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A harmless little "chick flick"? Nothing more than an attempt by Natalie Portman to try anything before she's pigeon-holed in her Star Wars persona and can't get other roles because of it (a la Mark Hamill)? No, on both counts. Where the Heart Is will surely be labeled as a "chick flick", but the truth is that a good movie is a good movie, and a bad one a bad one, regardless of what its target demographic is. Where the Heart Is is nothing short of a very, very good film. The story is original and the acting and dialogue are outstanding. Natlie Portman may best be known as Queen Amidala, but she should be known as one of the best young actresses in the business. She simply shines in this movie. I recommend this film to everyone.

I have to admit having a bias towards sci-fi, action adventure, mystery, conspiracy films, etc. I have sat through "Steel Magnolias" and "Fried Green Tomatoes" with my wife, and while I can admit they are well-made movies, I have never been too keen on movies with an all-female or predominantly female cast. I have also never cared much for Sally Fields' movies. (Perhaps I always think of her from the "Bandit" movies...) My first impression from all the trailers was that "Where the Heart Is" was nothing more than another "chick-flick" that I would, no doubt, find well-produced, but forgettable. I was wrong.

Natalie Portman registers a great performance as a meek and downtrodden pregnant teen who learns early in life that "our lives can change with every breath." Ashley Judd puts in an Oscar worthy performance in her supporting role as the older, married friend who has trouble finding the right man to be the father of her children. Stockard Channing plays the unforgettable "Sister Husband" who takes the young girl and her newborn child in, and Sally Fields makes a momentary appearance as the young girl's absentee mother, one of the highlights of the film. Fields has deepened my respect for her as an actress with her five minutes of film time like no other actor/actress ever has. Joan Cusack appears as a talent manager in the film's sub-plot and is phenomenal in her brief on-screen time as well. Yes, there are men in the film, veteran David Keith and James Frain among them, but for the most part, this film relies on the vision of the world through the eyes of its female leads. I loved this film- the comedy, the drama, the love story... I laughed, and although I hate to admit it, being a tough guy and all, I cried - several times - during this wonderful film about learning to be content with what we have and learning to appreciate how unique and special everyone and everything is.

This film was a pleasant surprise. I know nothing about the author or the book, but the story is "cute" and it's told in a nice way. I'm sure there are many episodes that are great in the book but during the adaptation got a little messy (Ex. the guy and the train, the tornado, etc.)... Those parts could have been shot with more accuracy and another tone. Anyway, the film goes on, IMO the performances are very good, specially those of Portman, Judd and Cusack; and the music is fine too. I would recommend it for people who are not interested in digging too deep into the characters, but watching a nice melodrama with some sweet humorist brushes.

A young pregnant girl (Natalie Portman) gets left in a small Oklahoma town by her loser boyfriend (Dylan Bruno) on their way to California from Tennessee. Portman is literally stranded at the local Wal-Mart and then becomes a national celebrity when she gives birth late one night at the store. Local gardener Stockard Channing and her live-in lover (Richard Jones) take the youngster and her child in as Portman gets the opportunity to work for Wal-Mart. Immediately we are introduced to a whole host of vivid characters. There is nurse Ashley Judd who is rearing five young children of her own, department store photographer Keith David and shy librarian James Frain who is taking care of his alcoholic older sister (Margaret Ann Hoard). And we even get a short glimpse of Portman's trashy, money-hungry mother (an electrically-charged cameo for Sally Field). Time passes, and Portman experiences life, love, triumph, tragedy and everything in between as she makes the small Oklahoma town her own. Smart drama that never loses its way and stays interesting due to Portman's show-stopping performance. The rest of the cast is right on key as well as fellow "Heat" alum Judd does a deceptively deep and heartfelt job. The movie works due to a steady pace, strong direction and a totally under-appreciated script. 4 stars out of 5.

This film is a bittersweet human-interest story with a side order of romance. The story has a country flavor, plenty of country music and a story that could serve as the film version of the typical lyrics of any country music CD. It is replete with bad decisions, bad luck and tragedies at every turn. It is sappy, corny, stereotypical, and unfortunately full of the types of things that really happen in rural America. Despite this seething despondency, it has an upbeat fatalism that suggests that at least for some of the people, the struggle against bad breaks and hard times pays off.

The story follows the life of Novalee Nation (Natalie Portman), poor young girl setting out to start a new life with her no account boyfriend. When Novalee makes a rest stop at a Wal-Mart in Oklahoma, he ditches her, literally leaving her there barefoot and pregnant. Having only five dollars to her name, she takes up residence in the Wal-Mart and ultimately has the baby there. She becomes a minor celebrity and she is adopted by the Welcome Wagon lady. The remainder of the film examines the various relationships and experiences she has in this small town over the next seven or eight years.

The story is charming and steeped in sentiment. The character development of Novalee is excellent, although Director Matt Williams could have spent more time on some of the supporting characters, especially Sister Husband (Stockard Channing). To his credit, the film was nicely shot, and the tornado scene was fabulous.

Natalie Portman's performance was her best to date. She played the part with a near helpless determination that made her a very attractive and lovable character. Her southern accent was terrible, but her portrayal of the rural southern attitude was on target. Though the part didn't have a lot of range, she was extremely effective with the emotional element, and elicited great sympathy and admiration for her response to her desperate situation.

Stockard Channing was wonderful as the eccentric Welcome Wagon lady. I would have liked to see this part expanded, just to see more of Channing. She was enchantingly warm and peculiar. James Frain was also very good as Forney. He made the character very interesting and affable. He continues to be a solid supporting actor who has shown himself to be extremely versatile (Hilary and Jackie, Reindeer Games, Titus). Ashley Judd added another fine performance to her resume, with a free spirited portrayal of Lexie.

This was a nice story with an agreeable and upbeat ending. I rated it a 7/10. Add a point if you are a woman or if you have ever lived in a mobile home. It will find its most enthusiastic audience with women due to its extreme sentimentality, but it is not so `female' that it can't be enjoyed by men, making it a good date movie.