David è un serial killer di giovani donne. Joel era incaricato di catturarlo a Los Angeles. Si è trasferito a Chicago. David gli manda le foto delle sue prossime vittime 24 ore prima degli o... Leggi tuttoDavid è un serial killer di giovani donne. Joel era incaricato di catturarlo a Los Angeles. Si è trasferito a Chicago. David gli manda le foto delle sue prossime vittime 24 ore prima degli omicidi.David è un serial killer di giovani donne. Joel era incaricato di catturarlo a Los Angeles. Si è trasferito a Chicago. David gli manda le foto delle sue prossime vittime 24 ore prima degli omicidi.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- Diana
- (as Jennifer McShane)
- Ellie
- (as Rebakah Louise Smith)
- Skater
- (as Joe Sikora)
- Rachel
- (as Michelle Dimaso)
Recensioni in evidenza
I, like many others, wasn't too bothered by this film when it was released - it looked like it would be yet another serial killer movie, and it was! The plot requires the usual gimmick and here it is the old chestnut of the cop and bad guy needing each other and the killer having a sort of respect and need for his pursuer. None of the film will surprise you but it still moves forward reasonably quickly without being dull and it is reasonably enjoyable. The action scenes are not great and the film never really has a real air of menace or tension, but it is still slick enough to watch - even if it is almost impossible to be emotionally involved.
The director managed to get his timing right to get Reeves in the midst of a reasonable cast; he shot a few videos for Reeves' band years prior in exchange for Reeves doing this film which, despite hitting it big with The Matrix, was a promise he honoured. However as a director his music video roots are heavily showing here with far too many flashy visual tricks that stick out from the body of the film and actually take away more than they bring. However, getting Reeves was worth him having the chair for his star does surprisingly well to step out of his Neo role and into a mean, playful role. No, he's not doing anything different with it from anyone else who plays this type of serial killer role but he is still charismatic enough to make a difference. Spader is also pretty good and has more to work with than Reeves, but Tomsei is almost totally wasted with very little to do to justify such a well known actress. To be honest none of them have much to work with above the norm, but they still add to the film by their names.
Overall I did quite enjoy the film but I will be the first to admit that it was nothing new and really didn't do anything different or unusual with the basic premise and material. The director tries to liven it up a bit with the odd visual trick, but it only serves to make the film look a little desperate to be different. The end result is an average thriller that has a better than average cast (for this type of thing) and will pass the time without annoying you if you know what to expect.
Keanu Reeves plays David Griffin very well. This is another example showing how Keanu Reeves can take any character and make it both believable and likeable to some extent. Both Reeves and Spader display the need for each other by the end of the film. Yes, I did detect at least a professional need by Spader for Reeves in the Watcher. So did Marisa Tomei I think. This movie had both a good balance of a crime drama, with the police and car chase scenes, and strong character development. My only complaint is like others have said on this board, I felt it was rushed.
I'm not huge fans of James Spader or Keanu Reeves; however, that didn't stop me from watching this film. I'm glad I went because not only did I enjoy this film, I have come to enjoy Spader and Reeves as actors.
Keanu Reeves takes a departure from his usual good guy persona to portray a serial killer. He does such a great job, I asked myself why was this the first movie he portrayed a villain because he was so good at it.
"The Watcher" offers nothing new in way of plot but it does have performances turned in by Reeves and Spader that will keep viewers on the edge of their seats.
While predictable, I was on the edge of my seat hoping certain scenes would not evolve the way they did; even though, I knew what was going to happen, it was enjoyable to watch how it would unfold. I found the methods that the serial killer used to be incredible because of the unique way he went about carrying them out.
Overall, "The Watcher was a movie that can be summed up in one word: EXCITING. I give this film a 7 out of 10.
Lo sapevi?
- QuizReeves has stated that he was not interested in the script but was forced into doing the film when his assistant Brian forged his signature on a contract. He performed the role rather than get involved in a lengthy legal battle. He was contractually prevented from disclosing this until 12 months after the film's US release.
- BlooperAll the fuel on the floor would have caused explosive vapors to fill the room long before it was lit by candles being knocked to the floor, and the candles would have already lit the vapors.
Joel clearly said there was a pool of kerosene, which (along with diesel) does not vaporize like gasoline. There are no vapors to ignite.
- Citazioni
Joel Campbell: It's never quite that easy. You go through the door, and they're never just sitting there waiting for you with a welcoming smile on their face. best you can do is hope they fuck up and do what you can to be there when they do.
Dr. Polly Beilman: And then blame yourself for the killings?
Joel Campbell: Oh, no. I blame the asshole who did them.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Early Line: The Academy Awards (2000)
- Colonne sonoreROADS
Written by Geoff Barrow, Beth Gibbons, Adrian Utley
Performed by Portishead
Courtesy of Go! Beat/London Records 90 Limited
Under license from Universal Music Enterprises
I più visti
- How long is The Watcher?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El observador
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 28.946.615 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.062.295 USD
- 10 set 2000
- Lordo in tutto il mondo
- 47.267.829 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1