Vizi mortali

I know this film got terrible reviews and I would be hard pressed to say they were wrong but the truth is its kind of fun on a silly trashy level. First off Mia Kirshner is always good (Even here!) and Taye Diggs is totally unbelievable as a campus cop with or without the accent, it comes and goes. And there is sex, drugs, and nudity. Dominique Swain gets naked here and engages in lesbian sex. I also enjoyed the use of sound and music as its not used to be obnoxious but rather to enhance the mood of the scene. Is it junk? Sure! but I had a fun time and went with it.

Alicia Campbell is a good girl. Coming from a poor family this sweet, hard-working girl is focused on her education, determined to make something of her life. Hadley Ashton is a bad girl. Coming from a rich family this cold, bitchy girl doesn't want to work, she expects to have life handed to her on a silver platter. The two girls attend one of those colleges where the college runs the town. The college president makes this perfectly clear when the acting sheriff turns up on campus to investigate how sweet little Alicia ended up comatose in a hospital bed, fighting for her life. The president makes it very clear that he expects there to be no actual investigating done in this investigation. But Sheriff Artie Bonner keeps digging.

The movie unfolds largely in flashbacks as we see the oh-so-innocent Alicia lose her innocence which leads to her potentially losing her life. She and Hadley are paired up on a school project. Alicia is a social nobody, Hadley is one of the campus queens. Hadley and her rich, snotty friends take Alicia under their wing. Alicia starts to change. Not so innocent after all perhaps. Drugs and sex, and more drugs and more sex and what exactly has Alicia gotten herself into? Eventually she overdoses on cocaine. Accident? Hadley and her friends would like you to believe that. The college president would definitely like you to believe that. The sheriff does not believe that.

The movie sets Hadley and her two main cohorts, Sidney and Julianne, up as potential suspects, giving them each motivations for perhaps wanting to be rid of Alicia. Some other fringe characters get involved too but the focus is clearly on this gang of three. Truth be told this is not a particularly mysterious mystery. Those watching will probably put all the pieces of the puzzle together long before the sheriff does. The hint of obviousness drains away some of the drama but that doesn't necessarily make New Best Friend a bad movie. It's far from the greatest thing you'll ever see but it's reasonably compelling. Trashy but entertainingly so. Mia Kirshner turns in a very good performance in playing Alicia. The character evolves, not necessarily for the best, and Kirshner nails the transformation. You believe her as the sweet, innocent girl we first meet. And you believe her as the girl who ultimately proves to be something else entirely. The rest of the cast is not quite up to Kirshner's standard. Meredith Monroe is a little flat in playing ice queen Hadley, neither Dominique Swain nor Rachel True are particularly memorable in playing our other two would-be murderesses. And playing the sheriff Taye Diggs just appears to be going through the motions. A flawed movie to be sure but there are enough good things here, Kirshner most notably, to make it a decent viewing experience. Not a movie you'd regret missing if you didn't see it. But not a movie you'd regret seeing if you did.

I would have to disagree on most of the user comments on this movie. Most insist it is a piece of trash, not worth viewing. And yes perhaps they're right about the trashy part but in my humble opinion, New Best Friend is in the same kind of league as 90210 - entertaining trash that as much as we hate to admit it, we actually find ourselves engrossed in.

Yes, the story is unoriginal and the script poor but the performances by the key actors are good enough to keep viewers interested. Mia Kirsher (Exotica, The Crow:City of Angels) delivers a stellar performance despite the bad material she was given to work with. An actress of her calibre should be choosing better parts in significantly better movies but I'm willing to forgive her for making one bad decision (but that's only because personally I didn't find New Best Friend a complete waste of my time). Meridith Monroe, Dominique Swain and Rachel True are all effective in their roles however one bad performance has to come from Taye Diggs as the officer in charge of investigating Alicia's (Kirsher) overdose which has suspicious circumstances. Diggs usually turns in fine performances but in New Best Friend he just looks bored. Perhaps that's due to the lack of good material he had to work with.

Overall I found New Best Friend to be an entertaining movie. Sure there was a lot of things wrong with it and it certainly won't go down as one of my favourite films of the year but it succeeds for what it is - great trash!

I decided to watch a few "Indy" flicks on DTV the other day, "My New Best Friend" ended up being one of them. Needless to say, I didn't watch this movie for any chicks or dudes or Taye Diggs. First off, this movie is something cinema majors, film students, culture critics, and porn directors and producers should watch, everyone else should pretty much avoid it unless you're a high school student about to go away to some small college in some small town in near an ocean. Basically, the film intrigued me to the point of being dumb-founded enough to watch it all the way through. I was glad I did, because in the end the film at least makes linear sense and the story achieves some kind of closure and logic.

What I think is most peculiar is the fact that everyone is noticeably too old to be playing college kids. All the lead characters and most of the supports are basically actors in their early 30's trying to play 18 and 19 year olds. This is funny because reading IMDB profiles you'd think these people were actually 20 and 21 but in L.A. we all know better. This is a great example of bad casting, simply because there are 30 year olds that can play 18, and there are 26 year olds who can't, this film employs the later as opposed to the former.

The other interesting thing is the strange homoerotic almost misogynistic attitude the director takes with the sex scenes and relationships. When I saw the film I imagined some big burly very masculine male porn director type doing the directing, but instead it was very strange to find out the director was a woman. It's also interesting to note that although the film tries to market itself to a college, high school demographic based purely on female sex appeal, it fails as well because of its general B nature, lack of even soft-core sex, and unrecognized names.

So I thought, how could this movie have been improved? Then it dawned on me why it was so perfect! It wasn't really a drama or a failed unintentional comedy, it is a very A type porn! Someone simply forgot to tell everyone the sex scenes were supposed to be real and hardcore, and the movie was supposed to be distributed by Vivid or Wicked Pictures and play on the 590's (for those that don't know, those are the porn channels on DTV). Anyway, I think it's good to study this film as a model for the future of A list porn, a story with a solid beginning and end that makes good sense and rewards you slightly at the end, but has no real substance at all or meaning, yet instead, contains just the right amount of sex, if it was hardcore in the first place, this film would be making millions, at Adult Bookstores that is.

One could certainly make the statement 'why should we care' about this film, and perhaps one should have posed that question to the director. Very little attention was paid, it seems, to anything which might endear any of this film's characters to the viewer. While the four female leads are intended to flutter between victim and villain as the story progresses, the performances ring hollow, contrived, and ultimately fall short of what I would hope started as a grand study of human sociology. Indeed this idea is suggested by their forced cooperation on a senior year project. Again, one is left with the feeling of too many tongs in the fire, and not enough hands to mind them.

While great pains are taken to show the villainy of Alicia Campbell (Mia Kirschner), the final upshot of all her ill deeds struck me as not only rediculous, but totally unfeasable, unattainable, and illogical. The broad strokes used to bring conclusion to the film failed to deflty weave together the many loose threads, instead preferring to shelack them to the table in an effort to prevent their fluttering away. It was nice to see the sidekick from "The Craft" continuing to make a name for herself as an out of control socialite.

Thankfully this film was not terribly long, although the music was surprisingly good. I'm still not sure why the director felt it was necessary to pepper the film with gratuitous breast shots, increasing in frequency as the film progress. My only thought is they began to suspect the film was failing as a concept piece, and chose the lowest common denominator for salvation.

Whatever your take on it, this film is still moderately entertaining, even if the ideology behind it has been beaten like a narc at a biker rally.