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Requiem for a Dream

  • 2000
  • VM18
  • 1h 42min
VALUTAZIONE IMDb
8,3/10
950.170
LA TUA VALUTAZIONE
POPOLARITÀ
197
36
Jennifer Connelly in Requiem for a Dream (2000)
Theatrical Trailer from Artisan
Riproduci trailer1:34
4 video
99+ foto
Dramma psicologicoTragediaDramma

Le utopie di droga di quattro persone di Coney Island vengono distrutte quando le loro dipendenze diventano profonde.Le utopie di droga di quattro persone di Coney Island vengono distrutte quando le loro dipendenze diventano profonde.Le utopie di droga di quattro persone di Coney Island vengono distrutte quando le loro dipendenze diventano profonde.

  • Regia
    • Darren Aronofsky
  • Sceneggiatura
    • Hubert Selby Jr.
    • Darren Aronofsky
  • Star
    • Ellen Burstyn
    • Jared Leto
    • Jennifer Connelly
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,3/10
    950.170
    LA TUA VALUTAZIONE
    POPOLARITÀ
    197
    36
    • Regia
      • Darren Aronofsky
    • Sceneggiatura
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Star
      • Ellen Burstyn
      • Jared Leto
      • Jennifer Connelly
    • 2.5KRecensioni degli utenti
    • 205Recensioni della critica
    • 71Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #91
    • Candidato a 1 Oscar
      • 37 vittorie e 69 candidature totali

    Video4

    Requiem for a Dream
    Trailer 1:34
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream | Anniversary Mashup
    Clip 1:18
    Requiem for a Dream | Anniversary Mashup
    What Roles Has Jennifer Connelly Turned Down?
    Clip 3:18
    What Roles Has Jennifer Connelly Turned Down?

    Foto330

    Visualizza poster
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    Interpreti principali79

    Modifica
    Ellen Burstyn
    Ellen Burstyn
    • Sara Goldfarb
    Jared Leto
    Jared Leto
    • Harry Goldfarb
    Jennifer Connelly
    Jennifer Connelly
    • Marion Silver
    Marlon Wayans
    Marlon Wayans
    • Tyrone C. Love
    Christopher McDonald
    Christopher McDonald
    • Tappy Tibbons
    Louise Lasser
    Louise Lasser
    • Ada
    Marcia Jean Kurtz
    Marcia Jean Kurtz
    • Rae
    Janet Sarno
    • Mrs. Pearlman
    Suzanne Shepherd
    Suzanne Shepherd
    • Mrs. Scarlini
    Joanne Gordon
    • Mrs. Ovadia
    Charlotte Aronofsky
    • Mrs. Miles
    Mark Margolis
    Mark Margolis
    • Mr. Rabinowitz
    Michael Kaycheck
    Michael Kaycheck
    • Donut Cop
    • (as Mike Kaycheck)
    Jack O'Connell
    Jack O'Connell
    • Corn Dog Stand Boss
    Chas Mastin
    • Lyle Russel
    Ajay Naidu
    Ajay Naidu
    • Mailman
    Sean Gullette
    Sean Gullette
    • Arnold The Shrink
    Samia Shoaib
    Samia Shoaib
    • Nurse Mall
    • Regia
      • Darren Aronofsky
    • Sceneggiatura
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti2.5K

    8,3950.1K
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    Riepilogo

    Reviewers say 'Requiem for a Dream' is a powerful film exploring drug addiction's harsh realities. Burstyn, Leto, Connelly, and Wayans deliver compelling performances. Aronofsky's direction, with split-screen shots and rapid editing, is innovative yet divisive. The haunting score and cinematography enhance emotional impact, though some find the stylization excessive. Despite mixed views on its approach, the film is noted for its strong emotional reactions and unflinching portrayal of addiction's consequences.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    8bshsfo

    Punishing and Unforgettable

    I respect and admire this movie, even though (and perhaps because) it is complex, occasionally irritating and often very hard to take. Frankly, I avoided seeing it for a long time, but now am glad I did. To complain that the film fails as a realistic portrayal of addiction is, I think, to miss the point. Far from being the mere depiction of a collective downward spiral fueled by drugs, the movie is in fact a meditation on loneliness, greed, corruption, desperation, and the pervasiveness/banality of media, among many other things.

    The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.

    My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).

    In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.
    10Picklelover-19091

    Disgusting

    This movie is the most disgustingly beautiful and horrifying movie.
    9hwm-05554

    Great movie, I hated every minute of it

    This movie is about how drugs can affect your life. Watching this movie really hurts. If you want to convince someone to stop doing drugs / live more healthy this is the movie to do it. Great acting (especially by Ellen Burstyn) and a realistic / convincing story but man is it painful to watch. This is the kind of movie you are happy to have watched at some point but you don't want to rewatch it because it is a real mood killer.

    9/10 would recommend if you are looking for a heavy, dramatic movie.
    jewinda

    The film-making quality is secondary- this film makes you FEEL

    Often hype about films lead to disappointment and after waiting 14 months after release for my local cinema to show this film, I was done thinking about it. Thank goodness too, rather than challenge my brain (not hard to do unfortunately) this film went straight for the heart, ripped it out and kicked it around the floor for 90 minutes. As the addictions plunged further into the depths of Hell, I felt myself more and more arrested by the film. I've never left a film shaking or feeling physically ill- not including Pearl Harbour, of course :) You want to look away, but cannot.

    This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.

    In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.
    dropthehammer2000

    Disturbing, Graphic and Great

    I went to this movie hearing plenty of buzz about how graphic the content was. Over the course of the movie you see just how Aronofsky wants to send his message to the audience. The characters start off with somewhat mild addictions and then next thing you know the four main characters are living in hell. I couldn't believe how low they all fell. This movie may be the greatest anti-drug message of all time. I dare anybody to watch this and to not be touched and frightened by these characters. Before the movie started I noticed the audience was quite loud and garrulous, but as it ended and the credits rolled the whole place was stone cold silent. It was amazing.

    As a whole I felt the movie was excellent. The visuals were well done and the editing was outstanding. The actors really put themselves into their roles. Jared Leto and Jennifer Connelly had very good chemistry, while Marlon Wayans showed he is a talented actor and not just a talented comic. Ellen Burstyn. Wow! She was amazing. I can't believe an older woman would allow herself to be filmed like that. She has some serious guts. Hands down the best female performance I've watched this year, not even close. I was totally amazed by her.

    All in all, I would say Requiem For a Dream is a great movie. It had a profound impact on me and I haven't been able to stop thinking about it since I watched it on opening night. I definitely recommend this movie to anyone. This is a movie everyone should see, but unfortunately not enough will.

    Interessi correlati

    Jim Carrey and Kate Winslet in Se mi lasci ti cancello (2004)
    Dramma psicologico
    Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
    Tragedia
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Dramma

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      (at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print.
    • Blooper
      When the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine.
    • Citazioni

      Sara Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.

      Harry Goldfarb: You got friends, Ma.

      Sara Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.

    • Curiosità sui crediti
      The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked".
    • Versioni alternative
      The film was originally given the "kiss of death" rating of NC-17 by the MPAA. Rather than deal with this, it was decided to release it Unrated in Theaters, and with two cuts for Home Cinemas, one labeled "Director's Cut" and the other one, R-rated one labeled "Edited Version." As stated in another notation for "Alternate versions," the latter used alternate angles and footage to replace the more explicit sex scenes. In terms of runtime, there is an additional six minutes to the Directors Cut. Details on the differences can be found at movie-censorship.com.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Remember the Titans/The Exorcist: The Version You've Never Seen/Under Suspicion (2000)
    • Colonne sonore
      Bialy & Lox Conga
      Performed by The Moonrats

      Marcel Reginatto - Saxophone, Vocals

      Brian Emrich - Bass Guitar, Vocals

      Oscar Oñoz - Trumpet, Vocals

      Theodore Birkey - Keyboards, Vocals

      Tico Torres (as Hector Torres) - Percussion, Vocals

      Darren Aronofsky - Vocals

      Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC

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    Domande frequenti23

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    • What are some interesting facts about drugs?
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    • What are the differences between the R-Rated version and the original NC-17 version?

    Dettagli

    Modifica
    • Data di uscita
      • 15 dicembre 2000 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Réquiem por un sueño
    • Luoghi delle riprese
      • Coney Island, Brooklyn, New York, New York, Stati Uniti
    • Aziende produttrici
      • Artisan Entertainment
      • Thousand Words
      • Sibling Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 4.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 3.635.482 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 64.770 USD
      • 8 ott 2000
    • Lordo in tutto il mondo
      • 7.391.471 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 42min(102 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Surround 7.1
      • Dolby Digital
      • Dolby Atmos
    • Proporzioni
      • 1.85 : 1

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