Come te nessuno mai

This movie is full of energy. Is very quick. The plot itself it is about students who want to make love for the first time and to iniciate in politics by taking school by force (that's obviously an excuse to find girls to do what they want to do). The actions happen fast. It is like this. Silvio (GREAT GOD SILVIO MUCCINO brother of director who also wrote the story and screenplay) and Ponzi are great friends. Who will start making love and how many minutes will last? In between there is the take of school against privatization. But that is an excuse of course. They want to meet girls and make love and whatever. There are funny things like characters looking at the camera, and the speed is so fast that when you look at your watch the movie is gone and you feel full of energy. To me all the actors are great but SILVIO MUCCINO is awesome. He is looking what can't happen at home. If I forgot something I'll write again. Give it a try. You'll be having a good time remember those teen ages (16 or 17). Don't miss a detail, watch what they do, the position of the cameras, etc. To me this movie is AWESOME. Of course, my rating is 10 out of 10. Or what about 20 out of 10?.

A good movie that reminds everyone of the belief that what we live ( especially when we're adolescents) is new, unreapeatable and too intimate to be divulged, analyzed and explained to or by other human beings.And even if it's not that true, the outcome is that at least it's not phony that it's worth living. This is the translation of the italian title: literally "like you anyone ever", which means that your experiences when lived for the first time seem to be unique, solely faced by yourself and anybody else prior to you. Every adolescent goes thru a row of "Life facts" that will forge his personality and affect his mind in the years to come: that's what the flick is about. The way the director paces around these growing-up issues is delicate and cute, even if not shallow: important the clashes and approaches between the young main character and his parents and other two siblings (one elder and the other younger who looks "dead" but in the end will help him out opening his narrow mind) that remark the generational ditches but in the meantime render clear the identity of the way teenagers deal and have dealt with their "towards maturity" process. The scenario is profoundly italian ( western european but not american at all ): political fight into a high school, bourgeois educated households that have lived the years of politically led protests and now have become at the eyes of their kids too stiff, severe just like their school principals. Silvio lives,during the warped days of the occupation of his school,first make-out sessions, walks the rotting paths of a friendship wrecked by the raging adolescent hormones towards the same girl and at the end learns to recognize his young soulmate (or kinda). Great and hilarious the bonding scenes between Silvio and his more mature brother, between Silvio and his male friends and the girls of the school ( regarding sex, drugs, Politics and so on ). Just one flaw (if we wanna be pernickety and picky): No soundtrack. Same year, same issues but faraway from American Pie.

"Come te nessuno mai" is another teen film among so many. It could easily be an American teen film, only it's spoken in Italian, and politics plays a more important role than in their American counterparts (there's no left x right in the USA - American teenagers, as portrayed by American films, are more concerned with status and clothes. But politics is not really important for the story of "Come te nessuno mai" - it is just a game played by these children of well-to-do parents. If they were in USA they would be cheering for a basketball player.

Another significant difference between "Come te nessuno mai" and its American counterparts is that the acting is much better and the romantic scenes have really a romantic feel.

All in all "Come te nessuno mai" is entertaining, funny and sometimes moving, but it is a disposable movie - it's easy to see and easier to forget.

Maybe one day there will be a director able to give a deeper portrayal of the teen world. Teenagers are not the cardboard figures usually shown in the teen films. They deserve better films.

COME TE NUSSUNO MAI translates from Italian to "like you anyone ever" or one's first experiences in life are unique solely to you, never having been experienced by anyone in history. BUT FOREVER IN MY MIND is simply a quote lifted from this film about the agonies and ecstasies of adolescence and to fully appreciate the story from the adolescent aspect, the Italian title is far more appropriate.

As written by brothers Gabriele and Silvio Muccino (also Gabriele directs and Silvio stars) this radiant little film covers a day in the lives of Italian highschool kids caught up in a youthful rebellion against their school's policies while at the same time sorting out the nascent changes in their burgeoning sexuality. The boys languish over their expected, anxiously awaited first physical encounter while the girls (at times on split screen just to make the comparison more strongly) relate their feelings about first time encounters with the boys. The two stories run parallel: student riots involve the police and of course eventually their parents, the two sources of authority the kids naturally challenge, and the taste of honey one of the boys achieves which becomes a gossiped, bloated misdirected moment of braggadocio that eventually leads to the serendipitous beautifully innocent discovery of teenage love.

The young boys include Silvio (Silvio Muccino) and his talkative confident Ponzi (Giuseppe Sanfelice), the one sexually active lad Martino (Simone Pagani) while the girls include the experienced Valentina (Giulia Carmignani) partner of Martino, and Claudia (Giulia Steigerwalt), Silvio's longtime friend who dreams of a relationship beyond friendship. The remainder of the cast (especially Enrico Silvestrin and Giulia Ciccone who are splendid as Silvio's 'ex-hippie' parents) is quite strong. The parallel between the physical rebellion in the school incident and the hormonal rebellion within this collected group's bodies is a true sense of cinematic metaphor and makes for a fast-paced, humorous, touching coming of age story that is a joy to watch! In Italian with English subtitles. Grady Harp

This is a colorful, bright, energetic film, saturated with teenage ennui. It all comes rushing back at you, how everyday teenage life is the stuff of high drama, all the time, on all channels.

The framework is a student rebellion, and a subplot is the reactionary attitudes of one boy's parents, big players, evidently, in the student riots of '68. The teenagers' contempt for adult society is so automatic it's almost an institution. It's funny, and a little depressing, to watch these kids make the same stupid assumptions you did X number of years ago. You realize they're unavoidable, these rites of passage.

While it feels like a modern, Italian John Hughes movie, it delivers more than you'd expect from a movie so described. There are sharp, trenchant observations about life and what we expect from it. Some of the innocent questions a boy asks his older brother are so silly they're profound. I especially enjoyed the right-on portrayal of the boys being just as gossipy as the girls, if not more so.

I hadn't expected to like this movie as much as I did. It's sweet, funny, and worthwhile.