In un futuro in cui uno speciale corpo di polizia è in grado di arrestare gli assassini prima che commettano il crimine, un agente viene accusato di un futuro omicidio e deve fuggire per dim... Leggi tuttoIn un futuro in cui uno speciale corpo di polizia è in grado di arrestare gli assassini prima che commettano il crimine, un agente viene accusato di un futuro omicidio e deve fuggire per dimostrare la propria innocenza.In un futuro in cui uno speciale corpo di polizia è in grado di arrestare gli assassini prima che commettano il crimine, un agente viene accusato di un futuro omicidio e deve fuggire per dimostrare la propria innocenza.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 20 vittorie e 91 candidature totali
- Office Worker
- (as Vene Arcoraci)
Recensioni in evidenza
Fast paced, exciting and deeply moving & thought provoking film. Tom Crusie does good work here. Colin turns in a deliciously nasty performance. However the film belongs to Max Von Sydow who is absolutely genius here. Director Speilberg treats the audience to some highly original and creative visual effects and has presented us with a fun story that covers all the bases. The ending is especially good.
Rated PG-13; Violence and Profanity.
In the year 2054 murders can be predicted and stopped before they happen. If you were about to kill but stopped you are locked. Tom Cruise is one of the agents who stops those murders. Then he discovers the next murder they have to stop will be committed by himself.
I will not reveal more of the plot. The story itself is great. It is intelligent, but also exciting with great action scenes. The visuals are truly beautiful and perfectly support the sci-fi story. If you like action thrillers and you don't mind they are set in the future (with some futuristic gadgets) this is your film. 9/10.
The film is a good mixture of action and suspense. Only the one chase scene was overdone with Rambo-like mentality of the good guys not getting hit when they should, and vice- versa.
The subject matter is interesting, too: what would do you (or the police) had very reliable information on crimes that were about to be committed, that you could prevent things from happening before they actually did?
I recognized two people in here who went on shortly thereafter to become recognizable in TV series: Kathryn Morris ("Cold Case") and Neal McDonough ("Boomtown"). Add Colin Farrell, Max Von Sydow, Samantha Morton and you have an interesting cast. I am of the opinion that this is one of Spielberg's underrated gems.
We learn all this in the first ten minutes of the movie. After this introduction, the plot really starts when Detective John Anderton (Tom Cruise) finds out that the precogs saw him kill someone, someone that he has never met. He finds himself in a race. With the forced recruitment of a precog, Agatha (Samantha Morton), he must clear his name before the predetermined murder. All the while, his old buddies, now helped with a special agent from the FBI (Colin Farrell), are trying to track him down.
Spielberg, with Janusz Kaminski, his cinematographer for many films, have crafted a visually stunning movie. The special effects are seamlessly incorporated of the world they created. The muted blues echo the style of black & white film noirs. John Anderton is similar to noir's morally ambiguous characters--a good cop with an illegal habit that is forced (by circumstances and desire) to betray the very things he loves.
But this is not just a special effects or mystery movie. The characters, all well drawn, are supremely acted by the cast. Tom Cruise is a good physical actor and he shows it here. By the way he sits or walks, we can intuit the grief and confusion that's going through him. Samantha Morton does a good job of portraying a haunted young lady who has seen too much. Colin Farrell skillfully balances the ambitious and professional sides of his character. As always, Max von Sydow authoritatively plays the respected father figure.
This is one of my favorite Science Fiction films. I would also recommend the following films. These (I think) influenced Minority Report.
"The Maltese Falcon" ~ film noir "A Clockwork Orange" ~ science fiction "Blade Runner" ~ science fiction (also based on a Dick story)
***** out of *****
But some disturbing images come in regarding police chief Tom Cruise murdering a man who he doesn't even know. Now Cruise is a Richard Kimble like fugitive and he hasn't done the terrible deed he's supposed to do. But one of the water bound psychics turns in a different interpretation of the images she sees. It's that Minority Report that Cruise is interested in so Samantha Morton is taken by Tom who wants very much to find out what's going so he can alter his destiny if possible.
I won't say more other than destinies can be altered and images can be manipulated and wrongly interpreted by some malevolent forces at work.
Cruise and Von Sydow and the rest of the cast turn in some fine performances for Steven Spielberg. And Spielberg's own vision of the future is fascinating. I did love those images of horses making a comeback as a method of transportation. I'm guessing that fossil fuels had polluted the planet enough and we wanted biodegradable waste once again.
Science fiction is always interesting, even the worst future films offer us someone's vision of the future be Steven Spielberg or Ed Wood. Spielberg at least has the talent to bring it off.
And maybe crime prevention taken to its ultimate is not such a good thing. Watch Minority Report and see how you feel.
Lo sapevi?
- Quiz(at around 1h 2 mins) The scene where Lois Smith (Dr Iris Hineman) kisses Tom Cruise was not scripted. Cruise's reaction is of genuine surprise.
- Blooper(at around 38 mins) When the Leo Crow murder is first envisioned by the Precogs, Jad says that the "time of occurrence is 15:06 hours", which is 3:06pm. After Anderton sees that it's him in the prevision, he sets the alarm on his watch for 35 hours and 56 minutes. Counting backwards from 3:06pm this means that it is currently just after 3am when Anderton, Jad, Wally and the rest of PreCrime are at work. Also, when Anderton tries to escape on the MagLev and calls Lamar in his office, it is obviously in broad daylight and not 3am.
- Citazioni
John Anderton: Why'd you catch that?
Danny Witwer: Because it was going to fall.
John Anderton: You're certain?
Danny Witwer: Yeah.
John Anderton: But it didn't fall. You caught it. The fact that you prevented it from happening doesnt change the fact that it was *going* to happen.
- Curiosità sui creditiThe DreamWorks and 20th Century Fox logos appear underwater, which ties into the opening shot of Agatha in the tank.
- Versioni alternativeSpencer Treat Clark was credited as "Sean at Nine" in release prints of the film, because he appeared in a scene that was deleted so close to the film's release that the credits had already been finalized and couldn't be changed. Clark played a grown-up version of Anderton's young son Sean, in a fantasy dream scene that took place after Anderton has been put in containment toward the end of the film. The entire scene was removed from the film just before release.
- Colonne sonoreSymphony No. 8 in B minor D. 759 'Unfinished' I. Allegro moderato
Written by Franz Schubert
Conducted by Carlos Kleiber
Performed by Wiener Philharmoniker
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Minority report: Sentencia previa
- Luoghi delle riprese
- Butter Island, Penobscot Bay, Maine, Stati Uniti(final panoramic shot of log cabin on desert island)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 102.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 132.072.926 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.677.125 USD
- 23 giu 2002
- Lordo in tutto il mondo
- 358.372.926 USD
- Tempo di esecuzione
- 2h 25min(145 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1