The Big Kahuna

Though essentially little more than a stage bound version of the play, `Hospitality Suite,' the film entitled `The Big Kahuna' earns distinction for its sharply delineated characters and the finely wrought performances of its three main actors. In fact, the stage origins of the film are evident in the fact that the action rarely extends beyond a single set – a hotel suite in Wichita, Kansas in which three salesman are gathered for a convention – and the fact that only four people are even assigned speaking parts (and even the fourth is a mere walk-on bellboy). All the other people we see serve as a kind of silent backdrop before which the three principal players enact their complex personal drama.

Kevin Spacey, in a truly brilliant performance, plays Larry, a middle-aged, sardonic salesman who sees life strictly from the perspective of a hardcore cynic and who, consequently, runs roughshod over his two business associates with his acerbic wit and hardnosed bluntness. In total contrast is Bob (Peter Facinelli), a 20-something neophyte to the selling business, a sincere, well-intentioned, but hopelessly naïve born-again Christian, who has trouble separating his career as a salesman from his felt need to fulfill the Biblical edict to go out among men and spread the Good News. Caught between the two is Phil (Danny DeVito), a 52-year old man who, after years of devoting his life to the cause of selling, has begun to seriously question the validity of his life's work and has, therefore, recently found himself contemplating such weighty matters as suicide, the existence of God and the meaning of love and friendship. Obviously, such cleanly delineated characters could well have slid over into two-dimensional stereotypes, yet the author, Roger Rueff, in adapting his play to the screen, has built into each of the three principal figures a dimension of multifaceted human complexity. Larry, for instance, despite all of his facile cynicism, shows a far deeper side to his character when, in a quiet moment in which Phil pours his heart out to him, he offers his buddy the hand of genuine compassion and friendship. We discover that the often-bitter tone Larry displays to the world is just a façade, a cover-up for the void that lies deep within his own troubled psyche. Similarly, Rueff avoids the common trap of reducing the devout Christian character to the customary level of a mindless buffoon. Although we sense that Bob too uses his Christianity as a way of ordering his life - thereby avoiding the messy ugliness that a more freethinking life often requires - yet, Rueff merely implies that Bob has some growing up to do, not that his belief system must itself be jettisoned. And Phil, caught between these two worldviews, provides, out of his own confused weakness, the voice of reasoned sanity that helps Larry and Bob come to a final understanding and mutual appreciation of each other. He sees Larry plainly for who he is, yet Phil knows that this is the person who means more to him than anyone else in the world. Similarly, though he somewhat admires and respects Bob's sincere devotion to his Christian principles, Phil knows that Bob has a long way to go before he becomes a true `man of character.'

`The Big Kahuna' does not provide big laughs, though the sardonic wit often strikes a deep chord in the audience. The film may also seem claustrophobic to those who demand more movement from their movies. The dialogue, however, is consistently sharp and incisive, even though Phil's final speech borders a bit on the pedantic. (At this point, Phil's function as the author's mouthpiece becomes a bit heavy-handed to say the least). Nevertheless, for those in search of a fine character study, driven by strong performances and insightful observations about human nature, `The Big Kahuna' is definitely worth checking out.

Some movies are little more than photographed stage plays. 'The Big Kahuna' is like that. Most of the scenes are set in one hotel room and only 4 people have any lines. It could be said that all they do is talk, philosophize, and soul-search in this film. So if what they talk about is interesting and moves you, then the movie works. With subject matter such as religion, friendship, finding a meaning in life, and even the art of salesmanship, the characters definitely have a lot to say. And they're pretty funny, even if the film is too tragic to be called a comedy. Bottom line is, I'll long remember Danny DeVito's touching, understated performance.

He and Kevin Spacey (Phil and Larry, respectively) play experienced industrial lubricant salesman who've been sent to a convention in Wichita. Accompanying the two longtime friends and colleagues is a young co-worker, Bob (Peter Facinelli). They're hosting a small party in their hospitality suite for the elusive Dick Fuller. This is a client who could conceivably make or break their careers, but might not even show up to talk biz. Fuller represents the title character, although you could also say the kahuna is God. The final third of the picture delves deeply into spiritual belief and the search for the man above. Facinelli is devout, Spacey is not, DeVito rides in the middle lane and tries to keep the peace.

Whether or not they actually make the big deal plays second fiddle to the give-and-take relationship of the 3 very different men. Spacey is as witty and smart as usual, but DeVito is the soul of 'The Big Kahuna'. He's been good before, but he's generally a comic actor. Here, he's the straight man. The writer and director (Roger Rueff and John Swanbeck, who've never made another film) know how to give Spacey his big scenes and they REALLY know how to let DeVito play everything in expressions and tone. The filmmakers aren't breaking new turf, but they let their excellent actors act. Even if this is just another verse in the 'Death Of A Salesman' song, DeVito's got the goods on Willy Loman.

When I saw this movie, I had one sole motivation- It had Kevin Spacey in it. That, in my opinion, makes any of his films worth at least a glance. He's so brilliant. Also, I was in the mood for a good comedy. This film presented me with both the expected comedy and brilliant performance by Spacey. However, I guess I neglected to read up on what this movie was all about first.

Let me say that, as a Christian (and a Baptist), the portrayal of Bob is the single most realistic on screen portrayal of a true Christian that I have ever seen. Bravo to them for not giving into cliches! While some attacks were made on Bob's faith, they weren't presented as right or wrong, but different view points. I was frankly shocked (pleasently) by this film. I would deffinately recommend it.

Also, I am not a particurally big DeVito fan, but he turns in a truly moving and realistic performance in this film.

7/10

"The Big Kahuna" proved to be one of the finest offerings that I was privy to at the Toronto International Film Festival this year. The expression "saving the best for last" applies strongly to this film. We were fortunate to have a Q&A after the film with Roger Rueff, the screenwriter of this eloquently written piece, John Swanbeck, the director enjoying all that a first timer could hope for from his debut, and the gifted actor Kevin Spacey, who starred in and produced the film.

This marvellous examination of three men of different age groups at a convention in Wichita also features the talents of Danny DeVito who apparently came to the production in the proverbial last minute. This film was shot in a very short sixteen days which comes as a surprise, despite it's one central location, as the dialogue is so strong. The best way to describe it is as almost poetic.

The script was adapted from the play "Hospitality Suite", also written by Rueff, who revealed in the Q&A that the story was based upon his own experiences at a sales convention long ago. But he assured us that his character of the young, impressionable, bible thumping "Bob" was not based on himself. Rueff also noted that with this being his first screenplay, he had worried about the horror stories he heard where scripts are butchered and transformed into things the writer never intended in many Hollywood productions. But in this case, he trusted the director and cast implicitly and was not disappointed in any way.

Kevin Spacey shines in this sneak peak behind the scenes of a sales convention where the future of a company lies squarely on the shoulders of three men in the pursuit of a big client. The president of another company represents the biggest potential account they will ever have. They exchange stories, accounts and personal philosophies and find how different they are from one another based on what they've been through.

The interaction between the three actors is mesmerizing. They take the audience into what feels like a true life account documented verbatim. To say more would spoil the outcome for those who've not yet had a chance to enjoy this film. It is my strong recommendation that all of those who have not, do so at their first available opportunity.

Only the other night whilst watching an episode of Taxi did I remember seeing a film with Kevin Spacey and Danny Devito about six years ago, there was just one problem, I couldn't remember what it was called, hours turned into days, sleepless nights became more sleepless and I still couldn't remember, but I did remember thinking it was rather great. Well imagine my surprise upon venturing into my local poundland and finding a movie called Big Kahuna featuring, you guessed it Kevin Spacey and Danny Devito, with the biggest grin on my face, the feeling that I'd achieved a minor accomplishment, a 12 pack of Dorito's and some scented bin liners I approached the checkout, paid and promptly headed home. A pound, one whole English pound for a movie I would gladly pay twenty for any day, because this is truly a great little movie, granted not much really happens and settings nothing new, but when you've got such fantastic performances from a fantastic cast there can be no complaints, Dany Devito has rarely been better, this disaffected soul is genuinely someone you can feel for and completely side with, Kevin Spacey is, well Kevin Spacey and lets face it that has never been a bad thing, every time he talks you listen, Peter Facinelli gives a very subtle but no less engrossing performance, but on the whole the real star is Roger Rueff, the script is just beautiful with great line after great line flowing from the mouths of a great cast, it really makes you want to see it on the stage. This is a great little film that any self respecting film fan should at least give a go. I'm heading down to Poundland to buy up the remaining copies and I'm gonna hand them out to my friends.