28 giorni

28 DAYS (2000) **1/2 Sandra Bullock, Viggo Mortensen, Dominic West, Diane Ladd, Elizabeth Perkins, Steve Buscemi, Alan Tudyk, Michael o' Malley, Azura Skye, Reni Santoini, Marianne Jean-Baptiste, Margo Martindale, Loudan Wainwright III. (Dir: Betty Thomas)

Addiction is not funny nor is the suffering it inflicts upon the addict and their friends and family but then again all `taboo' subjects have been scrutinized in these politically correct times we live in and here Sandra Bullock, The Girl Next Door that her adoring public has embraced as America's Sweetheart, wades in hip deep into a difficult balancing act as alcoholic/drug abuser Gwen Cummings, in this comedy-drama with more hits than misses - the working title could have been `Party Girl, Interrupted.'

Gwen is a free-spirited New York City based writer who enjoys living it up with her equally party hearty beau Jasper (West) by drinking and binging into the wee hours even if it means nearly missing her older sister Lily's (Perkins) wedding the next day as they stumble to the proceedings nursing a severe hangover quickly remedied by more imbibing at the reception resulting in Gwen losing her balance on the dance floor upsetting the many tiered wedding cake. Undeterred by her scene-causing out-of-control ramifications, Gwen staggers to the newlyweds' limo and careens along a suburban area looking for a `cake shop' to replace the damaged goods only to have her smash the car into a nearby house.

Flash forward to her being sentenced to Serenity Glen, a rehabilitation clinic, the type that offers New Age-y touchie-feely bonding and chanting (`Together! Together! NOOOO Drugs!') and a no-nonsense counselor named Cornell (Buscemi in a nicely handled understated turn) who sees right through Gwen's anger and stubbornness as she attempts to disassociate herself from her chores, group therapy and sneaking pills in via Jasper. After a mishap involving Gwen falling from her window (after a weak attempt to rid herself from the pills), she limpingly begs Cornell for a chance to redeem herself. Her sarcasm slowly drifts away as she comes to grips with her co-dependency on booze and pharmaceuticals thanks largely to her depressed teenage roomie Andrea (Skye) and new patient, Eddie Boone (Mortensen), a baseball pitcher overcoming many addictions including casual sex.

The film works solely on the fresh-scrubbed sexy appeal of Bullock in her range from comic drunkeness (a la `Arthur') to her scary withdrawl and gumption to change her life for the better. The humor comes thankfully to her fellow in-house patients including a gay German dancer (Tudyk who comes across as Andy Dick in `Sprockets') and the parody of a soap opera (`Santa Cruz') that the entire group becomes.well addicted to. It's hard to believe that the subject of a chemically dependent person could be funny, but that isn't the point. The point is that it doesn't make light of the situation at all (including the all-too-forseeable overdose of one of the characters to underscore just how serious it is), but it succeeds on the `patients-running-the-asylum' scenario - sort of a cross-blend of `One Flew Over the Cuckoo's Nest', `Clean and Sober' and `M*A*S*H' with its hysterically, deadpanned homage of loudspeaker announcements.

Director Betty Thomas (`The Brady Bunch Movie', `Private Parts') serves her story by Susannah Grant (`Erin Brockovich') as best she can with interesting camera angles to distort the hyperreality of someone under the influence and able support including stand-up comic O'Malley (late of his short-lived eponymous sitcom) who harbors a not-so-secret crush on Bullock. Bullock does herself a service by starring in a tricky scenario by utilizing her natural acting style and stretching her chops both dramatically and comically.

Sandra Bullock does a pretty good job of playing Gwen the drunken party girl who gets herself into trouble. She is not gung ho for a treatment center, but her other option is jail. Actually, I was not sure how she avoided jail at all, and 28 days seemed too short a time for all the hilarity, action and breakthroughs in this film, but other than these things, I was really impressed with Bullock and the ensemble acting - the balance of comedy and drama. The one actor I thought over-acted was in the character of Gwen's boyfriend. He was too much, and it was a relief to see him off the screen. Viggo Mortensen is endearing as the other guy for Gwen. I would like to have seen more of them together. I think people will love the soap opera gags and the send-up of drug/alcohol treatment centers, but will also get the serious nature of the interactions in the "chemistry" among all the characters in treatment in the film.

This film tells the story of a woman who discovers herself while she is in 28 days of compulsory rehab for alcohol misuse.

Even though many characters in the film mess their lives up, they still manage to be likable. I cannot help but be sympathetic and feel for their situation. It is a journey for the characters, and makes viewers reflect on their lives too.

Eleven years after this movie hit the screen, I just viewed it. After seeing pages of reviews, no one will read this, but I will add my 2 cents anyway. I dislike drug rehabilitation movies, abuse movies, and similar themes, but this one captured my interest during each scene. I watched it in the morning while finishing last night's left-over gin that was diluted with water from melted ice from the previous night. I saw myself.

The reason I dislike rehabilitation movies is that I feel like I'm watching someone else's problems, and I don't like entertainment based on someone else's pain. For those who like this type of entertainment, it is excellent. For those who need a life-changing event, it may serve that purpose too.

28 DAYS / (2000) ***

"28 Days" is one of the most accurate movies about alcoholism and drug addiction I can remember. The film does not glamorize or poke fun at its thematic content, but instead shimmers in truth depicting the problems in which a nowhere life can lead. Why would anyone want to see a movie about someone spending time in rehab, regardless of how well crafted it is? Because "28 Days" is an interesting, sometimes funny, and involving tale with empathetic, down to earth characters. Do not let this production pass by you without a watch.

The film's main character is named Gwen Cummings and is played by the talented Sandra Bullock. She lives a wild, crazy life with her boyfriend, Jasper (Dominic West). Gwen is an alcoholic and a drug addict, and does not get much support from her similar love interest. As the movie opens, the two get drunk at a club, come home, have sex, and put out a fire with wine. The next day, Gwen arrives late to her sister's wedding, only to destroy an expensive dessert and crash a limousine into a house.

The Gwen Cummings character is developed clearly and effectively. We learn about her lifestyle, recognize faults, and are shown a dark history through painfully real flashbacks. This is one of the things that make "28 Days" so involving. We discover elements about the character and notice inner changes as she learns of them herself. I really cared about this character.

Gwen is given a choice, she can serve jail time for her wrongdoing or can waive that and spend 28 days in a rehab clinic. She chooses rehab. The head counselor is Cornell (Steve Buscemi), who shows empathy but also coyness. Also present at his heath clinic is an assortment of characters who sing sappy melodies and share group love, including Daniel (Reni Santoni), with thick glasses and medical capabilities, Andrea (Azura Skye), Gwen's young roommate, and Eddie Boone (Viggo Mortensen), a famous baseball pitcher with a drinking problem.

Gwen's experiences in rehab seem truthful and accurate. Her withdrawals and agonies are realistic and knowledgeable. It is obvious the filmmakers and Sandra Bullock thoroughly researched the stresses and details of rehab.

Sandra Bullock performs with the right amount of immaturity and charisma. This wonderful actress is set free in this kind of heart filled role; she is best when the main character. Here, Gwen is free to tread the surface of the movie and still allows other characters to contribute to her defining.

About half way through, the movie losses its much needed focus on Gwen and drifts into detailing relationships, friendships, and other characters. While most of the events that take place surround Gwen, the movie was on the right track with its first half. "28 Days" is smart enough to recognize its blunder, however, and by the final scenes it regains the emotionally correct material and concludes with high standards.

The filmmakers are advertising it as a comedy, but only an isolation of sequences offer hilarity or slapstick. This movie teaches us lessons through its characters. And the lessons are well taught.