Human Traffic

Making a film about the 'chemical generation', those who live for the weekend, must have been a very hard enterprise. It would have to accurately reflect the lives and experiences of 'clubbers' and also appeal to a wider audience. Human Traffic just about achieves that.

It is certainly spot on in with it's observations and in it's accuracy. It's obvious the filmmakers have 'been there and done it'. If you are or were once like the people in this film, than there is so much to relate it. It's all there, often depicted humorously but not condescendingly. The fake euphoria of being on 'E'["in the end ,I just want to be happy, yeah ,that's it.....hang on, what the **** was I talking about?"]. The monged conversation at 4 am which seems deep and meaningful but is basically rubbish [ Star Wars being about drugs!]and gets more and more incoherent. Exchanging pleasantries with someone you only see in pubs and clubs and really can't stand. 'Coming up' suddenly at the same time as someone else and mumbling to each other what you're 'on' at the speed of light. Reminiscing how it was better in the 'old days' and is now too commercial and widespread. Doing it all for the first time and going off with a bunch of dodgy geezers who are suddenly your best mates. The thrill of finding the after party. The depressing, inexorable sense of returning to the reality.

The film's attitude to drugs is commendable, drug taking is simply something the characters do, and that's all. Nobody dies or is seriously ill ,and yet there is a sense that it doesn't really lead anywhere. "After all ,we'll not going to be doing this for ever, are we" says one character at the end.

The film falters a little when depicting the lives of it's protagonists. For many scenes, director Justin Kerrigan uses a kind of 'heightened reality', for instance in a scene when a character comments on how the workers in a fast food place are like robots and for a moment they 'become' actual robots. This approach does not always work, and it's a shame since the characters are all the sort you could expect to run into on a Friday night. We do care a bit about their respective lives and problems, but we don't really get to know the female characters properly, and what is really the main thrust of the plot, the blossoming romance between two of the main protagonists, is dwelled on too much and is somehow unconvincing,if sometimes quite sweet. The acting is generally OK if not great.

Human Traffic is not as important a film as, say, Trainspotting, which despite being about heroin addicts seemed to speak to a generation. Nonetheless, it's a truthful depiction of an element of society which films and TV either ignore or condescend to. Incidentally ,there are two versions, the director's edit and the later producer's edit. The latter, which cuts some footage, changes some music and adds some silly CGI, is inferior to the former.

This film was hilarious. It provided a somewhat comical view of the British club scene, which, if you really look at it, is a funny thing. The characters in this flick were so realistic to those of us who watched here at my place that it was like watching a movie about ourselves.

There were a few pivotal scenes which really made this movie work: the getting ready scenes; the "Get me a real doctor" scene; the white background scene showing each character in a total state of being wrecked, ending with the infamous line "what was i saying?" and the comedown-sunup scenes. I have lived these moments myself and found myself laughing hysterically at my own ridiculous behaviour.

I can't give this movie a 10 because it doesn't measure up to Groove, which I thought was out of this world, but it certainly has its moments. The mise-en-scene and the camera work is superb, the special effects are well worth mentioning, and the acting is fantastic.

After waiting a long time to see this film, I am glad to say that I was not disappointed. I hope to see more from the writer/director in the future.

As the weekend approaches, the working days come to a close and the weekend of partying and forgetting everything else approaches. We follow a group of friends from their jobs to their Friday night highs. Jip is having erection problems, Koop mistrusts his girlfriend, Lu has just split from her most recent boyfriend and Nina is preparing to let her brother take E for the first time. They all hate their jobs, but the weekend gives them an opportunity to get away.

When this came out it got both horrible reviews and good reviews, so I didn't know totally what to expect, but I expected to hate it because it marked itself out from the very start as one of those very self-aware 'youf' movies. However, although that's exactly what it is, I did actually enjoy it nonetheless. There is not a plot so much as a weekend experience and it does struggle at times without a frame of any sort. However while it is hitting the spot and being energetic and funny it doesn't matter. The odd time it tries to give the characters specific issues or lives it tends to hurt itself but for the majority it works.

The script is funny with nice imaginative touches blended with real life club/drug culture/pub culture references and settings to make it identifiable and interesting. I suppose it very much depends on who you are. If you are not part of that scene or have no knowledge of it then it may just seem like a big pointless waste of time. For me, much of it was recognisable regardless of what I have done or have not done. While some of it was unknown to me, I still found it funny and was able to relate to much of it. It is very clear about it's stance on drugs (with a not-so-subtle clip of Bill Hicks just to ram the point home) but at least it shows the immediate bad side if not the longer lasting effects; the comedown/hangover scenes are pretty much fair and balanced, as are the scenes of enjoyment and fun brought by drugs. However to compare this film to Trainspotting is a joke! The latter was very clearly showing a balanced view of drugs, whereas this film is less balanced, and is more about the pleasure, being aimed at the user market.

The cast are young and lively and deal well with the material without ever impressing. Parkes seems the most comfortable with his role, although Davies convinces in a speeded up dealer performance. Simm is lumbered with the narration but does OK but there are no really good female characters compared to the men.

Overall this is worth seeing if you can relate to it and get laughs from seeing people you recognise in the characters. However if, after 10 minutes you can't see what the point of the whole thing is and it just seems noisy and stupid then it's likely not aimed at you and you're better off without it. Either way it isn't great but if you get it, it is energetic and funny enough to watch.

It is Cardiff in the late nineties; five friends head out for a weekend of drugs, alcohol, sex and clubbing. Through the Ecstacy-induced high to the alcohol-assisted comedown to the feelings of the morning after, their lives are on the brink of changing forever When 'Human Traffic' was released, many critics claimed that this was the last great British film of the nineties – and how right they were. This film is so inherently a nineties movie, it's like opening a time capsule. To be young was to be a clubber; to be living for the weekend, when mixing alcohol with drugs was a given. Writer-director Justin Kerrigan captures that oxymoronic feeling of immortality and insecurity beautifully, through five characters that complement each other so well.

Obviously, the success of the characters hinges entirely on the success of the actors, and what 'Human Traffic' also gives you is a snapshot into what would (and could) become the future of British cinema. Top of the pile is John Simm, who went on to achieve well-deserved acclaim for Life On Mars. This is arguably his breakthrough performance, and he's a joy to watch.

But, in my honest opinion, the plaudits need to go to Danny Dyer. For those with a decent knowledge of Dyer will know that he is mostly known now for playing really rubbish characters in really rubbish films. But in 'Human Traffic', he is brilliant. The character of Moff isn't the nicest – he is hooked on drugs, isn't overly intelligent, and is desperate for friends – but Dyer imbues that unlikeable character with a childlike innocence which you warm to. It's by far the best performance I've ever seen from him, and makes me realise why he managed to keep a career going. The rest of the cast is made up of actors who have since faded into the distance; which, to be honest, isn't surprising as the performance levels don't match up to Simm and Dyer. While everyone has moments of good work, it is never quite as consistent. I feel like there were better young actors at the time who could have done a better job.

You could argue that the film is a bit dated, and it's not a bad argument to make. Obviously, the youth of the nineties is a lot different from the youth of today. But for those who were part of the nineties generation, 'Human Traffic' provides the same feeling of nostalgia that 'Trainspotting'. Both are films stuck in time, but not in a way that hurts them. 'Human Traffic' is a love letter to the nineties, and well worth a watch.

I've just rewatched this through eyes half closed after about 10 years and can confirm it's still a brilliant snapshot of the time. Brilliant soundtrack. Sweet, funny, flawed characters. Peeking into drug and party culture in the late 90s. A lovely little journey (dare I say trip?) to nowhere in particular and back.