VALUTAZIONE IMDb
5,0/10
205
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWWII drama set in Tunisia. Five American soldiers become separated from their unit without radio communicationWWII drama set in Tunisia. Five American soldiers become separated from their unit without radio communicationWWII drama set in Tunisia. Five American soldiers become separated from their unit without radio communication
- Regia
- Sceneggiatura
- Star
Foto
Fred Gavlin
- Sgt. Clemens
- (as Fredric Gavlin)
Jack B. Sowards
- German Lieutenant in American Uniform
- (as Jack Sowards)
Robert Weston
- Rescue Soldier with Picture
- (as Bob Weston)
Robert B. Williams
- German in American Uniform
- (as Bob Williams)
Recensioni in evidenza
This "B" war film has "A" credibility for realistic drama in war.
A typical motif done well. The motif is a small unit of soldiers stuck behind enemy lines.
There is a lot going for this film. A good script is the chief reason. We get some realistic emotion in a situation of deadly danger that is no game.
Best of all, we get a "roll the dice" or "let the cards fall where they may fall" story here. There's no "contrived Hollywood predictability of bullets only finding good guys and underlings. There's no "ticket" to immortality by being the usual creep, officer, or man with a secret that means a bullet can't find you. The bullet or grenade can hit anyone at any time.
In other words, the viewer doesn't feel like the writer and director is prancing around behind the hill. It's a "natural and uncontrived" chain of events.
Which sets this apart from the usual Hollywood formula movie that owned the industry after about 1965. Cleverly done, which is probably why the bubble boys won't care for this one.
A typical motif done well. The motif is a small unit of soldiers stuck behind enemy lines.
There is a lot going for this film. A good script is the chief reason. We get some realistic emotion in a situation of deadly danger that is no game.
Best of all, we get a "roll the dice" or "let the cards fall where they may fall" story here. There's no "contrived Hollywood predictability of bullets only finding good guys and underlings. There's no "ticket" to immortality by being the usual creep, officer, or man with a secret that means a bullet can't find you. The bullet or grenade can hit anyone at any time.
In other words, the viewer doesn't feel like the writer and director is prancing around behind the hill. It's a "natural and uncontrived" chain of events.
Which sets this apart from the usual Hollywood formula movie that owned the industry after about 1965. Cleverly done, which is probably why the bubble boys won't care for this one.
The main cast performed brilliantly in this low-budget no frills movie. But how can anyone overlook the resounding performance of Curtis Loser in his first (and last) major film role. The role of 'German radio operator in an American Uniform' took hours of taxing work and it was a demanding role. But Loser pulls it off wonderfully. A masterpiece on Loser's part.
Possibly inspired by 'Fear and Desire'. This psychological war movie seemingly shot entirely on location comprises an impressive writing-producing-directing debut by Burt Topper.
Topper was plainly no Kubrick - who was? - but does a sound job wearing all three of his hats; and gets good performances out of all his cast, led by bearded Wally Campo (also given an 'introducing' credit).
Topper was plainly no Kubrick - who was? - but does a sound job wearing all three of his hats; and gets good performances out of all his cast, led by bearded Wally Campo (also given an 'introducing' credit).
Before the studio became known for Beach movies and counter-culture hippie films, American International Pictures was known for angry delinquent and war films. The commonality to all these movies are low budgets and mostly casts of unknowns. "Hell Squad" is just chock full of unfamiliar faces and cheapness.
The story is VERY simple and the cast very, very small. Supposedly these American soldiers are in North Africa during WWII but they are separated from their unit and must make their way back to the front. Along the way, they meet up with all sorts of Germans...and ALL of them are lying scum who either wear American uniforms or make fake radio broadcasts.
So, you've got about a dozen actors in total and almost no script and you run around the California desert playing soldier. There just isn't much to this one and it's awfully dull. The only interesting thing to me is that one of the Germans was played by a man named Curtis Loser. Nice moniker...and rather apt for this film.
The story is VERY simple and the cast very, very small. Supposedly these American soldiers are in North Africa during WWII but they are separated from their unit and must make their way back to the front. Along the way, they meet up with all sorts of Germans...and ALL of them are lying scum who either wear American uniforms or make fake radio broadcasts.
So, you've got about a dozen actors in total and almost no script and you run around the California desert playing soldier. There just isn't much to this one and it's awfully dull. The only interesting thing to me is that one of the Germans was played by a man named Curtis Loser. Nice moniker...and rather apt for this film.
Lo sapevi?
- QuizOpening credits: All events, characters, firms and institutions in this photoplay are fictional and any similarity to any persons, living or dead, or to any actual events or to any actual firms or institutions is coincidental and unintentional.
- BlooperThe squad is attacked by an enemy plane and Pvt. Slade is supposedly fatally wounded, but as he lies in the dirt, it's perceptible that he's still breathing; also, his eyelids flutter. Pvt. Russo rushes over and lies on top of Pvt. Slade, feeling for a pulse and declares "He's had it" and tears off the dog tag.
- Curiosità sui creditiOpening credits prologue: The footsoldier knows only the battles fought, on the ground they walk . . . . .
- ConnessioniReferenced in The Diary of a High School Bride (1959)
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Dettagli
- Tempo di esecuzione
- 1h 4min(64 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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