Criminali da strapazzo

I'll say this right upfront, I'm not really a Woody Allen fan. I like his earlier movies where he was simply funny and not trying to figure out the meaning of life or display the ennui of rich Manhattanites. I find those films incredibly ponderous and self-indulgent. But stuff like 'Play it Again Sam' (even though it has the equally whiny Diane Keaton), or 'Take the Money and Run' were his best films.

This film is a return to simple funny. One thing that happened while watching this movie: about 20 minutes into the movie I felt something about this movie was strange, but I couldn't figure out what. Then it hit me: no swearing. I can't remember the last time I saw a movie directed at adults that didn't have swearing. I'm not against swearing in movies by any means, but I have to say, I found it really refreshing. The script was forced to find the funny for real, rather on shock value. Needless to say, it also thankfully doesn't have any of the gross-out humour that passes for comedy in most films these days either. In the hands of most writers, it's not about pushing boundaries, but simply revealing the lack of genuine talent.

Although Ullman does a very good job, and Allen is at his comedic best, Elaine May really shines through in her role and is the one that makes me smile the most. It's a shame that she doesn't get, or take, more roles.

Though essentially a time-marking throwaway by writer/director Woody Allen, `Small Time Crooks' provides so many gems of performance that one can overlook the film's derivative plotting and overall lack of comic drive. In this film, Allen more or less abandons his customary obsession with big city neuroses and middle-aged angst in favor of a more straightforward, plot-driven comedy, paying homage in its patchwork and eclectic story to any number of earlier well-known theatrical and cinematic works.

For example, the first half hour of the movie plays like a stateside version of the 1950's Italian comedy `Big Deal on Madonna Street' as a team of bumbling, far-from-intelligent small time crooks, led by ex-con Ray Winkler (Allen), sets up a cookie store as a `front' so they can drill a tunnel into a bank a mere two or three shops down the road. Then the plot of the film suddenly shifts gears when that plan falls apart and the gang hits pay dirt with the surprising success of the cookies that Ray's uncultured but well meaning wife, the former topless dancer Frenchy (Tracey Ullman), is assiduously baking and selling. The highlight of the film comes in the form of a brilliantly satiric pseudo-60 Minutes report in which Steve Kroft himself chronicles the meteoric rise that this ragtag collection of accidental entrepreneurs takes from obscure small business owners to multi-million dollar corporate giants – a report that pokes affectionate fun at the clichéd rags-to-riches theme so essential to our concept of the beloved American Dream.

With this plot switch, we leave Madonna Street and head into `Unsinkable Molly Brown/Pygmalion/Educating Rita' territory as the vulgar, uncouth Frenchy realizes that, even with all her suddenly acquired wealth, she cannot possibly gain true acceptance from the elite cultural snobs she so desperately wants to impress without a little assistance from her own personal Henry Higgins, who arrives in the form of an art dealer named David played by the suave Hugh Grant. Thus, as Frenchy branches out and begins to open herself up to new cultural experiences, the couple begins to drift apart as Ray comes to crave the return to the simpler life of spaghetti and meatball dinners he knows they have left far behind.

Had Allen been able to sustain the cleverness and bite that inform that `60 Minutes' segment throughout the length of the entire film, `Small Time Crooks' might have emerged as more than just the mere piece of entertaining puffery it ultimately is. Indeed, we find ourselves laughing only occasionally and often at jokes or sight gags that would barely register a chuckle in one of Allen's more sophisticated, more edgy and more character-driven works. Special note must, however, be made of some of the actors, prime among them Ullman and the always brilliant Elaine May who, as Frenchy's adenoidal, utterly befuddled and endearingly obtuse cousin, returns to her `A New Leaf' roots and provides some of the sweetest comic moments in the film. Unfortunately, Michael Rapaport, Tony Darrow and Jon Lovitz, as members of Ray's gang, though they all three give outstanding performances, aren't given enough screen time to really let their talents for comic characterization take flight. Hugh Grant is essentially Hugh Grant – which is to say that he fulfills the requirements of his part without having to stretch his thespian muscles too much.

The success or failure of a comedy is ultimately determined by how often it is able to elicit laughs from the person watching it. Given that criterion, `Small Time Crooks' rates no better than a mild recommendation (though there is one very funny scene involving safecracking near the end of the film). Yet, if for no other reason than to relish a number of its dazzling performances, `Small Time Crooks' certainly earns at least a casual once-over from any Allen devotee. Guess we have no choice but to mark time right along with him!

SMALL TIME CROOKS / (2000) ***

Woody Allen's artistic sense of humor is the perfect style of wit for the timid new comedy "Small Time Crooks." Allen wrote and directed the film, which is pure Allen. This amusing filmmaker brings a focused sensation of clumsiness and silliness to the various ensemble of characters; this movie is classy, sharp, and funny.

Woody Allen stars as an ex-con named Ray Winkler, currently employed as a local dishwasher. He is the kind of person who comes up with maniac ideas he explains as beneficial, but they end up causing more grief than gratitude. His mangy wife Frenchy (Tracey Ullman) is sick of her loser lifestyle, so when Ray proposes to burglarize a nearby bank with his old buddies, including Denny (Michael Rapaport), Tommy (Tony Darrow), and Benny (Jon Lovitz), she reluctantly agrees.

Ray comes up with a scheme that consists of renting a storefront next to the bank in order to tunnel a passage way into their destination. To avoid suspicion, Frenchy and her cousin May (Elaine May) open a bakery offering cookies as the four criminals screw everything up in the basement. The cookie sales unexpectedly become a massive achievement, leading to the characters opening up a corporation that makes them rich.

The film's setup introduces the main characters with intelligent humor and riffraff detail. We learn they are unintelligent, desperate, and deprived nobodies living in unmistakable poverty without purpose or hope of a decent future. Also decently developed is the story, with a clear, stable first act and early laughs to capture the audience's attention from the start. This is the kind of movie that relies on situations to pull its characters through the story, and Allen gives the script fresh twists, active subplots, and creativity.

"Small Time Crooks" is a character movie; a study of well-acted personas given funny edge and dimension. The characters are dazzlingly portrayed by some of the most clever names in Hollywood. Woody Allen rehearses his basic charismatic personality that we all know and love, and brackets himself between witty dialogue and well-cast supporting actors. Tracey Ullman is perfect in a role seemingly prepared towards her performance and Hugh Grant's false charming tenderness creates a despicable image in which the audience opposes but enjoys.

The movie's story clearly exhibits the life of Ray and Frenchy, which is probably the smartest level in which it succeeds. We see gradual changes in the two as the story uses side characters as benchmarks that help to propel the plot along. There is minute tension involved with Ray and his spouse, however, although the Hugh Grant character provides a little romantic competition. If I had to change something in this movie, I would increase the level of the story's stakes and change the horridly annoying soundtrack.

Too much of this movie relies on dialogue to pull itself through story slouches; at times the plot seems to drift and the character end up explaining developments and advancements. "Small Time Crooks" does not suffer to immensely in result of this material because Woody Allen often supports his dialogue with visual story and amusing conversations that look as if especially written for each character in each scene.

"Small Time Crooks" furnishes seeking audiences with effective comedy. So often we desire for comic adventures only to find contrived and recycled humor in stale stories. This film succeeds in perspiring light-hearted humor with a surprising human dimensional touch. "Small Time Crooks" will not disappoint fans of Woody Allen's gawky sense of humor.

SMALL TIME CROOKS (2000) * * * Extremely amusing comedy about a classless, aging ex-con (Woody Allen) with a long-suffering smart-mouthed wife (Tracey Ulman in a great performance) and how his plan to rob a bank with his idiot friends (including Jon Lovitz wearing black socks, shorts, and sandals) takes them into territory they're totally unprepared for. To say more would ruin the fun. If your a fan of Woody's lighter stuff, this one ranks up there with Manhattan Murder Mystery and is maybe a notch below Everyone Says I Love You. Elaine May is hilarious as Ullman's empty-headed cousin. Also stars Hugh Grant and Michael Rappaport.

I would have never expected a movie like "Small Time Crooks", but one would have to imagine that it could only come from Woody Allen. He plays loser Ray Winkler, who plans to pull off a big heist. But of course, he needs a cover. So, his wife Frenchy (Tracey Ullman) opens a cookie shop above the tunnel that Ray is digging, and lo and behold, the cookie shop is a smash hit, and they never pull off the heist! A year later, Ray and Frenchy are fabulously wealthy, to the point where "60 Minutes" reporter Steve Krofft interviews them. But this all starts exposing the problems in their lives. Maybe crime would have paid after all! Above all, this movie shows that Woody Allen does best when just going for straight comedy. I would say that this was his funniest movie since "Mighty Aphrodite". Also starring are Elaine May, Jon Lovitz and Hugh Grant. You're sure to like it.