A Christmas Carol

As others have noted, this is a low budget and abbreviated version of the familiar story. However, it is very earnest and faithful to the book in tone. It has several excellent performances, the best of which I believe is John Le Mesurier's as Marley - whom he depicts not with the usual overwrought performance but as a tired and long-suffering spirit weighed down with regret. His time onscreen is far too short. Overall, this a version certainly worth seeing by fans of the story.

A Christmas Carol is such a timeless story, one that almost everybody knows and is Charles Dickens' most accessible works. This 1977 adaptation is a very good one and, while not as good as the Sim, Scott and Muppet versions, deserves to be better known. It is too short in length and did feel rushed as a result, it needed another thirty minutes at least. The production values are not quite of the highest quality but are at least acceptable and hardly ugly-looking, they also at least give some atmosphere, with Cratchit trying to warm his hands you can actually feel the cold in which he works. The adaptation is directed assuredly, and is well-performed too. Michael Hordern is a most credible Scrooge, Alastair Sim is still the definitive Scrooge but Hordern does a fine job as well. There's also John Le Meseurier's spooky Jacob Marley, Clive Merrison's humble Bob Cratchit, Paul Copley's jovial Fred(one of the better actors as the character alongside Barry MacKay in the 1938 film) and Timothy Chasin's heartfelt Tiny Tim. The Three Christmas Ghosts are very well-characterised as well, especially Bernard Lee as Ghost of Christmas Present, funny and imposing. What makes this adaptation as worthwhile as it is is how it tells the story. The dialogue, being amusing, dark and with pathos, is very Dickenesian and adapted intelligently. And the story, for one told in such a short running time, maintains the spirit of the story, and is every bit as magical, charming and enthralling as it should, the message is one to warm the heart and the darker aspects are genuinely foreboding. Overall, a very good adaptation and deserving of more credit. 8/10 Bethany Cox

I first watched this adaptation of A Christmas Carol when it was broadcast by PBS in the seventies. Of course, one attraction was the casting of Michael Hordern as Scrooge, having remembered him as Jacob Marley in the all-time classic Alastair Sim version. Mr. Hordern did not disappoint, providing a Scrooge of sufficient bluster and befuddlement. This could be described as a no frills version of the story by some, but I love it's lean and mean production values and wonderful sets. The cold in Scrooge and Marley's counting house is palpable, with the frost building on the window behind Scrooge's desk. It really seems as though the lighting is coming from the few candles lit in the office, one of which does double duty as Bob Cratchit uses it to warm his cold hands. I love these atmospheric touches, of which there are many in this production. The wonderful collection of British actors bringing the novel to life is the icing on the cake as there are many who stand out. I heartily recommend this version if you can find it. I was able to tape it off television about 10 years ago, and have not seen it since. Still, a wonderful adaptation.

In comparison to longer, more showy versions of Dickens' classic novella, this version from 1977 with Michael Hordern as Scrooge can look a bit underfunded - however, I think that its short length and the quality of its cast outweigh these concerns.

The key of adapting a familiar story is to meet expectations in many ways, and this version does succeed. The visitations of the four spirits (including Jacob Marley), are well done, Bernard Lee as Christmas Present, John Le Mesurier as Marley amongst them. Hordern himself makes a good Scrooge, grey, morose and menacing at the start, and gentle and reformed at the end.

Alongside versions with Alistair Sim, George C Scott, Patrick Stewart, and others, this version more than holds its own.

Let's get this out of the way: This television version of Charles Dickens's classic story is not the best acted nor the best produced, and it's special effects are (quite frankly) laughable even by the standards of the time. It's gifted actors seem like they're rushed to deliver all of their lines in the course of a commercial television production (because they are). None of that is what makes this such an outstanding version of the teleplay.

The secret sauce here is that this is filmed in 1970s BBC studios, and that means you get the wonderful effect of the PAL video technology at the time, with its overblown highlights, deep blacks, and high refresh rate. These qualities inherent in the technology of the time make this (in my mind) the spookiest version of this story ever put to screen. The ghosts are just more ghostly, and matte-background London looks much more gritty than any other version. The atmosphere is palpable and feels oppressive, and that is what you want in what is arguably the most famous ghost story ever told.