L'incantesimo del manoscritto

Surprisingly and shockingly awful. There are a lot of significant events, but no story. Constant stickfights that all look the same, aren't very exciting, and all the good guys win far too easily so no tension is created, do not make a movie action packed. Constant scenes of giant whirlpools or people flying do not make a movie magical when the scenes are poorly done and completely unmotivated by character. Watching two people kiss and express their love for one another does not make a movie romantic unless the two characters have some chemistry and interaction. The problem isn't that this movie is cheesy and formulaic. The problem is that the cheesy formula is unbelievably poorly executed. The characters are never developed, the special effects (especially the tiger) are often second rate, the story is not only derivative of every fantasy movie ever but derivative of itself (two separate villages that have had their children kidnapped by bad people), at least don't repeat your own ideas in the same movie. Dialogue is awful and cardboard, and the acting is pretty much lousy. This is everything the typical, paint-by-numbers approach to movie making yields. This movie is so bad it's insulting to it's audience. Horrible. Save yourselves and don't go near this worthless mess of a mini-series.

Well, this mini-series was the straw that broke the back for producer Robert Halmi with NBC. The faults of his previous rating disaster, "The 10th Kingdom" have not been heeded in this production. The screenplay is overloaded with over the top characters and situations that never let up. But, to me, the failure of "The Lost Empire" falls in three categories. The total miscasting of Thomas Gibson, who gives a tired and stiff performance. Gibson seems to barely be able to walk, much less perform martial arts, and his delivery is unbelievably stilted. The music score is among the worst I've heard in a production like this. There is little thematic melody and even less of the score reflects the rich culture depicted in the story. Third, the director chose to shoot most of the frequent martial arts action from the waist up, so much of the visual impact of those scenes is lost. Indeed, only Bai Ling retains her dignity in the production. The only other redeeming feature is, that the film did cause me to look into the classic book, "Journey to the West."

Yes, the weaknesses of this movie are numerous. The acting is, for the most part, horribly wooden, particularly with the lesser supporting characters. The real-world history is way off (among other flaws already pointed out in other reviews, "Journey to the West" is, according to what I've read at least, closer to 400 years old than 500, and the official objection to the manuscript was its nontraditional form rather than its content). Some of the characters, particularly four of the Five Traditional Masters, are way underdeveloped. Portraying Confucius as a self-serving sycophant is just *wrong.*

If you're already familiar with the original story of "Journey to the West" and can't bear to see it butchered -- which is exactly what happens here -- then follow the one-star ratings given here and avoid this movie like the plague.

For anyone else, this is a fun piece of work. It was hardly Emmy-worthy in any category (with the possible exception of Bai Ling's impassioned performance as the Goddess of Mercy) and has numerous plot holes not worthy of David Huang, but the story travels on well with only a couple of relatively minor diversions (well, I guess NBC wanted to make sure they had a good two-part miniseries), one can really care about those characters that do receive proper development, and can wonder and worry about the story's outcome.

This movie is a contemporary take on the classic Chinese novel "Journey to the West," which is a fictionalized account of the legends around the Buddhist monk Xuánzàng's pilgrimage to India during the Táng dynasty in order to obtain Buddhist religious texts called sutras.

The ministers have imprisoned the writer of the book, and are attempting to destroy it to reverse time back to traditional Chinese life, i.e. before any modernization. The modern world will be destroyed unless The Scholar From Above (Thomas Gibson) can enter the underworld and save it.

Don't make any mistake. Gibson would not have taken one step except for the fact that he was following the luscious Bai Ling, who anyone would follow to the gates of Hell.

He rescues Sun Wukong the Monkey King (Russell Wong - Romeo Must Die), and is joined by Zhu Bajie(Pigsy)(Eddie Marsan - 21 Grams, Vera Drake) and Sha Wujing (Friar Sand) (Kabir Bedi - Octopussy) to save the book and save the world. It is almost a Wizard of Oz adventure, as they all have personal issues to resolve in addition to the mission.

Of course, Kuan Yin (Bai Ling) appears any time he utters a prayer. Thankfully, for the many appearance of Bai Ling make this film worth watching. She is usually in another spectacular costume each time she appears.

Besides spectacular costumes, the sets were lavishly decorated. The special effects were magnificent, and the martial arts displays exciting.

It was overly long, but most great adventures are. Anyway. that is more time to watch Bai Ling.

I figured this movie was like martial arts movie meets cheesy movie, with bad dialogue that made me want to take an ax and butcher the screenwriters. Seriously guys, actually embark on a daring voyage outside of your little writing hole and learn how people REALLY speak to each other. And for god's sake, put some effort into those special effects! Despite the terrible FX that practically leapt from an animated video game and the unrealistic and unconvincing script, it was still a fun movie. The only reason I even watched it was because of Thomas Gibson, and his acting wasn't top notch, but it was somewhat earlier in his career, so I forgive him. The other actors did an exceptional job as well, but none of them lived up to their full potential because of that STUPID SCRIPT! I've neither read nor had any interest in reading Journey to the West, therefore I can't share others' hatred for this movie. Personally? I was laughing at the humor, gaping at the martial arts, and rolling my eyes at the attempts at realism with flying. I recommend this movie.