The Visit

Any film about a young black male in prison just BEGS for rhetoric. Add AIDS in the mix, and the traps are everywhere.

This film manages to illuminate more than one of the issues involved in both subjects without ever becoming tendentious or trite. And it does so largely because of the deeply felt work of Hill Harper and the other actors involved. Through shades of rage, neediness, fear, frustration and the most affecting, immediate, infant love, Harper brings us right to the heart of a man who knows he's done wrong, but nonetheless has been done greater wrong.

With all the complex personal and political issues at play here, what shines through and holds the film is the raw, heartbreaking yearning of the main character.

Not that larger situations aren't observed. When his successful businessman brother (played by Obba Bobatunde) comes to visit, the obligatory search by a guard becomes one more humiliation of a black man. This isn't underlined - it's simply shown. His father's rant about how young blacks become what many whites already think they are could come right out of an article on the subject - except that he's talking about his son and the father (uncompromisingly played by Billy Dee Williams)is being his pompous self-satisfied self.

A number of other vignettes refer to larger issues without every losing sight of the specific human stories that we're following.

Everybody in the cast is superb without being flashy: simply real. Rae Dawn Chong remains believable even when her character's relentlessly positive character borders on the Pollyannaish. It's not a surprise that she's luminous in these scenes - that over-used word applies more appropriately to Chong than almost any other actress -, but in the flashbacks showing her as a crack whore she becomes every bit as beaten down and dispairing as she is radiant in redemption.

Also, two scenes are fascinating simply for the freedom of interplay that the director manages to achieve - the parole board's part pompous, part compassionate negotiations and the extended dialogue between Harper and Chong's characters during her first visit. In both, there is that Cassavetes quality of a scene almost veering out of control while continuing to convey its dramatic point.

Though several scenes take place in a church, the film avoids the increasingly cliched use of a gospel choir to suddenly provide an emotional uplift. Yet nontheless, towards the end, we are treated to an extended montage over a unique version of "Sometimes I Feel Like A Motherless Child" by the sublime Sweet Honey in the Rock.

That kind of tasteful deflection of expectations informs the whole film. It's really a wonderful piece of work.

Easily Hill Harper's best role. African-American movie that really touched me from the bottom of my soul. It's very artistic expression, and strong philosophical approach in the discussions when Visited in prison, brings really something to hold and build on too. Also the sickness he has, and knowing that he will die there, plus his rejected parole on top of everything... just a set of tragic motions. Getting closer with your relatives in prison than outside has been important subject for every prisoner who has nothing but time to kill. Definetly one of my favourite prison movies ever.

The Visit tells the story of a inmate convicted of rape who is looking to a parole after 5 years in prison. In this time period, we watch as he gets visits from his brother, mother, father and an old friend. These visits and his parole board meeting are the strongest parts of the movie filled with good acting (in particular from Harper and Williams), but the film gets lowered due to un-needed dramatic cut-away edits and weird scenes outside of the prison which shouldn't be. Watchable for the redemption scenes, but has it's share of flaws along the way. B+ (just slightly)

I fell asleep with the t.v. on and woke up to find this film. That was the end of the night. I was riveted to the tube. The performances were flawless and so real that I entered into the film and was right there with all of them. Each character was moving and understandable. You have met all of them in your lifetime. It was so moving. The tears flowed and I was taken on a journey into his life. It didn't matter that we did not see what transpired to bring him into prison. You had to believe in him and believe in his innocence to really feel where he was at. The brother summed up what the journey was all about when he spoke at the funeral. It just verbalized what I saw happening and that the prison of his anger was where the real bars existed and that had to be removed by him and only him to allow freedom. What superb metaphor! And we all can relate. I truly would see the movie again and again and am seeking a copy to keep. It is a masterpiece in a celluloid world where few exist.

I saw this movie last Sunday at the Method Fest in Pasadena, CA. While I must admit that I went simply because Hill Harper was in it, it turned out to be an excellent movie. It moved me. It made me cry, laugh and think. Billy Dee Williams and Marla Gibbs reminded me, in some respects, of my parents. Rae Dawn Chong also reminded me of a relative. Hill Harper's character moved me most, you feel his pain, you know his character is innocent. He is an excellent actor and I'd really like to see much more of him on the big screen.

The synergy of the entire cast was wonderful. They fed off of each other's energy. But of course, without a wonderful director, there is no wonderful film. I would really like to see this film again, I'd like to own a video copy. I hope this film can find it's way into major theaters, it really deserves to be seen by a wider audience.