About Adam

About Adam received new life after Kate Hudson became almost famous. But while Hudson plays a key role this film is, quite literally, about Adam, as played wonderfully by Stuart Townsend. The film begins with young Irish singing waitress Lucy, as played by Hudson with an Irish accent that comes and goes, meeting the mysterious Adam. She immediately falls for him and their new romance proceeds happily along. Lucy brings Adam home to meet the family and here things get turned on their head. After seeing the story play out from Lucy's perspective we go back and revisit the same time period from different points of view, those of Lucy's two sisters and brother. It soon becomes apparent that Adam is not quite what he seems and that he has become much closer to Lucy's family than she would ever believe.

Frances O'Connor as the quiet, bookish Laura and Charlotte Bradley as the unhappily married Alice will each strike up their own serious relationship with Adam. As we see each of the sisters' stories unfold it puts a new spin on all that we have seen before. Even Lucy's brother finds himself oddly attracted to Adam while Lucy floats along completely oblivious to all that is swirling around her. Each of the key roles is performed well and enough time is given to allow us to explore the motivations of each of these characters. If we didn't really get to know these people and what drives them, everyone involved could come off rather badly, especially Townsend's Adam. But the director makes each character sympathetic enough and it all ties together very well.

A clever script, mostly terrific acting, intriguing characters, wonderful Irish scenery and a very smart plot device that adds a unique twist to everything...About Adam has a lot going for it. It's a smart, funny, enjoyable ride.

On the face of it, it seems a little much that a no doubt sexy guy will attract females like a magnet including three sisters, one of their brother's girlfriend - and the brother - but it could well happen I guess. That in essence is roughly the plot, so if that appeals you'll probably like the film - it's reasonably well cast, adequately acted, nicely filmed and moves along at a fast pace. But if that plotline sounds too superficial, you can't stand seeing an E-type jaguar painted pale blue and aren't overly excited by Dublin as a setting, then you'll probably find it a bit ho hum. The promise of lots of appealing sex scenes will also be disappointing - certainly there is some action in that department but filmed very prudishly. However, Irish films are a rarity so that may be enough in itself to tempt a viewing.

This movie was good. I liked seeing Stuart play the provocative role. It fits him well. The sexy, sly, intriguing, & playful role. Very good move on his part although it was not a huge hit in the states. I heard about it on here and ran to rent it. The whole story is a bit crazy but fun. YOU HAVE TO SEE THIS MOVIE!!!!! I really enjoyed and would suggest it to anyone.

In some ways this is an incredibly refreshing film. In it's acceptance that lust and promiscuity are normal facts of life and not something that lead to a lifetime of suffering and possibly eternal damnation, it's almost unique in Irish cinematic history. Seeing a film so free from the historical and religious baggage that shackles most Irish films can also be a bit disconcerting, like seeing one of the nuns that taught you in school wearing a mini-skirt and fishnet tights.

Set far from the traditional Irish mise-en-scene in Dublin's trendy Temple Bar area, it features Stuart Townsend as a benign Irish cousin to Jack Nicholson in _The Witches of Eastwick_, who plays on the desires of three beautiful sisters for his own ends. Far from being a scheming Casanova, he's a likeable character who does nothing more than tell a few tall tales to aid his seductive techniques, and who helps people come to terms with themselves rather than cosign them to a life of guilt by doing so.

This film is like Stembridges earlier film, Guiltrip, turned inside out. It's bright, urban-based, modern, and shows signs that Ireland is finally developing a mature attitude to Sexuality.

A lot has changed in Ireland in the last twenty years, and there's little of the old Oirishry on display in this film, which is set instead against a backdrop of posh department stores and stylish cafés. A glib, celebratory tone underpins what commences as a run-of-the-mill romcom, before the plot starts to venture into more unorthodox territory. But the film never really dares to take sides, and a weak conclusion suggests that all the tastier material should be reconsidered just as part of the froth. The result is an odd film, with all the flaws of a feel-good movie, but which doesn't actually make you feel good in the end.