegory, but also a cautionary tale, as well. Whatever your feelings about the small, powerful book...I really doubt "joy" was one of your emotions during or after your reading.
It's not an awful movie, just one that tinkers with the original classic. In this case, due to the popularity and in some schools, its mandatory reading...This was not wise to do so. Yes, it drags forth debate, but to what ends? Orwell is no longer here to give his biting opinion of TNT's efforts. TNT should be grateful for that, I would think.
The special effects were good, and the vocal talent was excellent. The last minute resolution was tacky. The wide-eyed "here comes the rainbow" optimistic ending, was irksome and indicative of American films, in general. Yup, 89 minutes of blood, mayhem and carnage...then the cast ensemble sings "Put on a Happy Face!" as the credits roll...
The "newsreel" concept was clever and novel. Yet, one couldn't escape the distance between the ending in the movie, as compared to the book. That divide is too wide. When in doubt, go to the source.
It's not an awful movie, just one that tinkers with the original classic. In this case, due to the popularity and in some schools, its mandatory reading...This was not wise to do so. Yes, it drags forth debate, but to what ends? Orwell is no longer here to give his biting opinion of TNT's efforts. TNT should be grateful for that, I would think.
The special effects were good, and the vocal talent was excellent. The last minute resolution was tacky. The wide-eyed "here comes the rainbow" optimistic ending, was irksome and indicative of American films, in general. Yup, 89 minutes of blood, mayhem and carnage...then the cast ensemble sings "Put on a Happy Face!" as the credits roll...
The "newsreel" concept was clever and novel. Yet, one couldn't escape the distance between the ending in the movie, as compared to the book. That divide is too wide. When in doubt, go to the source.
Lo sapevi?
- QuizIn a revised first draft of the script, co-Writer Martyn Burke had Jessie set to be a six-month-old male Border Collie. This idea was later dropped, and Jessie was made an adult female instead, to give the audiences more sympathy for the main character.
- BlooperWhen the laws painted on the side of the barn are read for the first time, in the close-up shots some of them are already in the altered forms they take later in the movie.
- ConnessioniFeatured in Secrets and Mysteries of Animal Farm (1999)
- Colonne sonoreBeasts of the World
Written by Richard Harvey
Performed by Peter Ustinov, Kelsey Grammer, Patrick Stewart, Ian Holm & Cast
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Dettagli
Botteghino
- Budget
- 23.000.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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