12

i must admit that i am not in the movie business. nevertheless i had the chance of seeing this movie in the directors cut version. even though i probably understood 60% of the plot (if there was something as a "real plot"), i enjoyed it even more. it is by far one of the best movies i have seen in the last years. it captured me from the first scene and kept me hooked until the end. the pictures, the sound, the idea itself, the actors (except of this Allen guy, he really got on my nerves), the colors and the way Larry portrays los Angeles fascinated me. as a European, no other "American" movie has made such an impression on me since at least 5 years. i hope to see in future time many more American movies taking risks such as this one.

In a society full of people eager to pay $9.00 on a Friday night to see a film that has no more depth than the daily routine they live, the movie 12 is a nice break in tradition. We all know how few Auter's their really are in our studio, bottom-line driven, filmmaking system. Personally, I think Larry Bridges and his extremely committed cast and crew came up with an amazing film for such a low budget and stringent resources. The fact that Larry Bridges continues to believe in his film, though he has been turned down by distributors for years, shows what perserverance and faith he has in the story that he is telling. Not to mention the actors' unfailing commitment over at least a 12 year period. One real test to tell whether a film is worth something is whether you like it the second, third, fourth, or tenth time you have seen it. Not only do I like this film after seeing it for the third time, I enjoy it more each time I see it. I recommend this movie to anybody who appreciates the art of filmmaking. Not to mention, you can see it for free any Saturday night in a parking lot, on a wall, somewhere in L.A.. The experience alone is worth trying.

What a sublime movie! Finally time has caught up with this movie!

The comments by the person who saw "12" in a theater had clearly more to do with his state of mind than with the movie, and IF he JUST had sat through to the END and seen the coming together of all the PARTS!

As good as ALTMAN's script of Carver's SHORT CUTS but in the metaphysical mixed with the real of LA, and not just the real LA shown in SHORT CUTS, which happens to be my favorite movie about LA, a city which I love.

Sure some fine tuning could be made like in the time the text is allowed to stay on the screen, which was too short to be possible to read in its entirety for the uninitiated, but that is the only real problem, as it is such an integral part of the movie in the beginning and NEEDS to be understood by the viewer.

Bravo, dAn

After first seeing 12 at the Guerilla drive in, there was only one word that came to mind, epic. 12 had everything a great movie should have. An interesting plot, character development, and plenty of action.

The movie had some of the most amazing shots of LA and Catalina that I've ever seen. It reminded me of how beautiful Los Angeles is. 12 also touches into LA's eventful past, floods, earth quakes, and riots..

After reading a bit on 12 i learned a few interesting things about the Film maker: Larry Bridges, and the making of the film. It took 12 years to make 12! Talk about dedication and persistence.

I'm a screenwriter and film maker and 12 has definitely influenced me and inspired me about what it means to be a film maker. 12 definitely sets the bar when it comes to independent features.

The film 12 certainly is groundbreaking in its presentation. The guerrilla drive-in is a brilliant idea, in which the projectionist displays the movie on a wall in a parking lot and sends the audio to your car radio through a low-power FM transmitter. Incidentally, the projectionist at the showing that I attended had not obtained permission to use the parking lot, and the owner of the building came out about halfway through the movie, but he allowed us to finish the viewing anyway. The audio and video quality falls short of that of a theater, of course, but it's an excellent method for showing films without having to sign with a distributor, which leads to the reason (in my opinion) that 12 doesn't have a distributor: the movie simply isn't very good, and comes nowhere near the quality of either big budget blockbusters or Sundance/Cannes fare.

Lawrence Bridges spent approximately 12 years in production and post-production on this movie (hence the title), and although it has some decent cinematography, 12 is neither enjoyable nor thought-provoking. The movie plays as if Bridges was trying to stuff many years of loosely related ideas into one feature. Basically, the lesser Greek gods are forced by Zeus to act out Oscar Wilde's "The Importance of Being Earnest" under threat of death. The squabbles between the gods cause disasters in the city of Los Angeles, such as the Northridge earthquake and the riots that resulted from the Rodney King verdict. Bridges uses real footage that he filmed during these events, and well it is an interesting idea, the film does not segue well into these scenes. They seem jammed into the movie, and do not actually affect anything. As the movie progressed, I felt that it lost its purpose, and that I was just watching a mediocre performance of "The Importance of Being Earnest." The fact that the characters were Greek gods affected the movie only to a small degree; it seemed to be just another potentially interesting idea that should have been better incorporated. Some social commentary on the denizens of Los Angeles is in the script too, and this is generally effective, funny, and often quite accurate, but these flares of quality do not make the rest of the movie any more bearable.

Anyway, 12 is worth watching simply because of the novel format of the guerrilla drive-in. Don't expect anything particularly groundbreaking in the film itself, but if you don't enjoy it, at least it was free.