L'esorcista - La genesi

In this prequel to the classic horror 'The Exorcist' we meet Father Merrin during a phase of his life where he has lost his faith. Stellan Skarsgard plays this role excellently and is easy to relate to the character we know from the original film, when he joins a British excavation in Kenya where a Christian church has been unearthed. Beneath the church lies the dormant horror that Father Merrin seems destined to meet.

The direction is stylish, the cast are very strong, especially Skarguard, D'Arcy and Scorupco; and the film delivers background story and horror far more convincingly than i ever believed it would.

7/10

I watched Schrader's "Dominion" in the morning and Harlin's "Beginning" in the afternoon, hoping that watching them back to back would make a comparison easier than for most people who waited a year until the deleted version by Schrader was finally released. Renny Harlin used only a few minutes from the already existing footage, so "Beginning" really became a new movie. But unfortunately, the whole effort of re-shooting didn't make the movie better.

In Harlin's "remake", we get a smart young priest, straight from the Vatican (James D'Arcy) who has received all the information about the buried church in advance. In "Dominion", Gabriel Mann played an innocent priest who does not expect anything terrible, he just wants to start a school in the middle of Africa. The latter was the better screenplay idea in my opinion, because D'Arcy is such a cool "professional" that we don't really care about him, whereas Mann was a character the audience loves for his human feelings. Also there is more mystery in "Domionion" whereas "Beginning" once explained the whole background, and that was it - too easy.

"Beginning" has a lot more gory effects, swarms of ugly insects and its demon uses obscenities in same way Linda Blair did in the original "Exorcist" movie. This will probably entertain people who just want a horror movie and nothing else. Mind you, "Beginning" also has good photography, a few unforgettable moments like the battlefield at the beginning and good actors! But the release of the original version "Dominion" proved that the story has had more potential, Schrader worked more careful with the characters and their relationships and gave more food for thought. I voted 6/10 for "Beginning" and 8/10 for "Dominion".

Here's a film which had a more interesting story behind the cameras rather than on the screen. This beleaguered production originally had Paul Schrader directing, but studio bosses were unhappy with his more intellectual interpretation of the events so they hired go-to guy Renny Harlin for extensive reshoots that amped up the gore content. What emerges is a troubled, visceral production with occasional flashes of greatness. Overall it's a let down, with a sense of what could have been rather than what is.

The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.

As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.

Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.

First, let me say that I didn't know Dominion existed until I discovered it going through the program guide. I started watching and man was I confused! I though that there was ANOTHER prequel that I didn't know about, until I continued to watch. Dominion seemed to me like a movie made out of pieces of film on the floor of the editing room. Clara Bellar's acting was awful in my opinion. I was completely distracted by her performance as well as several others.

While not a true horror movie, I really enjoyed The Beginning. I've watched it many times and found it very suspenseful. It kept my attention. I enjoyed the actors and the story. I've watched it over ten times and the scenes where Father M had to choose those to die? Chilling. Who wouldn't lose faith? The boy being torn apart? There were some good scenes.

Peace

Hollywood sure chews 'em up and spits 'em out: one minute, director Paul Schrader is working on a long-awaited prequel to The Exorcist; the next, he's been replaced by Renny Harlin, one-time director of mega-budget action films starring the likes of Stallone and Willis, now reduced to the task of salvaging other people's failed projects (the result of having had one too many expensive box office disasters of his own).

However, despite the film's troubled history, Harlin has managed to turn out a fairly reasonable time-waster. The story is pretty unremarkable, detailing Father Merrin's struggle with his faith and his first encounter with the demon Pazazu in Africa—but the stylish direction, wonderful cinematography, decent gore (gotta love those snapping limbs!), and a strong central performance from Stellan Skarsgård as the emotionally scarred Merrin give viewers plenty to appreciate.

Some of the CGI could have been better—I wasn't very convinced by the hyenas or the insects—and Isabella Scorupco's shower scene is woefully short, but these are minor quibbles for a film that had the potential to be absolutely horrendous.