I Maximals si risvegliano sul loro pianeta natale Cybertron e sono inseguiti da Vehicons senza cervello creati da Megatron. I Maximals devono liberare il pianeta da Megatron e riportarlo al ... Leggi tuttoI Maximals si risvegliano sul loro pianeta natale Cybertron e sono inseguiti da Vehicons senza cervello creati da Megatron. I Maximals devono liberare il pianeta da Megatron e riportarlo al suo vero modo di vivere.I Maximals si risvegliano sul loro pianeta natale Cybertron e sono inseguiti da Vehicons senza cervello creati da Megatron. I Maximals devono liberare il pianeta da Megatron e riportarlo al suo vero modo di vivere.
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To this day Beastmachines is still a very divisive show in the Transformers univers, but to its defence that's the only thing that drags it down for me, because as a direct sequel series to the highly beloved Beast Wars the vastly different tone and subject matter cover the entire series' run.
It's much darker and more serious than its predecessor with very little humour which makes it rather tough to get through, but the central themes of the show like technology vs nature do take a more nuanced look at it instead of being so black/white like other movies/TV-shows like Ferngully: The Last Rainforest or Captain Planet And The Planeteers, but it's presented like this religious conquest by the now Guru of the Maximals Optimus Primal, which makes his ultimate goal not as likable as it should have been.
The animation is another commendable thing about Beastmachines. It has aged much more gracefully than earlier Mainframe Entertainment shows like Beast Wars and ReBoot, and the highly expressive faces of the Maximals can hit the uncanny valley at times. But the character designs are otherwise a mixed bag with Cheetor and Megatron being awesome while Silverbolt is garbage.
I see the problems with Beastmachines, but I can't deny that if I didn't think of it as a Transformers show, then I'd say it's a really good show if not a little dark.
So then came the previews for Beast Machines. Sure, it was still animated by Mainframe, who did Beast Wars, so we knew it would look good. But what about the story? From the beginning there were questions. They were taking the surviving characters from Beast Wars and putting them in a new environment. This would be our first in-depth CGI look at Cybertron. I had no problem with this. We had done the "Beast Planet" thing, so a new setting was promising. Next was the idea of the mindless transformer drones, to provide "cannon fodder" as we hadn't seen before in the Transformers. No problem. New characters, new bodies for our survivors, this was all okay. We had grown accustomed to that in the Beast Wars. Most characters had changed appearance two or three times by the end of that series.
The problems I had were with the changes they made in the fundamentals of the mythos, and the characters. I don't remember much from previous series about the organic beginnings of Cybertron. Personally, I don't really see the point in them pushing it as the main element in this Beast Machines story arc. I would think they would have enough to do with a return to Cybertron, a new fight, new characters and such. Second, the characters change for the worse in my opinion. As established in Beast Wars, Optimus was rational, kind and a strong leader. Here he becomes angry, argumentative, and indecisive. Rattrap was a complainer in Beast Wars but not a coward or an idiot as he was in Beast Machines. It's only halfway through the series that he even figures out how to transform, something the others accomplish by episode 1 or 2! Cheetor becomes bull-headed and arrogant, a trait he was often scolded for in Beast Wars, but here he is rewarded and promoted for it. I understand that they probably wanted to show his progress to leadership, and bring in Nightscream as the new 'kid' of the team, but it still seems out of place. I guess what I'm saying is, the characters have all become kind of unpleasant and I don't really care about seeing any them succeed anymore. About the only one who is still 'in character' is Blackarachnia, who wisely spends much of the Beast Machines series following her own agenda away from the other Maximals. Megatron's obsession with eliminating the 'organic element' seemed odd to me since he was the one so obsessed with experimenting on organics in the Beast Wars. He cloned, he tampered, and he was awfully proud of the power of his newly acquired body each time he got one, half-organic or no. I don't understand the point of using established characters if you plan to change all of their personalities. Just create some new ones, at least the Beast Wars team had the respect to do that.
Having said my piece about the treatment of the surviving Beast Wars characters, let me say that I enjoyed the 3 Vehicons. This makes me think that the writers know how to write, they just don't know how to write the specific characters that carried over from before. The use of the Maximal personalities within the Vehicons lead to interesting speculation about who was who and what this would mean; but in the end, I hope we don't see that as an excuse to bury the characters of the Vehicons in favor of our "returning favorites." I would favor a story that finds a way to segregate the two sets of characters so they can live on their own.
All in all, although my review is very critical, I think there's a lot of potential here. The CGI is great. The voice actors are too and I'm glad that they didn't make any replacements, that they got the Beast Wars actors back to resume their roles. A lot of the visions of Cybertron are very chilling ... like somewhere between Blade Runner and Tron. Although there are characters I despise, I think they still have strong voices in Blackarachnia, Megatron, Rhinox-Tankorr, and I think Jetstorm is a hoot! I just hope they find a way to write their own ideas without just swiping a lot of stuff from the past and then bending the stories to fit their revisionist history. If season 2 is as good as the first I'll keep watching... but I think they can do better.
Lo sapevi?
- QuizReportedly, most of the voice actors didn't like working on the show due to how their characters had been rewritten compared to the previous series. Scott McNeil (voice of Rattrap, Silverbolt and Waspinator), who was one of the few returning voice actors not to hate the series, at times mentioned how his colleagues, for instance Garry Chalk (Optimus Primal) would flip out in anger between recording sessions.
- BlooperMegatron's virus reverts the Maximals into their original bodies from the first season of Rombi di tuono e cieli di fuoco per i Biocombat (1996). However, Optimus Primal should technically be in his Transmetal design from season 2, since his original body was destroyed and his Spark was placed in a new body. The virus couldn't have devolved him further than his Transmetal form, because that was his new body's original form.
- Citazioni
Jetstorm: You broke 'em, you bought 'em, kitty cat! You again? What say we finish this once and for all?
Black Arachnia: Music to my ears. Shall we dance?
- Versioni alternativeMuch like in the case of its predecessor, Rombi di tuono e cieli di fuoco per i Biocombat (1996), the Japanese version of this show is a comically over-the-top parody, the exact opposite of the serious and somber tone of the original. The recurring characters retained their individual quirks, including the Vehicon Generals, whose identity was kept a mystery in the original version. These comical traits were driven to the point of insanity, with many characters constantly yelling their trademark catchphrases to break up the silence. The new characters also received their own unique personality changes -- most notably, Nightscream was turned into a flaming gay stereotype as an homage to a Japanese comedian who was popular at the time.
- ConnessioniFeatured in Troldspejlet: Episodio #37.10 (2007)
- Colonne sonorePhat Planet
Written by Barnes and Daley
Performed by Leftfield
Courtesy of Chrysalis Music/Hard (UK) Hands Publishing
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- Beast Machines: Battle for the Sparks
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- 30min
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