Beefcake

Beefcake is a decent 'mock'u-mentary of the life and times of Bob Mizer, founder of the 'Athletic Model Guild' in the early 50s - and precursor to todays muscle mags and also the Playgirl type of magazine. Sure, the storyline is predictable (but, so was 'Titanic') but the characters are all but priceless! And, many of the actors playing the models when young look a lot like the actual models did! This was a great use of stock original footage and 'made to look like' stock original footage. The interviews with the models are priceless, if only for the reality they provide. The acting is spot on, the sets are great and (when viewed in comparison to the original films) quite spot on! One of the other great aspects of the film is the recreation of the AMG original title styles for the credits for this film. All around, a good movie which chronicles the rise and fall of the beginnings of the 'Beefcake' magazine industry!

The makers of this film set a bit of a challenge for themselves. How to make an interesting movie about the world of magazine photography. The subject in this case is one that hasn't been comprehensively covered before: male physique photography. Generally speaking, in 30s the emphasis was on art, in the 40s on fitness, in the 50s on sensuality, and in the 60s on sexuality. The film explores all aspects of this industry by focusing on a few of the top photographers and their models. Surprisingly, not all participants had the same ideas or experiences about their work, nor the same recollections. In fact, these folk seemed to rather enjoy their work, which did emphasize a healthy, fit body. The relationships of the models emerges as congenial and brotherly, and the photographic activity as engaging. As in any "entertainment type industry" there were some over-the-top kibitzing, which in some cases digressed into rather kinky goings on. Still, the makers of this film manage to remain light hearted about most of it, while allowing some top models and fitness stars to share their memories in short commentary episodes.

For those who were not into this area, they could simply not buy the magazines nor be concerned about the whole matter. For those who found this an area of interest, they were free to make their own choices. What caused problems were conflict with the law, which itself may be controversial. These clashes are also presented here in enactments. It was interesting to see Joe D'Allesandro, well remembered from some of Andy Warhol's films, being interviewed--and what a candid, down to earth personality he is.

The fellows, though, come across as having a good time. While it may not be the most ambitious of professions, modeling at least keeps one off the streets -- that is, almost everyone.

This is a wonderful mixture of documentary, drama and vintage material, skilfully inter-weaved to tell us the story of AMG studios. It is fascinating to see these physique films recreated before your very eyes and then masterfully inter-cut with the actual vintage material. It is also sad to see the men who appeared in these movies, at the very peak of their physical beauty, interviewed so many years later when it has all but gone. However, their personalities still shine through and all those interviewed remember their experience in this genre fondly. Technically superb, my one and only reservation about this film is that the actors portraying the models are only vague approximations of the real thing. However, Josh Peace gives a thoroughly charming and charismatic performance as Neil E. O'Hara and Jonathan Torrens is excellent as the mightily naughty David. It would be really nice to have a boxed DVD set of these original films, carefully selected, remastered and presented chronologically. They capture a particular moment in time, far removed from the excesses of today, but still carry a hefty erotic charge.

I was curious mostly about this movie. Not being one to pass up on seeing a movie based on information or history I took a chance and watched it on the HERE! network a couple of years ago. It was better than I expected.

Ignoring the continuous display of frontal male nudity (which didn't offend me in the least), This film was very informative and entertaining. The interviews opened my eyes to a part of history that I have only read about. It is a pity that this film didn't get more exposure, but I believe that the "exposure" on screen would and probably did prevent any real showcasing in worldwide theaters.

I think that anyone who likes to know what occurred in the past in regards to pre-stonewall life should watch this film. And if anyone who just wants to see guys in the nude without the sex involved, will like it too. In any case, it's really interesting.

This film is a huge departure from Thom Fitzgerald's first film The Hanging Garden. Beefcake is a loosely woven docu-drama of photgrapher Bob Mizer's Athletic Model Guild. The style of the film will look very familiar to anyone who's seen the NFB's "Forbidden Love" where interviews with those who knew Bob are blended with a storyline about a court case involving an alleged prostitution ring. Good use is also made of archival footage from AMG and others. The interviews are quite well done- Joe D'Allesandro and Jack LaLanne in particular but the new footage seemed a little 2 dimensional and predictable.