Ghulam

When I first saw Ghulam I said finally a good original film but a couple of years I got to see Marlon Brando's "On the Waterfront" and find out a movie's rip off. Still the movie is definitely a must see for people who like realistic, hard hitting films and not the loveyduvey smoochy films. Besides that aamir khan gives a brilliant performance as the confused brother trapped in underworld's tactics. Rani mukherjee is ok. Her voice is dubbed and one can clearly make out. Aamir Khan's aati kya khandala is a great highlight of the movie. The railway track race could have taken his life but he is still alive so have fun and watch this movie. This is an awesome film. My Rating 10/10

Siddhu is a small time felon in Bombay who's morals can be summarised as `every man for himself'. His lawyer has faith he can change and is trying to help him by keeping him out of jail for petty offences. Siddhu's brother works for Ronny, an ex-boxer who now runs organised crime in the area. As a result Siddhu gets some muscle work for Ronny. One day Ronny's thugs are beating up some shopkeepers for money by Siddhu's house. Afterwards Siddhu meets the eldest, Hari, and befriends him. However Hari is responsible for causing Ronny trouble and hence Siddhu unwittingly helps Ronny to kill him.

I have only seen a handful of Bollywood films of these I have loved one (Lagaan) and been indifferent to the majority. I find that they have all the flaws of Hollywood exploitation movies without many of the production values. Ghulam (The Slave) is a fine example of the standard Bollywood formula - songs, pretty girls, manly heroes, hairy villains, overacting and dramatic music and direction. As such it is OK but I'm not a fan of these standard formulae. I'd rather have them with at least a bit of a new spin. However this film doesn't want to do that and gives it to us straight. The plot is a basic `do the right thing' film that borrows heavily from `On the Waterfront' in many different ways.

The action scenes suggest a Bollywood Jackie Chan but they lack any of his flair and imagination. The love interest is dropped into the film so heavily that it hits with a heavy clang - the first hour is basically just that, it isn't integrated into the film so much as just added on. It does allow about 5 songs to occur that don't fit with the tone of the film. I'm a little biased because I always struggle to tell one from the other with these things. I know that they films are meant to be whole adventures for an audience but it just felt pretty disjointed to me.

The direction is typically hilarious - rushing cameras etc that really play to the traditional Bollywood clichés. The sound effects sound too fake and don't match the action and the different in sound quality between dialogue and singing is so noticeable that it bothered me. I know that the singing is mostly done by other people in a studio but can't they at least try and match them up in terms of quality at least.

The acting is also very clichéd. Khan was a good hero in Lagaan but he was helped by the more professional feel of that film. Here he fits with the mood of the film in that he just overacts where needed - tears, anger, frustration etc, all emotions are on his sleeve for all to see. The villains are typically bad and gruff and overact like the best of them. Meanwhile love interest Mukherjee (Alisha) is suitably air brushed, pretty and shot with a constant breeze in her hair and soft focus lens!

Considering people make a big deal of Bollywood movies being a big culture. To me this just smacked of American influence. Chicago Bulls tee-shirts, T2 posters etc all clutter the sets. Meanwhile the plot borrows from lots of American films. Like I said the plot itself is just On the Waterfront without the subtext or drama. They take it and just throw out anything of value and add songs! Even the boxing scene sees the opponent being a mickey-take of BRITISH boxer Prince Naseem Hamed. Even the climax is a mix between a wild west stand-off and a Rocky movie! Does no one else see the influence of American culture in this film? It's not a bad thing but why pretend that Bollywood films are something exciting and new?

Overall this film will please those who happily accept the Bollywood film formula with all it's weaknesses. For me I view it on the same level as any other film - it's plot is weak, a basic good versus bad story, with average acting, misplaced songs and not very much to enjoy for an even slightly demanding audience.

I first saw this in a theater in the late 90s. Revisited it recently. The film is an unofficial remake of On the Waterfront. While this one aint no masterpiece like the original, it has lots of action n thrilling moments. The most iconic one is the train sequence. The final showdown between the hero n the villain is a solid one too. The performance by the lead actor Aamir Khan is the highlight. Rani Mukherjee looked stunning throughout n very nice in the last scene with her black tshirt. Deepak Tijori's sideburns n his jacket is a big lol. The film does have its flaws.

The boxing match looked clearly rigged n not at all an official championship one. One of the fighter is not landing punches or defending himself but jus stayingin in one place, hands behind the rope n suffering punches by the opponent. The house/bldg doesn't have any safety hedge or any grill around. The jackets worn by the bikers are pathetic. Some of the side characters who played the bikers looked uncles n not at all youngsters.

Siddhu, a tearaway and ned, is a boxing champion. His elder brother is the accountant and henchman for a slumlord. The slumlord is a former boxing champion who rules the local community by terrorising people, extorting money from local shopkeepers n hoteliers n sometimes by match fixing. Siddhu convinces a social worker who reminds him of his dead father, into an ambush, preventing the social worker from persuading the local people to sign a police complain against the slumlord. Siddhu assumed that the slumlord's henchmen were only going to have a talk with the social worker to pressure him into not convincing the local people to file a police complain against the slumlord but is shocked when the social worker is killed.

Ghulam is a strong entry from late 90s Bollywood, blending gritty street drama with emotional resonance. Aamir Khan brings a raw, youthful energy to the role, and Rani Mukerji lights up the screen with a fresh and charming presence.

The film captures the mood of its time well-tough, emotional, and melodramatic in just the right doses. The music, especially Aati Kya Khandala, became iconic and still holds nostalgic value.

It may not be groundbreaking, but it's a well-executed, engaging film that stands the test of time. A solid watch for fans of classic 90s Hindi cinema. Raw and Refreshing - A Solid 90s Drama with Young Energy.

The movie is one complete package of romance, action and thriller. This used to be my my favourite watch in my younger days. It had everything to enjoy for a kid like me. Aamir Khan though a bit skinny looked hot as hell. Rani Mukherjee, she was the perfect role model of the beauty for me in those days. Everything of her was perfect.Her voice, man so real it was, her eyes, her face. She having that bike ride with Aamir used to be and I think still is one of of the most romantic couple goals one can ever have. I always wanted to do that, may be someday, though I think traffic rules will hardly permit that. The action sequences specially the train one was amazing and perfectly shot, gave me goosebumps when Amir had a near miss on that railroad. That last fight between Aamir and the villian was so real that I can give one enough impulses to confront any goon on this god damn planet. A must watch, at least once for anybody who wants to relish the pleasure of one great entertainment. #Ghulam1998