Mission to Mars

In this day and age of computer generated eye candy, it is very common to see movies that are based solely on special effects and nothing else. Movies like Wing Commander have great graphics, but the story line and acting leave you back at the ticket booth.

Mission to Mars does not fit in this category. When I saw previews, the special effects looked great, but I could also tell that there was a plot to this movie. For once, I was right on the mark. Mission to Mars made you think about what was happening and what the consequences were going to be. The suspense takes a firm grip on one's eyelids and pulls them up to the ceiling.

What truly makes this movie stand above others of its ilk is the great acting of the characters. In sci-fi shoot 'em ups, the viewer develops a way of not caring for the characters, as they are uncreative and inflexible. Mission to Mars made me care about every single character; I was eagerly awaiting every twist and relished every event.

The climax (which I will not at all spoil) was hair raising and at the end extremely satisfying. Upon leaving the theater I quickly realised that I haven't seen a better movie all year.

I give every recommendation I know to go see this movie. And, by the way, look out for some foreshadowing. It's in there.

Before watching this film for the first time the other night, I knew this film got middling reviews and after watching it, I can't see why. Just like 2001: A Space Odyssey, Mission to Mars gives us a sense of wonder, of hope, and even of awe. The final half-hour of the film really gives us these emotions. The first part of the film may be a little boring or I shall say intellectual, but I found it interesting to watch. The visuals are really good and especially on Mars and that make the film pretty to look at.

Brian De Palma's film is about how the first manned mission to Mars goes very wrong thanks to a catastrophic and somewhat mysterious event. A rescue team goes to Mars to see if anyone is alive and they discover something that may enchant them forever.

This film has a pretty good cast and it seems like they had a good time. I don't see much of Gary Sinise anymore, but he does a good job as Jim. Don Cheadle is awesome as always. I can't complain about Tim Robbins since he usually does a good job in anything. All in all, everyone has good chemistry here.

Overall, this is a decent, wonder-inspiring sci-fi film. It may not be perfect thanks to some corny dialogue and some times of slowness, but it's much better than what people give it credit for. It's also a film that gives a possible view on where we people from Earth came from. I can't believe people say Morricone's score is bad, but it's far from bad. It's a haunting, stylish score that will stick with you, just like the movie. I rate this film 8/10.

Good story that is easy to follow with suspense here and there and of course it takes place in space which is always exciting because there is so much we do not know. Here we are introduced to crews in space making a go of it and things go wrong but they also go right too. This has one of the most powerful endings in Science Fiction that I have come across. I rate it as follows: If a movie or scene in sci-fi manages to trigger your imagination and then engage it, ten we are getting maximum return on the concept and then some. That's what takes place here. The discussion to follow the movie afterwards with a friend would enlighten and entertain of itself. Enjoy Gary Sinese who is a solid actor earning his keep in trade. Go toward this movie and.....

I do not understand why this movie was slagged so badly when it came out. I finally watched it on VHS, and I liked it much better than "Red Planet", its companion Mars movie.

Sure, "MTM" steals from lots of other movies, but what film doesn't? The opening is lifted directly from "Apollo 13", but it serves the purpose of setting everything up rather painlessly. I love the cast, and they do establish a sense of camaraderie here.

I am not an aeronautical engineer, but I do know enough science to appreciate the way the fight to survive the entry into Mars' atmosphere is based on the limitations of their equipment. In most action movies, the hero has limitless ammo, fuel, food, etc. It was truly heartbreaking to see Tim Robbins' character make the choice he did.

Overall, "Mission to Mars" is very enjoyable. It felt like a short story lifted directly out of the Sci-Fi of the 60's, which I grew up reading. The pacing is very good, the acting is good (given some of the cliched situations), the script does not insult your intelligence, and I liked the resolution very much. Fun at the movies, what more can you ask?

After a second viewing, I can say that I am still not sure what to make of this film. Many will see this as something of a remake of 2001. And yes, the film is visually almost plagiaristic of the Kubrick masterpiece. The two biggest problems are a lack in originality and thoughtfulness. From my rating, you can see that I did not despise this film. It's visually nice, and the performances are all good. However, I am not sure I can recommend it.

I'm a sci-fi fan, and a scientist, so I was initially intrigued by the notion of a big-name dramatic film-maker doing a sci fi epic, which appeared, at least initially, to be hardcore sci-fi. By hardcore sci-fi, I mean fiction based on scientific reality, not fantasy with a tiny bit of science thrown in for decoration. An example, also using Mars as a vehicle, is Ben Bova's novel "Mars" - which focuses on the very edge of plausibility, only occasionally overstepping the bounds of scientific possibility. Film has rarely achieved this - a few interesting exceptions are Alien (the original), Outland and Silent Running. Hardcore sci-fi, which, I argue, this film could and should have been, is careful about that boundary. And 3/4ths of the way through Mission to Mars, it's still a hardcore sci-fi flick. Then suddenly, it's something else. I will leave that something else for you to discover, and stay focused on what the director and screenwriter were trying to do here.

What we have here is not really a single plot, but a pastiche of plots that have been strung together into one long, mysterious and grandiose story line. The film starts out with a couple of scenes which might have been lost in Appollo 13 - providing a little bit of character development and letting us know that we are about to witness the first manned space flight to Mars. That flight ends pretty quickly, as virtually everything goes wrong. And as a rescue mission begins, the question then becomes, why is everything going wrong? Up to the point where the rescue mission enters Martian orbit, this central question is sustained and developed skillfully, but then , in my opinion, things start to go wrong with the film itself.

There are major problems with what could have been the best aspects of this film. The spaceships are remarkably flimsy and poorly designed, but they look great! The safety protocols for the mission, about which we hear so much, are either not followed or incredibly naive. The heroes are not particularly clever about heroism, and seem to forget, at times, what the actual possibilities are for mobility in space (why not use the tether three times - twice out to Woody and once to get back after you run out of fuel, Terry?). The guy who authored the safety protocols does not appear particularly concerned with safety, or even protocols. The evolutionary biologist on the crew is amazingly poorly informed about the Paleozoic period of earth history and the evolution of species. I could go on.

The film is broadly derivative of 2001 A Space Oddyssey, The Abyss, Star Gate, Event Horizon, Fifth Element, Contact, and a few dozen other somewhat entertaining but not particularly believable space / sci-fi adventures, but while it resembles, and in fact pays homage to these films (especially 2001), it never entertains quite as well. Why? Because these films do not pretend to be based on scientific ideas, but rather, aesthetics and humanism. While most of these films invite interpretation, Mission to Mars simply repeats ideas from previous films and doesn't even bother to recast them into an interesting new light. Mission to Mars is something that has been done many times before, and in more interesting, entertaining, and thought-provoking ways.

Technical proficiency, which is something this film exudes, is no substitute for a compelling story and interesting individual characters. Unfortunately, even in terms of technique, the film has some flaws. Some will disagree, but I found the soundtrack irritating, and the pace of the film very uneven to say the least. And the characters lives are so intertwined in the few character development sequences that only Sinise, Robbins and Bennings' characters develop rudimentary individualities.

Despite his reputation, I can not hold Brian De Palma up to standards which are different than those of other film-makers, and I can not condone creating a special vocabulary or a sophisticated argument to permit interpretation of his films as part of some over-arching theme which only he and a few of his fans understand. There is a fine line between flattering imitation and shameless copying, so I'd rather not get into an extrapolated meta-film discussion of this film's relationship to 2001. I don't think this film is worthy of such a sophisticated analysis.

There are some truly great moments in Mission to Mars. This should not be too surprising with the wonderful cast, big budget, and talented production team. What did surprise me about this film was the 2001-like 180 degree turn it took off of the map of scientific possibility 3/4ths of the way through the film, and I can't say that turn and its outcome really impressed me.

If you're a sci-fi fan, or somebody with a very casual interest in science, you should probably see this. But if you haven't seen 2001 first, by all means, wait until you have. And don't take this one too seriously when you do get around to it. This has much more to do with fiction than science fiction.