The Graveyard Story

I can't understand why this movie is heavily underrated. I know the premise does not represent a breakthrough in the genre but still for an early 90's effort it's a very well done movie.

The movie's stars are John Ireland and the always curvy and talented Courtney Taylor (betterk known for her sexy role in "Prom Night III"). But this time Ms. Taylor does not takes her clothes off.

Anyways, the plot may be interesting enough for those who have doubts before watching it. A lonely, sad old man adopts a dead child. Yes, a dead child. Soon after he gets involved with him he investigates about his death and finds a creepy truth which leads to macabre events.

Please, watch this tale of Horror and love. It isn't a bad movie but it surely isn't among the best. But "Graveyard Story" will keep you entertained and wondering if the dead are as noble as us. Watch this little Canadian Horror flick and give the credit it deserves.

I was expecting a horror movie with a ghosts but was somewhat disappointed but then I was curious to find what happened to Dolly, ignoring the stupidity of some characters.

This is a typical bad Canadian movie. There are no thrills, no chills and no spills. Despite the dialog and over-extended explanations the characters still have no motivation for their actions. The photography is limper than an episode of Eight is Enough.

Of course, due to its dullness, it was funded by the government who probably paid for at least 50% of the production cost and even more if the film-makers were creative with their accounting.

You should be thankful that this movie will only ever be seen in Canada, used to meet Canadian content requirements.

I'll be generous with 3/10 given no comic relief was attempted.

I thought this movie was another one in the early 90's about a ghostly vision that led to a mystery but it wasn't the one that I was thinking of despite that this turned out to be so entertaining for me at least the story while I don't want to reveal too much to put it in a nutshell a man has a vision of a young girl that has been dead for years and wants to get to the bottom of who she is so he hires a PI and from there the story takes off with lots of twists and turns and interesting characters along the way all leading up to a big plot twist put this along with the scenery and great locations this was filmed and it is a classic in my opinion very well done and has that awesome 80's feel even though it is 91.

From the infamous B-Movie disastermind that spawned cult 80s canuxploitation classic, 'Beyond The Seventh Door' comes the demonstratively tamer mystery, 'Graveyard Story', a contemplative, gentle, intermittently creepy yarn about wealthy retired doctor, McGregor (John Ireland) who, upon discovery of the dilapidated, neglected gravestone of, Dolly Cooper (Courtney Taylor) compulsively finds himself repeatedly drawn to the young girl's grave until his mounting curiosity gets the better of him. McGregor hires dogged ex-cop, Ron Hunt (Adrian Paul) to discover this mysterious girl's history, and the appropriately monikered Hunt's consummate sleuthing skills fatefully unearths far more than either of them could have positively imagined!

While this modestly budgeted feature has a TV movie of the week aesthetic, this melancholy tale unfolds with laudable efficiency, as director, Bozidar has competently authored a darkly twist-laden narrative that successfully maintains interest until the satisfyingly shuddersome conclusion! Performances are uniformly solid throughout with an especially earnest, heartfelt turn from veteran, John Ireland, and the amiable, Adrian Paul makes for an eminently capable, hard-nosed sleuth, and one who takes a singular pride in the getting the job done right! Overall, this is a decent melodrama, capably told, with no extraneous stylistic bells and whistles, just a stolid, reasonably wholesome, family friendly thriller, ideal fare to cosy up to on an especially inclement eve! 'Graveyard Story' is certainly a worthwhile watch for softly spooky mystery/thriller fans who actively prefer immersive story telling over gratuitous, forensic gore.