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6,0/10
67.622
LA TUA VALUTAZIONE
Pakistan, K2, una delle vette più ambite dove la scalata è tra le più pericolose al mondo. Un giorno come tanti per un gruppo di scalatori esperti, ma la natura non deve mai essere sottovalu... Leggi tuttoPakistan, K2, una delle vette più ambite dove la scalata è tra le più pericolose al mondo. Un giorno come tanti per un gruppo di scalatori esperti, ma la natura non deve mai essere sottovalutata!Pakistan, K2, una delle vette più ambite dove la scalata è tra le più pericolose al mondo. Un giorno come tanti per un gruppo di scalatori esperti, ma la natura non deve mai essere sottovalutata!
- Nominato ai 1 BAFTA Award
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
When I saw this shortly after it came out on DVD, it got high marks just for the spectacular sound alone. It had some of the best rear-speaker sound I had ever heard. It was a showpiece for DVD players at the time.
The movie is interesting with it's main fault being a common one: overdone action at the end. Along the way, however, it has many almost jaw-dropping scenes and some spectacular mountain scenery which looks great on the sharp DVD transfer. The stunt work in here is also incredible. Martin Campbell, the same director who did The Mask Of Zorro and Goldeneye, is good at producing eye-popping action scenes.
The dialog at times is juvenile, but it could have been worse. The profanity was lower than expected, too. How accurate is it concerning mountain-climbing? Probably like most films: totally inaccurate, at least that's what a mountain- climbing expert told me, and I believe him.
All in all, however, a far better film than I expected.....strictly for the entertainment.
The movie is interesting with it's main fault being a common one: overdone action at the end. Along the way, however, it has many almost jaw-dropping scenes and some spectacular mountain scenery which looks great on the sharp DVD transfer. The stunt work in here is also incredible. Martin Campbell, the same director who did The Mask Of Zorro and Goldeneye, is good at producing eye-popping action scenes.
The dialog at times is juvenile, but it could have been worse. The profanity was lower than expected, too. How accurate is it concerning mountain-climbing? Probably like most films: totally inaccurate, at least that's what a mountain- climbing expert told me, and I believe him.
All in all, however, a far better film than I expected.....strictly for the entertainment.
It's not the painfully thin story line, predictable plot or shallow stereotypical characters featured in this movie. It's not even the constant stream of amazingly improbable events, which give you the feeling the director hopelessly underestimated the reasoning abilities of his audience.
What left me disappointed and even a bit annoyed after seeing "Vertical Limit" is the absolute and total failure of this movie to capture any of the real thrill, excitement and hardship involved in scaling the world's second highest mountain.
Books like Jon Krakauers' "Into thin Air" and movies like David Breashears' "Everest" prove that you don't need helicopter rotor blades threatening to dismember climbers or unstable nitroglycerine that explodes if exposed to sunlight to create an exciting story. When Martin Campbell decided to deny the audience any sense of the real technical, physical and emotional challenges of climbing K2, and therefore had to resort to action-movie style heroes, villains and explosions, he left behind a movie too unconvincing, for me to enjoy.
What left me disappointed and even a bit annoyed after seeing "Vertical Limit" is the absolute and total failure of this movie to capture any of the real thrill, excitement and hardship involved in scaling the world's second highest mountain.
Books like Jon Krakauers' "Into thin Air" and movies like David Breashears' "Everest" prove that you don't need helicopter rotor blades threatening to dismember climbers or unstable nitroglycerine that explodes if exposed to sunlight to create an exciting story. When Martin Campbell decided to deny the audience any sense of the real technical, physical and emotional challenges of climbing K2, and therefore had to resort to action-movie style heroes, villains and explosions, he left behind a movie too unconvincing, for me to enjoy.
Usually I do not care very much for mountain climbing films as they usually have a very similar plot. This film had plenty of action with Helicopters flying all over the place and horrible snow storms and also entrapment in caves deep under tons of snow and ice. The film starts out with a father, son and daughter adventuring up a steep mountain during a very sunny day and having a wonderful time with each other. Their father was a very experienced climber and all of a sudden a tragic situation happens and a horrible life or death decision had to be made within seconds. There is lots of scary scenes and plenty of explosions and more action than you can handle.
Years after he and his sister survived a climbing accident where their father died, Peter and Annie Garrett find themselves on K2 for different reasons. Peter is on the foothills taking pictures for National Geographic, while Annie is part of the documentary crew with playboy millionaire Elliot Vaughn, who is aiming to reach the summit in time to promote the launch of his new airline. However when a storm comes in., most of the party are killed with only Elliot, Annie and leader Tom surviving in a crevice. Peter puts together a rescue mission, led by veteran Montgomery Wick.
It is just this film's bad luck that I watched it only a matter of days after I saw the much better Touching The Void. That film had me on the edge of my seat with my mouth agape at times with a story of a climbing accident and the aftermath. However Vertical Limit doesn't go for realism at any point. The plot is a real mess; it doesn't risk having it's thrills from the effects of the mountain so it also adds a traditional bad guy and a `wages of fear' twist involving the climbers carrying nitro in their backpacks. That's not to say the film doesn't have exciting moments - the opening scene is very dramatic and powerful (despite O'Donnell's crap wide-eyed acting) but it never reaches that again. Instead, it settles for effect shots of climbers hanging over great heights etc. These are visually impressive and they do manage to get a sense of urgency to them but it never lasts long.
It's a shame, because Cliffhanger was enjoyable and Void showed that the real drama can come from just the mountain itself, however here it keeps adding more stuff to try and force drama out of the situation. The lack of real characters is a problem - instead we have very wide clichés almost; `dudes', wise old men, ruthless billionaires, sexy mountain chick and clean cut siblings. Aside from the opening sequence, it is hard to feel an emotional connection to any of them and, as the latest disposable actor hangs over a drop awaiting the chop I was more focused on how good it looked rather than nerves over the outcome. O'Donnell is as bland as he often can be and didn't impress me at all; likewise Tunney was a bit `all-American' for my taste. Paxton could have been sending up Richard Branson if he hadn't been playing it so straight. In a similar vein, Glenn would have been better if he'd put his tongue in his cheek and acknowledged how daft his character was! The support cast or `drop monkeys' as I call them are an average enough bunch but the film basically kills them off one by one like a horror movie - to much audience apathy I might add.
Overall this is an OK film if you can just turn off your brain and enjoy the vertigo-inducing effects. However with no good plot, dialogue or characters it will be very difficult for anyone to really get involved in the film beyond this aspect. I can only plea to you to seek out a film with a fraction the budget of this and that's Touching The Void. It is a true story with no digital effects but it is a similar setting but much, much better.
It is just this film's bad luck that I watched it only a matter of days after I saw the much better Touching The Void. That film had me on the edge of my seat with my mouth agape at times with a story of a climbing accident and the aftermath. However Vertical Limit doesn't go for realism at any point. The plot is a real mess; it doesn't risk having it's thrills from the effects of the mountain so it also adds a traditional bad guy and a `wages of fear' twist involving the climbers carrying nitro in their backpacks. That's not to say the film doesn't have exciting moments - the opening scene is very dramatic and powerful (despite O'Donnell's crap wide-eyed acting) but it never reaches that again. Instead, it settles for effect shots of climbers hanging over great heights etc. These are visually impressive and they do manage to get a sense of urgency to them but it never lasts long.
It's a shame, because Cliffhanger was enjoyable and Void showed that the real drama can come from just the mountain itself, however here it keeps adding more stuff to try and force drama out of the situation. The lack of real characters is a problem - instead we have very wide clichés almost; `dudes', wise old men, ruthless billionaires, sexy mountain chick and clean cut siblings. Aside from the opening sequence, it is hard to feel an emotional connection to any of them and, as the latest disposable actor hangs over a drop awaiting the chop I was more focused on how good it looked rather than nerves over the outcome. O'Donnell is as bland as he often can be and didn't impress me at all; likewise Tunney was a bit `all-American' for my taste. Paxton could have been sending up Richard Branson if he hadn't been playing it so straight. In a similar vein, Glenn would have been better if he'd put his tongue in his cheek and acknowledged how daft his character was! The support cast or `drop monkeys' as I call them are an average enough bunch but the film basically kills them off one by one like a horror movie - to much audience apathy I might add.
Overall this is an OK film if you can just turn off your brain and enjoy the vertigo-inducing effects. However with no good plot, dialogue or characters it will be very difficult for anyone to really get involved in the film beyond this aspect. I can only plea to you to seek out a film with a fraction the budget of this and that's Touching The Void. It is a true story with no digital effects but it is a similar setting but much, much better.
I can't believe how many people pick on this movie! It's a movie...and movies are meant to entertain. I thought it was a good story line, very suspenseful & emotional. Yes, there was a lot of unbelievable problems that arose, and maybe the acting wasn't all that great. Chris O'Donnell is very cute to look at, but I have to admit he's not the best actor out there. Scott Glenn is great in every movie he is in. The rest of the actors were OK. I just don't see why this movie was picked on so much. I don't watch movies so I can pick on them, I watch them for entertainment..and I was entertained by this movie. I would recommend it to anyone who is wanting to see an edge-of-your seat, emotional movie.
Lo sapevi?
- QuizThe well-known climber Ed Viesturs plays himself in the movie. He also worked as a trainer for the actors.
- BlooperThe depiction of High Altitude Pulmonary Edema (HAPE) is grossly inaccurate. HAPE is usually a result of altitude sickness and can most commonly be prevented (or at least have a measure of prevention provided) by slow acclimatization to the higher altitude. It is not a guaranteed condition to every climber at a high altitude. Moreover, the consumption of water has little bearing on the onset of HAPE. Additionally, given Annie's and Tom's high-degree of experience, and previous statements regarding their proposed high level of safety, they would most certainly have insisted on climbing K2 with the aid of oxygen, the use of which also staves off HAPE.
- ConnessioniEdited into Killer Mountain (2011)
- Colonne sonoreTake It to the Limit
Written by Don Henley, Glenn Frey and Randy Meisner
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Límite vertical
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 75.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 69.243.859 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.507.845 USD
- 10 dic 2000
- Lordo in tutto il mondo
- 215.663.859 USD
- Tempo di esecuzione
- 2h 4min(124 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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